Live Like the World is Dying

Strangers in a Tangled Wilderness

How do we live in a world that might be ending? By preparing to survive that end and by working to prevent it. A production of Strangers in a Tangled Wilderness. read less
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Lynne on the War and Preparedness in Ukraine Pt. II
23-08-2024
Lynne on the War and Preparedness in Ukraine Pt. II
Episode Summary This week on Live Like the World is Dying, Lynn continues to talk to Inmn about everything that's been going on in Ukraine for the last couple years with the invasion and different ways that preparedness manifests during a military occupation or invasion. For the second half of the conversation they focus on preparedness for blackouts and how it's always a great time to get into TTRPGs. Guest Info You can support Ukrainian leftists doing rad things at: Renegade Relief Runners https://renegaderelief.org/ Solidarity Collectives https://www.solidaritycollectives.org/ Lynn also recommends you check out the podcast "Ukraine without Hype" for a weekly Ukrainian news round-up with leftist analysis from journalists in Kyiv, and interviews with some of the people she mentioned in our discussion, such as Sarah Ashton-Cirillo, the American transwoman who became the Ukrainian Territorial Defense spokesperson, and Vladyslav Starodubtsev a writer who talks about the Ukrainian labor struggle." You can also support Lynn's partner, who is fundraising for equipment for his brigade, the 100th Separate Mechanized Brigade. They are defending towns on the Avdiivka Axis, one of the toughest directions at the moment. You can follow him on the platform formerly known as Twitter @SillyNami and if you would like to support them directly, you can send donations to his paypal account: wildflock100@proton.me Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Find out more at https://live-like-the-world-is-dying.pinecast.co This podcast is powered by Pinecast.
Lynne on the War and Preparedness in Ukraine Pt. I
16-08-2024
Lynne on the War and Preparedness in Ukraine Pt. I
Episode Summary This week on Live Like the World is Dying, Lynn talks to Inmn about everything that's been going on in Ukraine for the last couple years with the invasion and different ways that preparedness manifests during a military occupation or invasion. Next week they continue the discussion, focusing on preparedness for blackouts. Guest Info You can support Ukrainian leftists doing rad things at: Renegade Relief Runners https://renegaderelief.org/ Solidarity Collectives https://www.solidaritycollectives.org/ Lynn also recommends you check out the podcast "Ukraine without Hype" for a weekly Ukrainian news round-up with leftist analysis from journalists in Kyiv, and interviews with some of the people she mentioned in our discussion, such as Sarah Ashton-Cirillo, the American transwoman who became the Ukrainian Territorial Defense spokesperson, and Vladyslav Starodubtsev a writer who talks about the Ukrainian labor struggle." You can also support Lynn's partner, who is fundraising for equipment for his brigade, the 100th Separate Mechanized Brigade. They are defending towns on the Avdiivka Axis, one of the toughest directions at the moment. You can follow him on the platform formerly known as Twitter @SillyNami and if you would like to support them directly, you can send donations to his paypal account: wildflock100@proton.me Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness.
S1E122 - Carrot Quinn on "Bets" & Writing the Apocalypse
21-06-2024
S1E122 - Carrot Quinn on "Bets" & Writing the Apocalypse
Episode Summary This week on Live Like the World is Dying, Carrot Quinn comes on to talk to Inmn about her new book "BETS," and about how writing speculative fiction can help inform how we live through the apocalypses we're currently facing. Carrot also reads a chapter from the book, which is out now on Kickstarter. Guest Info Carrot Quinn is the author of "Thru-Hiking Will Break Your Heart" and "The Sunset Route", as well as eleven thousand miles of daily hiking blogs at carrotquinn.com and a weekly newsletter at substack.com/@carrotquinn Bets is a speculative fiction novel being self-published by Carrot Quinn. You can back it on Kickstarter at www.kickstarter.com/projects/carrotquinn/bets-a-speculative-fiction-novel-by-carrot-quinn "The cities are dying. Bets escapes just in time to save her own life. But where will she go? She's heard that somewhere in the desert, people have found a way to be free..." Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Carrot Quinn on “BETS” and Writing the Apocalypse **Inmn ** 00:14 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host today, Inmn Neruin, and today we get to talk to one of my favorite authors, which is a really fun thing for me and a really fun--hopefully--a really fun thing for listeners out there. And today we're going to be talking to Carrot Quinn about a new book, a book about the apocalypse, a book about bikes, a book about the desert. These are all of the things that I want to talk about all the time. And I think that...I think it's going to be a great conversation. We haven't had the conversation yet. So I'm assuming some things, but I have high hopes. But first, we are a member of the Channel Zero Network of anarchists podcasts, and here's a jingle from another show on that network. [sorta singing] Doo doo doo doo doo. **Inmn ** 01:59 And we're back. Thank you so much for coming on the show today, Carrot. Could you introduce yourself with your name, pronouns, and just a little bit about what you...? What do you do in the world? **Carrot ** 02:13 Thanks for having me, Inmn. I'm really excited to be here. My name is Carrot Quinn and I use she or they pronouns and I am a writer. I live in Alaska. I used to live in Tucson. And I write books and I do outdoors stuff. I do these guided backpacking trips that are fun, and I have to chihuahua mixes. **Inmn ** 02:41 Cool. Hell yeah. And we've had you on the show before to talk about things like long distance hiking, and it it, like one of your previous books, just made me want to go out and walk long distances, which I have not done yet. But hopefully might [forlornly] someday. I was wondering if we could just start off by, could you tell us a little bit about your book and about the kind of world and setting, before we, I believe, you have a chapter prepared to read for us.  **Carrot ** 03:18 Yeah, totally. So I wrote a speculative fiction novel called "Bets" that will be out in January of 2025. And it is set in a near future, sort of post collapse western United States. And one reason, the reason I started working on this novel four years ago, I think the reason we all.... You know, everyone's who's writing speculative fiction right now, like what draws us to it is all of these things we see sort of coming down the pike around the world and in the US with climate with all these different things, and we're all trying to imagine like, what's going to happen? How's it going to happen? How's it going to feel when it happens? And what are we going to do? And so, starting to write this novel four years ago, which felt like a really therapeutic experience for me, because I imagined what if this young person was living in a city in the Western United States, and the city was collapsing, and she needed to flee and she needed to ride her bike across the desert to try and find people who had found a way to survive, who she could join living in the desert. Like, what would that be like? Like, who would she encounter? What would the, you know.... Who, if she met people on the road, what would they be like? What shape would the roads been? What would she eat? Where would she find water? What skills would she need? And, trying to imagine this as kind of a thought exercise was really comforting to me. It's sort of, I feel like we...one thing that fiction does for us is we can put ourselves in these scenarios and try and imagine how we would respond emotionally and how they would feel for us, and that and that almost makes us feel prepared for things that might happen, even if they don't ever happen. It's like this very comforting thing. And so I created this character who's living the city. And the rural United States, like Western rural United States, at least--I don't even really talk about the rest of the country because I didn't actually build that part of this world--but the western United States has been abandoned. Because, you know, the first thing, one of the first things to go, was international supply chains in the US, which basically destroyed the entire economy and the ability to access most goods. And then the rural United States, also there is like water scarcity and a lot of contamination and different things. Disease, because of the lack of access to different medical care, and so people in the rural  United States, it just emptied out, and they all went to what was left of the cities. And the cities are these precarious places in this world where, you know, it's impossible to find housing, and most people live in these encampments. And it's really hard to find goods. And it's basically just like, really extremely poor people. And then a handful of like, super wealthy. And the biggest industry left in the US are the prisons, and there's new prisons being built all the time because the prisons have slave labor. So that's like a source of goods. So that's like, the US economy is really reliant on this source of goods. So things are super criminalized because they want more people in the prisons to create more goods. So this young person, Bets, she's 20, that's the world she grew up in, in the city. She was orphaned when she was really young, cause both her parents were disappeared. She doesn't know where her mom went, which is one of the sort of through-lines of the plot is this mystery. And in the beginning, she gets this clue. And then she's sort of trying to like follow up on that clue on her journey. And she also has this love interest, Georgia. They have like...she has very insecure attachment with Georgia. And we don't know much about Georgia. She's sort of mysterious. And then later in the book, it switches to her perspective. And there's kind of this reveal. And you learn all of these like secrets about her, and how she's part of this plot. So Bets, in the very first chapter--I will try not to give any spoilers, but you can read the first chapter online so you'll know exactly what happens--but something really bad hppens. And she realizes she has to flee the city or she's gonna die. And so she steals a bike, essentially, and also ends up with this little dog. [laughing self-reflectively] And that she just, she doesn't want to abandon. It's not her dog, but she ends up with it. And she does want to abandoned it. So she takes this little dog with her. He rides in the pannier, and she just sets out west and she doesn't know what she's gonna find. She can't find a map. The only thing she can find is this old guidebook called "An RVer's Guide to the American West" that has like very broad overview maps. And she's like, "Okay, what's the first thing in here? It's a KOA, okay, I'll just bike towards this KOA," which is, you know, like this funny camp. It's like Campgrounds of America. They have these like little cabins, and she's like, "Is it going to be? Who's going to live there? Is it going to be militia? Is it going to be abandoned? Will there be water?" And you know, like, she goes through everything that's in her panniers and all her supplies. You kind of know what she has, and she sets out on this journey. And then I have her sort of meeting different groups of people who have, who are surviving in different ways. Like, some of them, you know, at first you think they're really great. And then, you know, maybe turns out they're not and other people, maybe they are great. And she has to get out of various sticky situations. Nothing bad ever happens to the dog. And then-- **Carrot ** 03:50 Thank you for that clarification. Yeah, thank you. **Carrot ** 05:43 I didn't want it...the dog is purely there just for joy