Why would any creative try to rack up 100 rejections?

How does getting rejected benefit us? What can we learn?

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Learn the exact search string I used to discover 50+ 10-minute playwriting contests, their requirements, websites, and deadlines.

Why?

Because for the next year, I'll be submitting my full-length play "Listen!" and my ten-minute play "Subway Stories: Drake" (tentative title) to contests. I aim to submit enough to get 100 rejections.

Listen in to find out the benefits of getting rejected dozens of times.

You'll also hear my thoughts on the Tony-award winning play, Stereophonic - what worked and what didn't work for me.

Connect with Izolda

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