and pleasure nothing bad ever happens to the dog. And there's...as we, as the novel continues, there's sort of like this unfolding of these other plotlines and these other characters who are...who have like other chapters from their perspectives, who are sort of like...all the characters are slowly converging towards the end. And then in the end, there's this huge plot twist that changes everything you thought you knew about the whole world right from the beginning, which I didn't know how to write plot twists. And then in the last year and a half, I've been reading all of these thrillers to try to learn how to write plot twists, because I really wanted to put one in there. So I finally figured it out. And I put it in there. And I'm so proud of myself, because plot twists really helped me stay engaged with the book if I'm like anticipating something. And so I wanted to put that in there because I really like that. So that's the novel. **Inmn ** 09:31 Cool, cool. Cool. Well, I'm...I'm very, very, very excited for it to come out and to read all of the plot twists that you have. Yeah, I like dabble in writing and like the idea of having to write a convincing plot twist sounds really hard. And I don't know. Yeah, I.... So I feel especially excited because I have been--we know each other IRL from the desert--and I feel like I've been hearing you talk about this book for years. And so the fact that it's coming out, and that people get to read it soon is very exciting. And, you know, as much as I would love to launch into a conversation about preparedness, the apocalypse, bikes, and all of these things, I'm wondering if you want to read your sample chapter first, and then we can...and then we'll talk about that stuff? How does that sound? **Carrot ** 10:42 Yeah, Sounds great. **Inmn ** 10:43 Cool. This also works really perfectly with that we just did a two-part episode on riding your bike a really long distance.  **Carrot ** 10:53 Perfect. **Inmn ** 10:55 Everything is perfect. Everything in the world is perfect. Don't tell me otherwise. **Carrot ** 11:00 Yeah, yeah, plot twist, everything in the world is perfect. Turns out. So this is chapter four. And where we are is that Bets has left the city. And you can read the first chapter online on my Substack and that...you can kind of read like the kind of setup. And then she leaves the city and she's on a bike and she has this little dog and she bikes for a little while. And then she bikes through the night and gets to.... Some different things happen that are kind of exciting. And then she bikes through the night. And she's kind of...she's outside of the city now. And it's these kind of larger estates, like old farms and people's summer homes and she pulls her bike off onto the drive towards one of them and there's like the big house and she doesn't go in the house. She goes, she finds a barn behind the house where it's like still pretty nice inside. Like it's clean smelling and, you know, there's like it's not.... Like houses, once they're abandoned, you know, become kind of disgusting. But this barn is still pretty nice. So she barricades the door and puts her sleeping bag on the ground and goes to sleep with the dog. And so now she's waking up the next afternoon and that's where we're gonna start.  **Inmn ** 12:21 Cool.  **Carrot ** 12:24 Chapter Four. When I stepped outside the barn to pee in the afternoon, there's a deer browsing in the fallen apples of an abandoned orchard. A pang of regret. I wish I had a rifle. Although guns are popular with some of my friends, I've only ever chosen to arm myself with a knife. I want the freedom to move quickly and I don't want to draw attention to myself. I want to be liquid, able to flow around obstacles as they appear. A rifle would make me clumsy. I wish I had one right now, though. "What would we even do with a whole deer?" I say to the dog as I gather bruised apples in my shirt. The dog pads around me, sniffing the fruit. The apples are crawling with wasps and I shoo them away. My legs feel rested and I'm antsy to get back on my bike. First though, I want to check out this house. The back door to the house is locked, but the window is busted out and I brush away the broken glass and pull myself through, lift the dog up after me. Inside it's damp and smells of rotten wood. Trapezoids of sunlight gather on the dirty linoleum in the kitchen. And beyond that is a carpeted living room where the furniture hulks like dusty sleeping beasts. It's amazing how quickly a person's cozy home, after being abandoned, will turn into this, an eerie sickly place where you don't want to stay for more than a few minutes. Is it the dust, the mold, or is the house itself a living being, animated from within by its inhabitants and when they leave the house becomes a corpse and begins to rot? There's a staircase stained with water from the roof and I climb it to a landing with three closed white doors. The brass knob of the middle door is cool in my hand. The room is a bedroom, a bed, the quilt and sheets pulled back exposing the bare mattress,a bookcase cluttered with books, a closet tangled with clothes. The dust motes drift unbothered in the light from the window. There's a small rustling. It's the dog. He's padded up the stairs after me. I sit on the bed and look out the window at the apple orchard and let the sadness spread out from my heart like a fog. It spills out the doorway and onto the landing. It seeps under the doors to the other rooms and then I'm there, back in the dream, the dream I have often at night that I've been having since I was a small child. In the dream I'm in a large house and I'm searching for something. I wander through rooms that open into other rooms. The rooms hold antiques from another time, junk ,furniture from the apartment I shared with my parents. The rooms hold people I love who've been disappeared. The rooms who hold people I haven't met yet. The people welcome me or they do not know me. Sometimes I take up residence in one of these rooms, but always their true occupants appear after a while and telling me that I have to leave. In none of the rooms is that for which I am searching and so I push them on deeper and deeper into the house. I sink down in the bowels of the house or up into its castle spires. The house's corridors are maze, and I can't find my way out. The light is getting longer in the apple orchard. "Long light o'clock," I say to the dog, who's curled up on the carpet at my feet. That's what time it is. We're making a new system of time out here beyond the city. Long light o'clock is what comes before Time to Ride My Bike. The closet is full of useful things, but I'm not sure what to take. My panniers are pretty stuffed right now. Do I need more warm layers? Clothes to trade if I meet people on my journey? What sorts of people are out here beyond the city besides the militia? I haven't seen anyone yet. Maybe there'll be people at the KOA, my first destination, chosen arbitrarily from the RVer's Guide. The fabrics of the clothes in the closet feel good under my fingers, and there's a human scent here. Someone's lingering laundry detergent. Should I take another sweater, a canvas jacket? My fingers pause on a dress, it's fabric smooth and light, a simple airy dress printed all over with flowers, a few buttons at the throat, and elastic waist. I pull the dress off its hanger and fold it carefully. The smell rises up again. What is it? A smell from another time, a smell that supposed to evoke a shared cultural memory of something but that something doesn't exist anymore. The lid of a rain barrel connected to the houses gutters comes off with some effort and inside I find good clear water, yellow from the tannis of falling leaves and dancing with mosquito larvae but otherwise untainted. In the kitchen cupboards there are a few plastic bottles and I fill these as well as my own. There's a can opener and some canned goods too, rusted and missing their labels. Likely too old to be edible, and I don't want to risk botulism, so I leave them  but take the can opener. "Goodbye," I say to the house as I push my bike down the dirt drive back towards the road. I feel like I'm leaving a mausoleum. When next will humans walk through those halls and bedrooms? In 100 years? Longer? The air is different tonight as I cycle away from the house, the dog curled up in one of my panniers. The city is the brown smell of trash and industry. But out here there's something else, a cold, clean smell that is somehow familiar. But from what? When have I experienced this before? Maybe it's a memory that's stored in my cells from previous generations, asmell from an old world that is also, for me, the smell of a new world, the world to which I'm headed? I shiver. It's not just the air that's different tonight. My mind feels clear to. I'm rested. This is my second day surrounded by silence with little to occupy my thoughts. I'm at the fringeedge of the suburbs, the houses far apart and on large tracts of land. The fields are overgrown with brambles and weeds. The cars that pass are fewer and farther between. I spend less time in the culvert, crouched next to my bicycle waiting for their headlights to sweep over me and away. My legs pump rhythmically My mind is an empty vessel and into this vessel comes the mirage of memory, the details so sharp I can almost smell them. Opening up an abandoned apartment building in the city with Georgia, the building is locked, plywood nailed over the windows. No Trespassing signs everywhere. We've got a few hours to work before the security guard on this block passes by on his shift and sees our headlamps. If we can get enough of the apartments open, we can move in folks we know from one of the encampments. We make quick work of the plywood over the first broken window and climb inside. There's debris everywhere, busted furniture, clothing, windblown trash. The toilet in the bathroom has an ancient turd in it but no water. A sweep to make sure no one's already living here and that it seems safe enough. No collapsing ceilings or floorboards rotted enough to fall through. And we move on to the next apartment, which is nearly identical. The window beneath the plywood on the third apartment is intact and we don't want to break it if we don't have to. So Georgia uses the tools in her bag to force the door. Inside our headlamps reveal something surprising. Everything in this apartment is in order, untouched. A sofa with a valour blanket tossed over the back, a low coffee table with a splay of magazines, a rag rug, a bookshelf. A small rack next to the door holds a couple of pairs of shoes. It's as though the tenants have just stepped out and will return at any moment. At first I think someone might be living here but then I see the thick dust on the bookshelf and run my finger through it. "You've got to see this," says Georgia from the kitchen. An avocado green stove and refrigerator, glass fronted cabinets. Georgia is pulling canned goods and boxes out of the cabinets one by one and inspecting them. Macaroni and sardines perfectly preserved as though they've been in a museum. There's a row of silver tins on the countertop lined up by size. The first contains recipes written in tidy cursive on index cards. The second holds sugar, hardened but still usable. The contents of the third makes me jump. "There's coffee in herem," I say. "Coffee." "Fuck," says Georgia. She grabs the tin from my hands and holds it up to her face, breathes deeply. "We can sell this. Make a security fund for the new tenants. That'll be a huge help to them." She takes a plastic bag from one of the drawers and dumps the coffee inside. The tin falls onto the ground and I pick it up, put it back in its spot with the others, brush the stray coffee grounds off the countertop with my hand. "Don't open the fridge," says Georgia. "I know," I say. "You don't have to keep reminding me." **Carrot ** 20:28 In the bedroom, the circle of my headlamp illuminates a bed with a striped bedspread pulled taut. There's a lump in the middle as though a couple of pillows are stashed under there. I step into the silence of the room. It's a tomb. This room is a tomb, and that lump in the bed is a body. "Georgia," I whisper. I can't seem to raise my voice. I can hear her rustling around in the kitchen. The sides of the quilt are tucked into the mattress and I tuck a corner free. Under the quilt is the body of a little old man, curled into the fetal position and perfectly still. The skin of his face and hands are shriveled like the mummified cats we sometimes find in these buildings. He's wearing pajamas and he's drawn up into himself. So he was cold when he died. I arranged the quilt back over him. "You're lucky you got out when you did," I say before closing the door of the bedroom. I find Geogia sitting on the floor in front of the bookshelf in the living room, sifting through photographs and stacks of mail. They're cut glass figurines on the bookshelf: a horse, an elephant, a bear. "I found a pistol in his dresser drawer," I say "No ammunition, though." "His dresser drawer?" says Georgia. "What if we boarded this apartment back up?" I say. "Keep it like it is. We can say that it's too wrecked to be livable. Paint a warning on the door." Georgia shrugs, "Sure." I sit next to her on the carpet, and she puts down the mail, wraps one of my hands in her own. "Another body?" she says. "Yeah." Her light eyes are clear. The skin around them is lined from all the time she spends in the sun and the garden, digging in the dirt there. I've offered to try and find her a big hat but she says no. She likes the way the sun feels on her face. I told her that I'm worried about her getting skin cancer, and she says she doesn't care and besides, she doesn't think she'll live that long. "It's still possible to live a long time," I said. "But why would I want to?" she answered back. She reaches a cool hand into my hair and leans in, kissing me. Her breath smells like citrus and her lips are soft. For a moment I melt into this kiss, forgetting everything. Then I remember that Georgia will never be mine. Each time I try to know her better, she disappears, only returning when I cease looking for her. She's like a feral cat that will only slink close and let you pet it when you're looking the other way. Every kiss she gives me feels like a parting gift. "Let's open up the other apartments," I say, pulling away. The wind changes and I back in my body back on the bike. The darkness is vast. My bicycle tires a ship that slices cleanly through the cruel sea of the night. I don't know what time it is. But last night I noticed that the moon rose just before dawn. So tonight I'm waiting for that. The light of the silver half moon will signify that it's time to find a place to hunker down and sleep. I'm beginning to enjoy being unstuck from time like this, unfettered by the tyranny of minutes. The hours are liquid. They rush by and then slow to a trickle and sometimes stop entirely, forming a deep, clear pool in which I am suspended. I should eat. My legs shake as I climb off the bike and guide it to the shoulder of the road. I don't bother with a culvert, just uncinch the pannier and lift out the warm sleepy dog and then lay the bike down on its side. I haven't seen a car for hours. Have I reached the edge of all human existence? Is it just me now in this wild frontier alone forever? No, that can't be. There are other people somewhere out here and I'm going to find them. My new can opener slices easily into one of the cans of beans. Half a brick of dry ramen completes the meal. The dog disappears into the wide darkness and then returns, shakes himself and pushes his way into my arm onto my lap. He eats his ramen ration from my fingers and then circles once and curls up with a sigh. "Do you love me or just my body heat?" I say. "And my ramen." Speaking of ramen, I'm going to have to find some more food. A brick of ramen each day with some peanut butter or beans is not enough. Hunger has been following me as I pedal west like an alarm bell I can't shut off. I'm really banking on there being people at the KOA and not just any people but good people. And not just good people but good people who have food they're willing to share with me. That's a whole lot of unknowns that could determine my survival. I wonder if the KOA is abandoned or occupied by militia? Another thing not to think about. There was a sign for a small town in the last of the light, and I use that to place myself on the map in the  RVer's Guide to the American West. I started off the night about an inch and a half from the KOA and I've been traveling a few inches on the map each night. I'm worried that I'll miss the exit in the dark with no headlamp, but there's not really anything to be done except continue pedaling and trust that things will work out somehow. I can feel We'll be aloneness lurking a stone's throw away in the dark. Better get back on my bike before it closes in. As I pedal, the sound of my own voice floats above me. I'm singing to remind myself that I exist. The dog is curled in the pannier asleep. He dreams of past lives, his small belly full of ramen. It feels as though I'm hurtling forward now, the night soft and yielding, like I could ride a thousand miles, like I can make it all the way to Nevada in one go. Fatigue as a stranger, someone I can't remember knowing. The surface of the road jostles violently, startling me out of my reverie and I tense on the brakes and rolled to a stop. There's a hissing noise and I press my tires. My front tire is deflating. "Fuck." I stand straddling my bike, eyes unfocused on the road. I don't have a patch kit or an extra tube. I wait for inspiration to strike but there's nothing I have just a little food or water left and there hasn't been a car all night. I have no idea where I am or how far to the next thing. Or even if there is a next thing. A pressure in my head. I'm starting to panic. I must not panic. My legs are shaking again. Presently, a little silver light crests the horizon. The halfmoon. "It's time to camp. This busted tire will be a problem for tomorrow me." Along the roadside is a forest and I push my bike into these trees. The ground is yielding underfoot and I've been in ragged forests and abandoned lots in the city, full of trash and danger. But this feels different. There's a soft welcoming feeling to this forest, a warmth. This will be a good place to rest. Relief floods my body as I unfurl my sleeping bag onto the fallen leaves. The dog drinks from his jar lid of water and then crawls inside the bag with me, his nose pressed into my armpit. "I miss you so badly, Georgia," I whisper into the forest before I fall asleep. That's the end of the chapter. Thank goodness. [Inmn clapping] **Inmn ** 26:56 Yay. I don't know if the sound is translating. But I am clapping, clapping my little hands together. Thank you so much for reading that to us, Carrot. **Carrot ** 27:10 Thanks for listening. I found it really hard to speak the whole time. But I made it through. **Inmn ** 27:19 Yeah, it's really...speaking is hard. And, you know, that's why we write things, right? [a little dryly] **Carrot ** 27:29 Yeah, totally. [both laughing] **Inmn ** 27:39 Where do I want us to start? I think I want to, I think I want to start with, Carrot, would you identify as a prepper? **Carrot ** 27:52 I think I'm a.... Like, I think I would like to be a prepper but I don't.... There's a lot of skills and things that preppers have going on. And I'm not quite there yet. But I would eventually like to be more of a prepper than I am now. Right now I'm just kind of like I like thinking about being a prepper. **Inmn ** 28:14 Yeah. I think that makes you a prepper IMO. On the spectrum of thinking about preparedness, I think thinking about preparedness makes someone a prepper in like all of its like multifaceted ways. But I guess what I want to ask you about is, so in thinking about preparedness and thinking about the world that we currently live in and like the directions that we all imagine it going, I'm wondering what about what you're seeing in our world, how you created this world based on our world--if it's based on our world at all? Does that make sense? **Carrot ** 29:14 Yeah, that's a great question. Yeah, I do think that, first of all, you know, collapse is always happening all the time around the world. And that has been true throughout all of human history. Like, human history is just full of crazy catastrophes and collapses and, you know, it's always going on. So I think we do...sometimes I get this idea in my head that I'm like, "oh, you know, there's going to be collapse," but of course, collapse is always happening in different spots, and it just depends on like your positionality in spacetime whether or not collapse is happening to you at the moment where you are or to your community or to your, you know, in what ways to people around you. So, sometimes I think I can get fixated on this future thing. And it's actually comforting to remind myself that not only is collapse just inherently a part of human civilizations, and always has been, but it's already happening. So I do. And I do think, you know, people say that a lot of speculative fiction is just white people imagining, like, what if things that were happening in places that are, you know, predominantly people of color, what if those things also happen to white people? And I also think that's true. Like we ar so sort of hemmed in by our own experience. And since I, like, you know, grew up in the US, and--where the US is part of so many global collapses--but living in the US we are shielded from that. So far. We have been shielded from that. So even though we are, you know, we're directly involved in Gaza, and all these different things all over the world, and always have been, we in this country there has been an illusion of stability for some generations, for most people--although within that there have also been little collapses, you know? So I do think my own not having personally experienced collapse, influences my perspective. And I am limited in that way. So, within that, I do think a lot about, in North America, I think a lot about things like--or maybe the US in particular. US North America, that part of North America. Although I think Canada has some similar stuff going on. I think a lot about supply chains, which I think we all started thinking about during COVID. I'd never even considered supply chains before. And then in COVID, I was like, "Oh, wait, this is like a big deal?  **Inmn ** 31:45 They're really fragile, It turns out. **Carrot ** 31:48 Yes! And we are--while collapse has always been a part of human civilization--we are approaching the first ever global collapse in human history. So that's new. Like, that's interesting. Because everywhere is so dependent on everywhere else. Like I don't know that much about these things. But I would imagine that most countries are pretty dependent on--or would be devastated without-- global supply chains. I don't know, maybe there's some places. But yeah, it's like a real global environment we live in. So I think about supply chains. And I think about in.... I've spent a lot of time in the desert southwest, you know, in the Sonoran Desert, and some other deserts. And I think a lot about the desert of the western United States and water. I think about groundwater pollution. And I think about the Colorado River watershed and all these cities that are dependent on the Colorado River and or have poisoned groundwater, and agriculture, and how that, you know, the Colorado River, how there's not enough water for all of it. Like it's not.... Anyway. And then I think about heat. And I guess those are like, the biggest things I think about. And so, in my head, when I'm trying to anxiously anticipate that for myself in my life, that's when I...that's kind of where these different ideas came up for building this world. And I also think about housing a lot. Which has been something I thought about since I was a child. And so I wanted that to be a theme of this book too, is the future of housing. And prisons. I think about prisons and particularly that them being a source of free labor in the US. **Inmn ** 33:45 Yeah, it's.... I read the sample chapter for the the first chapter of the book and it's, I think it's.... Bets like describes paying $2,400 to live in a tent in someone's backyard. And I was like, that's, you know, the reality of that is not far off. And that's horrifying to think about. Or it's like, it's like even equivalently here already in our world, in our time, is that it's like...like housing insecurity is becoming a much bigger thing for more people. Like reading articles about how in certain parts of California--and I don't know how much this is blown up or not blown up--but that there's like parking lots full of people who like live in their vehicles because like on, what we would probably call middle class incomes, they can't find housing. And it's, I don't know, yeah, it's just becoming wilder and wilder. **Carrot ** 34:59 The thing I get stuck on thinking about housing is all these cities where housing is inflated beyond all reason--like I just moved out of Anchorage and moved to Fairbanks because I couldn't afford the housing in Anchorage anymore. But also I am really excited to have moved to the town in Alaska I just moved to. So it's okay. But it does suck to be forced out of a place, you know? But, including Anchorage, all these cities where housing is inflated beyond all reason and or doesn't exist, like there isn't even anything available.... Like I have a friend who just moved to Anchorage, who was looking for a little house for her and her dog. And her budget was actually pretty high, because she makes really good money. She's been looking for six months and just hasn't found anything because everything's tied up in like short term rentals or it's weird investment properties. Like these cities where there's no...the cities aren't putting any thought into housing the people who live in the city. Like not just home...like not just disabled people, who should obviously be housed, who are the ones who--who traditionally end up, you know, homeless--not even those, but just middle class people. Like what that's going to do is collapse the economies of every single one of these cities. Because if you don't have workers, you don't have a city. Like you just don't. Like you don't have grocery stores, you don't have hospitals, you don't have schools, you don't have postal codes, you don't have any of it. So it's like such short sighted. It's like all these real estate people trying to make money, but they don't realize that if the whole city collapses, like they're also going to lose money. It's so weirdly short sighted that I'm almost...it's almost comforting that I can just like sit back and watch in horror as like these cities just like unalive themselves, essentially. **Inmn ** 36:42 Yeah, it is funny to think about that sometimes within Capitalism, like seeing a function or tenant of Capitalism and being like, "I feel like y'all aren't even doing Capitalism right Because it's an unsustainable thing for itself. Like this will collapse. This will collapse under its own weight. And maybe the sad horror is that it's not collapsing under its own weight? And I don't know. I don't know. No, but also-- **Carrot ** 37:18 We'll see. **Inmn ** 37:19 We'll see. The future, the future us will see. But, Margaret talked about this in a recent episode that we did, and she was just riffing on this William Gibson quote, like, "the future is here, it's just not evenly distributed." And she said, like, "the apocalypse is here, it's just not evenly distributed." And that has been sticking with me a lot like over the--I guess, it's only been like, a week or so--but it's like the...it's like, kind of what you're what you were talking about before, it's like, we...like all of these things, like a lot of the things that make up the world of your book, that make up like, a lot of the things that we get anxious or afraid of about where society is moving, most of those things are already happening to to other people. And eventually, they will happen to more people. Which is kind of how I always...which, I guess is how I always see the role of speculative fiction is--I totally agree with your with your definition of it and like how that works--but also that speculative fiction historically does not imagine a future, it is actually a reflection of the present in a way that will like hopefully get people to like understand it or explore the the extremities of it. **Carrot ** 39:05 Yeah, that's a really good point. Yeah, you're totally right, that specular fiction is this like...whenever it's written, it is a creation of like the present that's going on at that time. And that author sort of like...yeah, they're like, speculating about the present. And one thing I tried to do with this book also is, in writing speculative fiction, you can have a lot of kind of, like, scary, horrible things happened and I have some of those in the book, but then I also kind of wanted...I wanted, I wanted to write something that was comforting, because I think speculative fiction can be comforting because we can imagine all these ways that during collapse or after collapse, the way we live can shift
S1E121 - Maria on the Gaza Freedom Flotilla
14-06-2024
S1E121 - Maria on the Gaza Freedom Flotilla
Episode Summary This week on Live Like the World is Dying, Maria comes on to talk to Inmn about the Gaza Freedom Flotilla, the state of aid going to Gaza, and the obstacles the powers that be have erected to prevent aid from arriving. Guest Info Maria Elle is a wing nut anarchist Jewish dyke extremist whore anti-Zionist psycho who writes poetry, conspires against the Empire, and organizes for collective liberation. You can find her on IG @Lchiam.Intifada or @bay2gaza Gaza Freedom Flotilla: freedomflotilla.org International Solidarity Movement: palsolidarity.org International Jewish Anti-Zionist Network: ijan.org Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Maria on the Gaza Freedom Flotilla **Inmn ** 00:15 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host today Inmn Neruin. And today we're going to be talking about a kind of different lens of preparedness than we normally talk about...or no--well, I guess we always kind of talk about it. But we're...you know, we're not we're not going to be talking about a skill today as much as the importance for figuring out how to provide aid when the powers that be: governments and nations that we absolutely don't put our trust in but...are trapped by fail to do that or purposefully obstruct it. And today we're going to be talking about the Gaza Freedom Flotilla and organizing efforts around that and trying to bring critical aid to Gaza. But before that, we are a proud member of the Channel Zero Network of anarchist podcasts and here's a jingle from another show on that network. [singing] Doo doo doo doo doo. **The Ex-Worker Podcast ** 01:24 The Border is not just a wall. It's not just a line on a map. It's a power structure. A system of control. The Border does not divide one world from another. There is only one world and the Border is tearing it apart. The Ex-Worker podcast presents No Wall They Can Build: A Guide to Borders and Migration Across North America, a serialized audio book in 11 chapters released every Wednesday. Tune in at crimethinc.com/podcast. **Inmn ** 02:04 And we're back. Thank you so much for coming on the show today. I know we had you on the Stranger's podcast recently for your poetry collection, which everyone should pause right now and go and listen to another hour long podcast episode first and then come back and listen to this...or don't. Or listen to it afterwards. Anyways, thank you so much for coming on the show today. Could you introduce yourself with your name, pronouns, and a little bit about yourself and your involvement with the Freedom Flotilla? **Maria ** 02:44 Absolutely. Yes. Hi, thanks for having me. I'm Maria. She/her pronouns. I am a Jewish, anti-Zionist, anarchist, I don't know, organizer, agitator--whatever you want to call it--from the Ohlone of xučyun (Huichin), aka Oakland, California. And I am.... I've been involved doing Palestine Solidarity work since I was a teenager. Originally, I came to awareness around what was happening in Palestine during the assault on Gaza in 2008 and got involved in the student movement and the student occupations that were happening back then. And then actually got kicked out of university as a result of that, which ended up being perfect because I got the opportunity to join the International Solidarity Movement doing work on the ground in Palestine, which is an amazing group that folks should look up. They were defunct for a little bit during COVID but have come back and are working again basically bringing comrades and activists from around the world to stand in solidarity with Palestinian resistance on the ground in Palestine. So I had that opportunity and then I came home and got involved in organizing back here and was not.... So the flotilla, the Gaza Freedom Flotilla has.... So, freedom flotillas have been sailing, trying to break the siege on Gaza since 2008. Basically, a flotilla--for those who don't know--is a group of boats. So it's a group of boats from.... Our flotillas or group of boats from all over the world. There's over 30 countries that are involved sending comrades and activists to break the siege on Gaza. And so these boats are filled--our current boat--is filled with 5000 tons of food and medical aid that we are attempting to bring directly to Gaza in defiance of Israel's illegal naval blockade. These.... Like I said, these missions have been happening since 2008, trying both to bring aid to Gaza and to bring awareness, international awareness, of Israel's blockade and kind of getting a lot of international notoriety 2010 When the Mavi Marmara, a Turkicsh ship that was part of the flotilla, was attacked. And nine people were murdered in that process. And it made headlines at the time and brought a lot of awareness to the ongoing siege on Gaza. And then since then there have been many attempts to break the siege. This year, of course, is a different context. And it's a little bit hard to know what to expect. As you know, as many of us already know, there has been a genocide happening in Palestine since 1948. But the particular intensified moment of genocide that we're in creates a different context that we don't totally know what to expect. But we are determined to sail. We are determined to break Israel's illegal siege on Gaza. And especially now more than ever, while there's been a humanitarian crisis in Gaza for a very long time, and this blockade has been happening for 18 years, the famine that is now gripping Gaza is unprecedented. And we are seeing mass death, especially in the north of Gaza, and that is spreading throughout Gaza. Now with the most recent attacks on Rafah, the situation just gets more and more dire every day. One of the goals of the Freedom Flotilla is to emphasize that this is not a natural disaster. You know, there's.... A lot of the way that this gets covered in US media and global media is as if this was a humanitarian--people use the word, "humanitarian crisis," and they use the word "famine." And both of those things are true. And they're also a little bit misleading because this famine is being intentionally created by Israel as a tool of genocide. Israel controls the flow of all aid moving into Gaza and is intentionally and carefully counting how many calories it is allowing into the Gaza Strip in order to intentionally keep the population on the verge of starvation in order to cripple the resistance. This needs to be highlighted. This isn't.... It isn't like they don't know how to get the aid in. It is not logistical obstacles. They try to make it seem like this is, "Oh, how can we possibly get aid in?" Israel has closed every barrier. Like, the fact that we even need to go by sea is insane. They could open the land crossings, which would be the most effective way, but they absolutely refuse. And the United States, our so-called government that has the power to do that and has the power to force the--probably the only government in the world--with the power to force Israel to open the land crossings--is instead building this pier, spending millions of dollars of wasted money that could be being used on aid or, you know, on stopping Israel. And this long drawn out project that now isn't even functioning due to like "climate" or "weather." I can't even remember what they said. There's some kind of structural damage. I mean, they put all this money into it and like still can't deliver aid somehow. And we're supposed to believe that that's a coincidence. Meanwhile, we have a plan to,within three days, effectively deliver all of this aid to Gaza by simply having a basic little fold-out pier that we have packed on the ship that could unfold, deliver the aid, and then we can leave again. It's actually really simple. It's not complicated. None of this has to be complicated. It's being intentionally made complicated as a tool of genocide and as a tool of hiding what Israel is intentionally doing. So that's really a big part of what the Gaza Freedom Flotilla is about. I would say that it's rooted, ultimately, in the principles of DIY and direct action, which are fundamentally anarchist principles to me, and to many of us, the basic idea that no one is going to do this but us. If we want something done, we have to do it ourselves. We cannot rely on these so-called governments who, many of whom around the world claim to support Palestine and give lots of lip service to the need for aid to get in and even for Palestinian Liberation. Other governments, such as our so-called government, have done nothing but contribute to and fund and exacerbate this genocide, still give lip service to "Oh, we need to get aid into Israel," but they're not going to do anything. At best, they don't care. At worst, they actively want this to happen. We cannot wait for them. We've been trying.... Like, you know, not that.... You know, fight by every means necessary. I really do believe in a diversity of tactics. And at the same time, we need to be honest with ourselves that there is no amount of pressure that we can really put on the Biden administration that is going to change the US' has strategic Imperial interest in propping up Israel, you know? And there's no amount of electoral or domestic pressure within the existing system that we can put in that will change the fact that Israel is a beacon of US imperialism in the Middle East. It is a central part of US imperialism's operation globally. And not only our military imperialism but our economic imperialism. So as many of you may already know, and many of you may not, a big part of the impetus for this genocide has to do with global trade and global shipping. So, after the Suez Canal crisis, we saw.... It became clearer than ever to the international community, how delicate the infrastructure of global shipping is. We saw with the simple breakdown of one ship in the Suez Canal, the global economy was brought to a halt. And it is unacceptable-- [Interrupted] **Maria ** 10:18 It's so fragile. And we saw its fragility even more with COVID and with the plague. And it has become clear to the West that having such an important chokehold located in Egypt is not strategic for them. And so Israel has a plan to build what they're calling the Ben Gurion Canal, which is going to be directly north of Gaza, within missile range of of Gaza to be clear, that would be an alternative to the Suez Canal and that would allow for Israel's, and therefore the United States', control over global shipping in a way that we do not currently have. So the depth of the economic investment in committing this genocide is deeper than even natural gas off the coast of Gaza, which a lot of us have also seen headlines about. And a lot of us already know Chevron's interest and BP's interest in colonizing Gaza and eliminating Hamas in order to secure access to that natural gas, but even beyond that, in order to facilitate the construction of the Ben Gurion Canal. With that much at stake, with both fossil fuels and global shipping at stake, there's a no amount of pressure that we can put up on the Biden administration to get them to like, hear truth, you know? If we want change, we have to make it ourselves. And no one is going to do this but us. And I think that the Gaza Freedom Flotilla, the amount of aid that we can actually deliver it with one flotilla is a drop in the bucket. The principle that we are trying to communicate to the world, and that we've seen in many places, is that we can't wait. We have to...we have to show up. We have to be there for our Palestinian siblings. We have to be there for our siblings around the world. And we have to do it ourselves. You know, I think we saw a similar thing with the Great March of Return, and I'm extremely inspired by the Great March of Return of Palestinians coming from Lebanon and breaking through the border there. And we, you know, continue to be inspired by Palestinian resistance globally and to work in concert with that resistance in order to do whatever we can to stop this genocide, both in the immediate sense and in the ongoing sense of Israel's colonization of Palestine from the river to the sea. **Inmn ** 10:18 It's so fragile. **Inmn ** 12:35 Golly, thank you for that very--I will call it a little bit of a rant thing. That was incredible and very informative. And now I have like 100 questions. **Inmn ** 12:47 I have 100 more things to talk about but lay it on me. **Inmn ** 12:51 Um, I think like, or.... I don't even know where to start. Actually, there's this funny place that I want to start, which I'm maybe gonna feel funny about and is maybe like.... Whatever, I don't think it's me feeling nihilistic about it as much as like confused by imaging in..... So I, as a lot of us have been seeing a lot of news graphics, infographics. And I saw this one recently that was talking about "planned distraction." And it was like this thing that was like, "Israel's really counting on Americans being distracted by Memorial Day weekend to intensify the assault on Rafah." And I was just like, I don't think Israel's thinking about what random Americans are doing. Like, as you say, I don't think there's any amount of pressure that we can put on institutions like the Biden administration to change those things. **Maria ** 14:30 Yeah, it's an interesting question. I mean, I don't know. I mean, nobody really knows. I do think that it's worth noting that the last major assaults on Rafah began during the Superbowl also. So I mean, it's...who knows, maybe they are thinking about it. And Israel is very much concerned with its public image. [half interrupts self] Well, it's complicated, right? They are very much concerned with their public image and they're also on a genocidal, psychotic rampage, which is causing all sorts of domestic tensions. And Israeli domestic politics are a whole nother can of worms. You know, there isn't one--like anywhere--there isn't one unified Israeli interest. Israel, like every other country, is a contestation of political forces with central goals but also pulling at each other and pulling itself apart. And we actually are seeing Israeli domestic-- [Interrupts self] I think it's also very worth noting that last summer before the assaults on Gaza, before the most recent assault on Gaza began, we saw the first ever domestic Israeli social movement, really since the creation of the state. There was an actual--I mean, you know, fairly tame but for Israel significant--uprising of Israelis against their government. And several months later, this genocide happens, right? And this is not a coincidence. We've seen this kind of pattern time and time again, where a state in order to secure domestic unity will declare war or genocide on a foreign enemy. I think it's also worth noting that the plans for this--while October 7th may have been the the spark--the plans for this were very much already in place. And it is very clear from how quickly and strategically and efficiently they have acted that they have just been waiting for this opportunity. So I think that's worth emphasizing. I think, and then I just also want to clarify, as far as like "no amount of domestic pressure," I think that there's...I want to be clear that, like I said, I believe deeply in a diversity of tactics. And I do think that we need to do everything. And I think that there is very--like, I'm not saying that we should all just go to Palestine. I think there's very important roles for us to play here in the United States in organizing. But we need to be realistic about how we're gauging our targets. So we're never going to be able to appeal to the moral or even political interests of--as far as like electoral political interests--of these things. We...I think...I personally think that our best hope is to challenge their economic function, right, and to make this cost so much that they cannot continue. And that's a lot. It has to cost a lot because they have a lot to gain. But you know, what? We have a lot to lose. We have everything to lose and everything to gain. And we need to make this cost more than they can imagine. **Inmn ** 17:28 Yeah. And yeah, maybe to be clear, the infographic that I was seeing, it was like, its suggestion was like, you know, "Get on the phone and call your congress people." And I was just like, you know, yeah, "by any means necessary," and whatever people can do, but I was like, I don't think the one thing stopping.... It framed it in this way--I am gonna get off this topic very quickly and spent too much time on this--but it framed it in this way of like, "Oh, if Americans just weren't so distracted by barbecuing over the weekend then genocide and then Gaza would have been over," and I was just like...that. Okay, whatever. Anyway, a real question. So I think maybe something that I've been curious, I guess, about is some of the like geopolitical--or like, specifically like geographical--forces at work where.... Like for the.... Can you tell me about waterways, waterways in and around Israel and Gaza? Like I guess like what is the proposed route? Or like, what are some of the.... Like, how get Flotilla? **Maria ** 18:48 How get Flotilla. **Inmn ** 18:49 How blockaded? **Maria ** 18:52 Through the Mediterranean. So we had originally, we had originally planned to sail from Turkey, from Istanbul, and I was actually in Istanbul with hundreds of other people. We were, our bags were packed, the boat was full, we were ready to sail, and the mission was bureaucratically sabotaged by Israel. This was several weeks ago. **Inmn ** 19:13 Is this the flag thing? **Maria ** 19:14 Yeah, so Israel has tried many different avenues to sabotage the Flotilla, including physical sabotage of the ship. But one--and this has happened for many years--but one tactic they have not tried before, and that we were not prepared for, was that they pressured.... So I don't know how much people know about shipping. But every ship that leaves a port has to pass to sail under a flag, a national flag. As far as I understand, any ship that doesn't sail under a flag is technically considered a pirate ship. [says incredulously, laughing] So if we wanted to leave and be allowed to leave by the Coast Guard, we would have to have a national flag. And usually those flags have nothing to do with the mission. You basically buy a flag to sail under. It's interesting. It's actually kind of like a side hustle for a lot of poorer countries, they sell their flags at a cheaper rate and with less bureaucracy. So I think most international shipping actually happens under the flag of the Philippines. But we were gonna sail under the flag of Guinea Bissau, which was a flag of convenience. And Israel put immense--Israel in the United States--put immense pressure on Guinea Bissau to withdraw the flag. And so the flag was withdrawn literally the day we were supposed to depart, like bags packed and ready to go. And, you know, we could have...like the captain could have, I suppose, made the choice to sail anyway, but then that would have forced a confrontation with the Turkish Coast Guard, rather than with the Israeli naval blockade, which people felt wasn't...wasn't worth it. You know, for better or worse. Whatever. The people thought it wasn't worth it. And that it was a better plan to just try to get another flag. So the flotilla is delayed as we are searching for another flag. That process is well underway. And I am hoping.... We'll have more information within the next week about where that is at and when and where we're planning to sail from. It's not sure that we'll be sailing from Turkey anymore at this point. Turkey would have been about a three day sail to Gaza. And at this point we might have to be looking at somewhere further out. TBD. **Inmn ** 21:27 Like somewhere further out to escape the influence of Israel putting pressure on those local areas? **Maria ** 21:36 Yeah, so there was a lot of pressure, a lot of pressure put on the Turkish Government. And Turkey, while it gives incredible lip service to supporting a free Palestine, is actually deeply economically dependent on Israel. And the domestic politics there is a whole can of worms. Anyway, I don't know where that's at. That's not part of the...that's not the team that I'm on. You know? I'm doing a lot of more of a social media and grassroots organizing here in the US. So I'm not one of those people figuring that part out. But, I mean, we can all see, we all basically know the general geopolitics of that region and how complicated it is for any country in the world to allow us to sail because of the possibility of antagonizing Israel, and what that can mean as a nuclear power and as a proxy of the United States in the region. But we will. We'll find a place that we will do it. Inshallah, very soon. And that is underway. I think as far as what's happened in the past, so what's happened in the past, most of the Flotillas have not--actually all of the Flotillas--have not actually made it to Gaza. They are pretty consistently stopped, often in international waters--which is illegal--before arriving. There are no ports in Gaza that one could land at. So like we said, we had this plan with a pier that can unfold. In the past Israel has stopped the flotilla with its naval blockade. In 2010 the ships were famously--one of the ships in particular--was famously attacked, and nine people were were murdered in that process. Since then, there have been no fatalities. No one has been matyred. But everyone pretty much has been arrested and deported. **Maria ** 21:37 From like international waters? [Said confused like it sounds sketchy] **Maria ** 23:40 I think they get brought into Ashdod, usually, and deported from there, like on an Israeli vessel or whatever. I don't know. I haven't been on any of the flotillas before. This will be my first journey. One of my aunts was really involved in them for many years, so I learned a lot about the process, and I've been following the process, since 2010. She's been very involved in--or she was--very involved in it. Gail Miller, may her name be for blessing. So I've been following it but this is my first actual mission joining. **Inmn ** 24:14 Cool. Um, yeah, it's...I don't know, it's.... Thinking about waterways has been something that's been really interesting with a lot of the goings on in and around the genocide in Gaza, like specifically with like...it was fun to see countries like Yemen be like, "Oh, we're gonna blockade Israel or we're gonna blockade shipping routes for Israel shit." And interesting to hear you talk about the connections to global shipping, because then that turned into this big global shipping catastrophe. And like the US and Israel were like "We're protecting global shipping lanes for like the good of Capitalism..." **Maria ** 25:14 One of the first honest things they've said. Yeah, absolutely. I think even with that, it's worth remembering too, just kind of going back to what I said, that the governments of the world are not acting. It wasn't the Yemeni government who took that action. You know, it was it was the Houthis. And overwhelmingly, we see that is not governments anywhere, but rather people working with conviction and solidarity who can actually stop the infrastructure of global trade, can actually stop...can actually have some real impact on this genocide, right? Like, that's one of the only meaningful...you know, people know that acronym BDS, It's boycott, divestment, and sanctions, which is...was a movement in South Africa during the anti-apartheid struggle that the Palestinian anti-apartheid struggle has adopted, and that has been a global call for some time now. And one of the only real meaningful BDS actions we've seen has been by the Houthis, in that way, you know, actually interfering with Israeli shipping. **Inmn ** 26:15 Yeah, yeah. Yeah. Okay, that's, interesting to hear. I feel like this is a topic that I've tried really hard to learn about on the internet and every time I do it's deeply confusing. And I get more confused because there's a lot of propaganda from the US and from Israel about, like, you know, who's enacting these blockades and whatever reasons that they make up. I saw...I was reading a little bit about the 2010 flotilla where, either like before or after it, Israel was making these wild accusations that the flotilla was working with Al Qaeda or had all these connections to groups they labeled as terroristic. And then the claims were withdrawn later because everyone was like, "Literally what the fuck are you talking about?" **Maria ** 27:15 Yeah, absolutely. And, of course, they're always going to do that, you know, and they're always going to try any possible means to antagonize and paint any kind of resistance is terrorism, which is also what we're seeing in Gaza, right? They will paint five-year old children as terrorists, you know? They have no shame and and they've gotten so far...they've spiraled so deep into their own narrative that they have really lost the plot. It's kind of wild. **Inmn ** 27:46 Yeah. Yeah. I think there's...it's like this thing that's been happening for quite some time, which seems like less obvious to people who have been paying attention, but like, I feel like a decade ago, or a decade and a half ago--wow, time happens--there, like you said, Israel has had these moments of being deeply concerned with their public image and then these moments of just the veil coming off and being like, which is happening there, it's happening here in the United States, it's happening everywhere, just fascistic forces becoming less concerned with what their public images are and just owning being terrible and fucked up. Being like, "Who's gonna stop us?" **Maria ** 28:39 Yeah, I mean, you know, it's, like I said, Israeli domestic politics are a total mess, but there is definitely a stronger and stronger faction that feels that way. And just thinking about it also, to bring it back to sort of the actual mission of the Flotilla, which is to deliver aid, and.... Well, it's twofold, right? It's to deliver aid and it's to break the siege and highlight the injustice--and not just injustice but absolute insanity--of the fox guarding the hen house here, so that all aid flowing...coming into Gaza has to be searched and is being monitored by Israel, and the sort of intentional, as I spoke to in the beginning, of the intentional famine that is being constructed there. And, you know, we saw in the news in March, that we were on the...we're at a tipping point of mass starvation. And that tipping point has been tipped. We are seeing unprecedented famine happening in Gaza. And I wanted to bring it back to that because I also want to just think a little bit about contextualizing what famine means. You know, I mentioned before that people often treat--like the media often treats this as a natural disaster or something or tries to paint it as a natural disaster-- **Inmn ** 29:53 Yeah, it "just happened" **Maria ** 29:54 --as an intentional act of war and genocide. And I think that we have to frame it that way and we have to both make sure that aid is getting in immediately, and to recognize that this is political, that no matter how much money we send to the Red Cross, if aid isn't being allowed to cross isn't helpful, which is not to say don't donate. Donate. And donate, specifically, to Palestinian mutual aid funds, which are the most grassroots opportunities, the most direct way to get funding, and you can find that...I can direct you, at the end, towards different places to donate The Middle East Children's Alliance has been able to get a lot of aid directly in. There's also a lot of, there's a group called Bay to Gaza Mutual Aid, which has collected a bunch of on the ground places to help people in Gaza. So just to be clear, I'm not saying not to donate. You definitely should. And we have to recognize that without an end to this, to the siege and to the bombardment, and the occupation, aid can only go so far. And I think it's important to contextualize that, to remember that this isn't...this phenomena also isn't unique to Palestine, right, this ideathat the global media treats famine as somehow a "natural phenomenon," when in reality, it's politically constructed. It's not just for Palestine, It's true all over the world. And we're seeing that especially in..... I think you can't actually talk about Gaza right now without also talking about Darfur and Sudan and what's happening there. And I think even more than in Gaza, famine--the politically constructed famine--that affects Africa, and specifically, that affects Black people in Africa, is often treated as "inevitable," and "natural," when it is very much politically constructed. And what we're seeing in Sudan, and the genocide that is taking place in Sudan right now, and the famine that is gripping Sudan right now, is every bit as politically constructed, is every bit as entwined with resource wars with the UAE and Saudis, race for controlling natural gas and resources, and for having a monopoly over those things. And this is this genocide is being directly funded by the UAE, which the United States will not challenge because of our strategic alliances there. And the people being targeted by this genocide are overwhelmingly African agriculturalists who have continued to keep that land fertile and producing food when it is more within the interest of the imperialist powers, and particularly the UAE, to have the land become arid so that it can become extraction sites for minerals and fossil fuels. So all that to say, a big part of the goal of the Gaza Freedom Flotilla is to politicize famine itself, because it is political. **Inmn ** 32:53 Yeah. Yeah, I know, it's hard to actually think of a famine, like a historical famine, that is actually not a political tool, or like an act of genocide. It's like we...when we...when we think of it, even like the word that we have, it's like when we think of famine, we think of there being a lack of something, we think of there being some kind of disaster that is just like, "Oh, the conditions just made it so that food couldn't be produced." And it's...it's never that. And, at least in English, like we don't really have a word for enacted famine that I can think of that isn't just genocide or that isn't just like purposeful starvation. It's like this entire language lacks a word for this tool that is used. **Maria ** 33:51 Caloric warfare. **Inmn ** 33:54 Yeah, um, I guess like kind of change tack a little bit, I feel like I'm using you as my filter for trying to learn about things on the internet and like running into so many weird like blocks that I'm like, I have no idea what's going on because the global media apparatus is horrible. But what.... I guess like what's going on with world government efforts to like get like food and aid into Gaza? Like I know there's been like a lot of back and forth with what like the UN is doing to get in food and it seems like that's not happening anymore? **Inmn ** 34:40 Where was the pier being built? And, like, what, like there weren't other peirs? **Maria ** 34:40 Right. I mean, one of the most bizarre things that's been happening that has been a lot of the efforts right now is airdrops. So people are like, "There's no way to get aid into Gaza. We have to literally drop it from the air," which is not only unhelpful, but has actually been dangerous and had has caused injury and the destruction of the aid being delivered and has been, shockingly, both ineffective and unsafe. Meanwhile, you could just cross the border, right? We shouldn't even have to be going in through the sea. There's not even.... Like we're going through the flotilla because we feel like that is our best chance of getting in. But there are... like, Egypt shares a border with Gaza. The Rafah crossing a should be open, and people should be able to bring in aid by land. And there's some aid that is crossing there. But as we've seen, to the extent that Israel will let anything in there, which has been very limited, there are settler...civilian--so-called civilians--although, they're not civilian, because they're armed to the teeth with AK--well not AK-47s but M-16s--actively blocking and looting and destroying trucks that are delivering aid to Gaza. I'm just like, can you even imagine? Like, could you imagine? It's hard like.... Like, what goes through your mind? What lives in your heart to destroy food, going to starving children? You know, I.... Whatever. But like, that's actively happening, you know. And so yeah, the airdrops have been a lot of like, you know, this whole US pier that I think I spoke to earlier that they're trying to construct this peir, they constructed this peir. It was pseudo operational for a minute. Now, it's non-operational, again, spending millions of dollars for this basically theater, when the US could, in a heartbeat stop sending aid to Israel and end this whole thing. **Maria ** 36:45 Off the coast of Gaza. It's a floating pier. So yeah, it's whatever.... It's a floating pier off the coast of Gaza. No, it's...I mean, it's honestly, like it's a whole charade. To be honest. Like the United States could, tomorrow, stop this but they won't. **Inmn ** 37:08 Yeah. And it's like the excuses are always these like strange logistical, bureaucratic excuses. Of like, "Oh, I don't know, the pier, the pier didn't work out. Or like, if only we could secure the border crossings, then aid could flow freely through." [Said sarcastically] **Maria ** 37:29 Right, exactly. Which, you know, is a common thing that we see globally too. We see it in this country to some degree like the crisis at the US-Mexico border, which I believe you're at right now. Like, they treat it like..... They treat so much of the humanitarian crisis that's happening there as if it were an impossible problem to solve when it's a very similar situation. It's a intentionally constructed political crisis. **Inmn ** 37:55 Yeah. And it's like, you know, there's a kind of, I guess, famous zine--or maybe people haven't read that one in a while because it's been a long time. But there's a scene called Designed To Kill, which is exactly how the US-Mexico border works. It's like the way that you hear government talk about it, they talk about it as if like, "Oh, we just can't do literally a single thing about it. We have billions of dollars, but we just can't solve this problem." And it's like--this is gonna sound weird--but it's like when you hear Border Patrol talk about like, like, "If only we could figure out how to stop people from coming in," which is not anything that I would ever want, but is what the government talks about. And it's like, you're not trying to do that. If you were trying to do that, it would be quite easy to do that. Like you have designed a system to funnel people in, to exploit them through private prisons, to psychologically terrify, and kill people. **Maria ** 39:06 Absolutely. **Inmn ** 39:06 It is a sick and twisted thing. It is a disaster of your own creation that you then LARP as being the humanitarian actors for, for like public image. Like Border Patrol has a.... Border Patrol has a search and rescue unit. They have like a helicopter that they tote around. [Affirmative sounds from Maria] Fucking absurd. 39:32 I know. I know. Yeah. I mean, I think that you know, I believe you were involved with No More Deaths at the US-Mexico border for a long time, and I think that there's a very similar principle as with the Gaza Freedom Flotilla, that the people who created this crisis are not going to be the ones to stop it. And if anyone's going to do something, it has to be us. We have to do something. Because, yeah, the colonizer isn't going to stop colonizing unless we do something about it. **Inmn ** 40:03 No. And it's like we can't count on.... It's like, we.... Like a lot of people, I think have this, like this myth or hope or whatever that like, "Oh, well, if things ever get really weird, like the UN will step in," or something. And it's like the UN has proceeded to literally fucking nothing. Or it's like the...like, what is it? The I forget the acronym for that court, the UN court, the world.... **Inmn ** 40:31 Yeah. Yeah, the ICJ making rulings towards Israel about, "We want you to stop the genocide." And they're like, "Well, we're not going to do it." And it's like the ICJ does literally fucking nothing. **Maria ** 40:31 The ICJ 40:47 I mean, I believe that ICJ is interesting. The ICJ did issue an arrest warrant for Netanyahu, which, as far as I can tell, only means that there's like, certain countries he maybe can't go to or like, if he loses this war, which inshallah, he will, that there could be potentially be consequences for him. But that really, like, you know, it's all about real politics. That really just depends on how the war itself goes, you know? Like the international arrest warrants issued in Nazi Germany only were meaningful because Germany lost the war. I just wanted to, I mentioned No More Deaths early and I realized that probably not all the listeners know what that is. So I just thought I'd say No More Deaths is mutual aid project at the US-Mexico border. Grassroots, mostly anarchist lead from what I understand, project. Once upon a time, at least. **Inmn ** 41:45 Let's say anarchistic. **Maria ** 41:48 There we go, there we go. That [NMD] provides mutual aid that both has like emergency medical care and food and also like hikes the desert searching for people who are lost and helping evacuate people who are in need and giving direct aid at the Border despite the Border Patrol's attempt to criminalize those efforts. Which I know a lot of our listeners have probably been involved in. I believe you were. I went out there for...a long time ago. I went out there to do that. But I do think that there's powerful mutual aid projects like that happening here in Turtle Island, too. So it's worth shouting them out. **Inmn ** 42:29 Yeah, and it's like there's a lot of really interesting parallels between all of these
S1E119 - Spencer on Bike Packing Pt. II
31-05-2024
S1E119 - Spencer on Bike Packing Pt. II
Episode Summary This week on Live Like the World is Dying, Spencer and Inmn continue to talk about bikes, how to go about planning a bike packing trip, and the usefulness of bikes in preparedness scenarios. Guest Info Spencer can be found on IG @spencerjharding or at www.spencerjharding.com You can find cool bike resources at bikepacking.com, Gravelmap.com, Theradavist.com, RidewithGPS.com, and Bikepackingroots.com Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Spencer on Bike Packing Pt. II **Inmn ** 00:15 Hello and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host today, Inmn Neruin, and today we're gonna be talking more about bikes. Bikes, bikes, bikes, like it's a.... like it's 2005 and we're listening to Defiance, Ohio for the first time. Bikes, bikes, bikes, bikes, bikes. [Spencer laughing in background] And it's part two of a two part episode of about bike packing. So if you didn't listen to part one, you might miss some things, which is mostly about some stuff about gear, some stuff about bike travel and what the scope of it is, and some other content that you may or may not have context for. But first, we are a proud member of the Channel Zero Network of anarchist podcasts and here's a jingle from another show on that network. Doo, doo, doo doo [singing a simple melody] **Inmn ** 02:06 And we're back. Thanks so much for coming back on the show, definitely a week later and not twenty minutes later. Could your re-introduce yourself with your name, pronouns, and just a little bit about what you do in the world? **Spencer ** 02:26 My name is Spencer Harding. My pronouns are he/him/his. I work in various bicycle related things. My current day job is photographer writer, occasional editor at a website called theradivist.com. We do a lot of cycle related content. I have worked as a bicycle mechanic. I've worked as a bicycle tour guide. I have worked in bike co-ops, I've done a whole lot of shit bikes is the jist of all of that. **Inmn ** 03:00 Yeah, cool. Cool. Well, we're just gonna...we're just gonna kind of jump right back into it from last week. So before we kind of get into the nitty gritty about how to plan a bike trip--you know, we've talked about gear for a little bit--let's just Let's start off with some good, like good feel heady stuff. Spencer, why is traveling by bike a cool idea? **Spencer ** 03:31 A cool idea? [uestioning the question] **Inmn ** 03:33 Or good idea. A fun idea? Is fun, or is it...Is it harrowing? Is it both? **Spencer ** 03:40 Yes. There's always going to be a chance for all of that to happen. The big picture reason why I like biking as a means of travel is that it strikes a really good balance between walking or hiking. And traveling by vehicle, like train or bus or plane, you miss so much because you're really cut off from the world. And you're usually traveling at speeds that are hard to really digest what's around you. Whereas a bike, you're typically somewhere between three miles an hour and like 20mph. Unless you're real fast or going down a big old hill. So I feel that biking affords more of that connection and really seeing and absorbing your surroundings. Whereas I feel that walking is almost too in the weeds of that sometimes, and they just really want to get somewhere, in a way that cycling allows you to really, when you need to, you can really cover a great amount of distance in a effective amount of time and energy without having to resort to a motor vehicle or a large public form of transportation. **Inmn ** 05:01 Yeah, yeah, I've always been really blown away by really how quickly someone can travel on a bicycle. It's like, you know, like, when me and Marie did our bike tour across the country, it took us two months to ride from Oregon to Boston, you know. And, you know, we were hauling it, we were riding like 80 to 100 miles a day. **Spencer ** 05:26 That's fast! **Inmn ** 05:28 Which is even more ridiculous because we absolutely had like 60 pounds of gear each, you know. And, but then meeting other people who were the really lightweight credit card tourer who rode from LA to Boston in 22 days or something. And I was like, "What?!" It was utterly incomprehensible. **Spencer ** 06:00 And I'm going to tell you that I know people who have written from Banff, Canada to the Mexican border almost entirely off road in 16 days without any support, carrying all have their own gear. **Inmn ** 06:13 Oh my God. Yeah. Okay. **Spencer ** 06:17 So the scale of human capacity to move themselves and whatever they need by bike is incredible, whether that's like.... that's the upper echelons of endurance and athleticism, but in that same vein, it's bonkers, what is truly possible. But for people like you who are maybe doing less than 100 or like 20 to 30 miles a day, like that's super accessible for a lot of people. **Inmn ** 06:47 Yeah, yeah. And actually, that's kind of where I want to start today's conversation is around like...it's kind of about preparation, but it's in the realm of...so, if I'm someone who doesn't have a whole lot of experience biking and I want to go on a trip like this, like, how do I...like I want to go ride my bike around for a month, you know, whether that's all on pavement or on gravel. How do I prepare for that? Like, if I don't have a regular workout routine or something like that? Like, what is that going to be like for me? **Spencer ** 07:34 So are we talking about like, fitness here, then? **Inmn ** 07:39 Um, I think like, yeah. I'm talking about kind of like bodily preparation, where it's like, I want to go ride my bike a long distance. I've never done that. What is that...what is that going to be like? And are there ways that I can kind of, I don't know, like train, I guess prepare? Do I have to? Will my body just like, do it on the trip? **Spencer ** 08:04 Bodies are really good at adapting to things. And I've always felt the first week or so of bike tour, everything's gonna hurt a little bit. Like, obviously, there's a lot of muscles involved. Especially in your legs and your ass and your sit bones. Your sit bones are going to be a focal point of something that's going to be hurting and have a lot of pressure and possibly a lot of discomfort. So I think training...training is a poor word to describe what I think is necessary for bike touring. I think it's more of a conditioning. Like if you ride your bike to work or you ride your bike to the grocery store or like just to go run errands or like once a week with your friends like that's bike touring conditioning. It's just how much time have you spent in the saddle? And if you spent zero time in the saddle, something's gonna hurt. And this goes back to the first thing we talked about with gear selection was "Does your bike fit you?" Like, in a multitude of ways. And is it comfortable? And if you ride your bike a little bit, you're probably going to know if your bikes comfortable or not. Or maybe you don't. And sometimes you won't feel how you body's gonna hurt if you ride less than 40 miles. And sometimes those long days, things break down, skin gets tender, chafing happens, and that's totally different for every single person. I know people who ride like the smallest tiniest, hardest seats, and their sit bones are great. And I've got wild--not wild--wide childbearing hips personally, so I need to ride very wide saddles to keep my sit bones happy. And it's your hands, your handlebars, your grips. I was talking to someone recently and they were like, "My hands hurt when I run my bikes," and they had a bunch of old cloth tape that was reused from like four bikes ago. And I was like, "Well, you might need some actual handlebar grips. And this might help with the vibration." So I don't want to get too in the weeds of that, but your hands are gonna hurt, your butt's gonna hurt, your legs are going to be sore from pedaling. And that's...these are all things that are going to happen. And as you ride and travel for multiple days, adjusting your bike, adjusting how you sit on your bike, and adjusting the times and the distances that you ride is all a part of figuring out how bike tour looks for you. **Inmn ** 10:33 Yeah, I remember in...it was the first two weeks of bike tour, were hell. Like, everything hurt. And like, I thought my knees were gonna explode. And like, I'd never written more than 40 miles in a day. And I remember being like, "I might have to give up." And then I made just a micro adjustment in how high my seat post was, like half an inch or something, you know? And the next day my knee pain just like disappeared. **Spencer ** 11:15 So if you're privileged enough to have access to somewhere in your...where you live, that does bike fittings, a lot of times--we're talking real small increments--make huge differences as far as bike fit and comfort. And I'll be riding with a lot of my friends. And I'm not a professional bike fitter. I don't make any claim to be, but I've generally been around bikes long enough that I feel like I can be like, "Hey, what if you tried this?" And like, go over and adjust their handlebars. And then like, a week later, they're like, "Oh, yeah!" So, that's a hard thing to figure out. I feel like 15 years into bike touring, I'm now...I just got my sit bones measured for the first time two months ago to know exactly what saddle I should be riding besides anecdotally trying a bunch of them. A lot of it is trial and error. You're gonna have to ride your bike and see where it hurts, and then what do I do about that? And talk to your bike nerd friends or go to a bike shop that you trust and ask them what they think. They probably have some ideas. Or there's a wealth of knowledge. The internet's probably the worst place to go for a lot of that information. **Inmn ** 12:21 Oh no. **Spencer ** 12:21 I'd go to someone you actually know or someone who can see you. Because there's always somebody with a hot take on the internet about bike stuff, especially fitting or what's the best bike saddle or bike for dah, dah dah. And they're probably wrong, or they don't know your conditions. So go talk to someone you trust. **Inmn ** 12:40 Yeah. Is it kind of.... And I feel like this is kind of something that I have seen as a trend that I see a lot on things that we talk to about people like on this show where it's like, there's these activities that seem really intimidating--and like maybe rightfully so--but it's like, I don't know...like your bike tour doesn't have to look like other people's bike tour. Or your setup doesn't have to look like other people's set up. You can adjust it for what you can and feel comfortable doing. Question mark. I'm asking a horribly leading question that I feel like I know the answer to but.... **Spencer ** 13:18 And this ties in with, "Don't ask the internet," because you're gonna line up with a Surly Longhaul Trucker and a bunch of gear that's probably not right for what you actually want to do. It's a good place to start or to maybe to ask more fine-tuned questions. What I always tell people, like if you have a bike shop in town, go to that bike shop--if you feel comfortable, and the people that you're talking to don't belittle you or like make you feel uncomfortable--go there and ask them a genuine question. They probably will help you in a genuine way. Or if you have a friend that's in the bike touring, ask them what they use. Maybe you can borrow gear. Because everyone...like if you look on the internet, there's such a plethora of sizes and different bikes and styles of bikes and styles of packing gear. It's just...I wouldn't even know where to start now. You know? Like, there's a bunch of websites. So I work for The Radavist. Of course, bikepacking.com is a great resource for reviews and gear. And they have...we both do long lists of like, "Here's a great bike for under 2k" or "All these bags" and dah, dah, dah. Bikegeardatabase.com is a great one as well. So there are a lot of things. And even Adventure Cycling does reviews as well. There's a plethora of stuff out there, but it's overwhelming. So you probably know a bike nerd in your life. And if you don't, go to a bike shop and find one because they're gonna at least pare things down, hopefully, for you to something that's hopefully more digestible. **Inmn ** 14:44 Yeah, yeah. And it's funny to hear numbers like that get thrown out, which is my next question. How much does it cost to get to...like, I want to go on bike tour. I know my bike is like probably not the best condition. How much is it going to cost me to like, get on the road? **Spencer ** 15:09 That is a very broad answer. **Inmn ** 15:14 I'm sure. I'm sure. **Spencer ** 15:14 So we talked about this last time a little bit as well, like, yeah, you can ride on any bike. I welded a tall bike out of a bike I pulled out of a trash pile and a bunch of conduit from Home Depot. And I strapped a bunch of shit to it. And that didn't cost very much money, you know? You're talking about hundreds of dollars, maybe. If you're not familiar with the network of bike co-ops that are in a lot of cities all over the world, so bike cooperatives are run collectively--usually--they get some kind of city funding or they're just donation based, but they're...imagine a little bike shop, and they're there to help you fix your bike. They usually allow you to do work trade. So if you can't pay or afford to, you can come in. They'll help you work on your bike, and you volunteer for a few hours and you pay off the debt. They have used parts. They have people who know what they're talking about and can help you with those fitment questions, with a gear question like "Why does my bike not shift? Why does the saddle hurt?" And these are your very like lowest bar to entry ways that you can get access to people who know about bikes and possibly gear--or recommendations on those things--or even get a bike to start with. A lot of them will refurbished bikes or they have a build-a-bike program where you go through the whole process of, "Here's a frame and here's a bucket of parts. We're going to spend two months and we're going to build this into a working bike. And you're going to learn how to do everything along the way." And there's a lot of value in that. And I'm sure we're going to talk about preparedness later, but knowing how every part of your bike fits together is kind of the baseline. So you're probably looking--I used to always joke and I probably need to adjust this number for inflation--but "there's no good bike under $300" was kind of the old adage. Either you get a bike for like $200 and you're gonna spend $100 on parts. Or you get a $300 bike that's ready to roll. Depending on what you're looking to do, that can be very true. And if you buy a custom touring bike, you can be easily in the thousands and tens of thousands of dollars, because the bike world is absolutely bonkers at the high-end. **Spencer ** 17:28 Does that answer that adequately? **Inmn ** 17:31 Yes, that absolutely does. **Spencer ** 17:33 Let's put the bar at drag a bike out of the trash to take to the bike co-op and there's your free bike. So let's say $20 to $20,000 is a good range. **Inmn ** 17:44 Cool, cool, cool. Ya, it's helpful to have a range of, you know, like a range of prices where it's like.... Because it's like, when I go...when I was trying to do research about like how to...like, a bike or something to use for touring, it was like, I went on and I was like, "Do I? Wait, do I have to spend three grand to get on the road?" And I was like, "Surely no. That's ridiculous." And like, yeah, there were things that sucked about it. But I took an old steel frame and put some mountain bike parts on it that I got at the bike co-op. And then a big thing that I did run into was wheels, where I was like, I think I need stronger wheels than I can find that the bike co-op for free. Or like for 10 bucks, you know? But buying new wheels was way unaffordable for me, for how strong they needed to be. And so I ended up building wheels. I just like built wheels from rims that I got at the bike co-op and some spokes that I bought. And it worked. [Said in a way that makes it seem like it didn't work] My rear wheel at the end of the trip, literally, was ripping itself apart. **Spencer ** 19:09 Yep. I've seen that happen. That probably didn't have to do with your building, though. I mean, sometime you put that much weight on a rim for 3000 miles it just starts to [makes breaking sound]. **Inmn ** 19:29 Yeah, just starts to rip itself apart. Um, but yeah. Golly, wait, sorry. What was my next question? Okay, so how.... If someone wanted to plan a trip, like they're planning their first bike tour, regardless of where that is, whether it's on pavement or bikepacking. Like what...how...how do you start to go about planning. For people who aren't maybe more comfortable with the idea of just hopping on their bike and seeing what happens? **Spencer ** 20:07 Yeah. A fun story. When I did that tall bike tour, I saw a photo of Glacier National Park. And I was like, "You know what? That looks cool. I've never seen those mounds before. "And I literally went like Portland, Oregon to Glacier National Park and Yellowstone. Google Maps, where do I go? Which I think was a poor decision because it just took me on highways. So at a baseline, Google Maps has bike directions, and that will incorporate bicycle infrastructure depending on where you're going. If you're looking to do a long distance route, if you're in the United States, Adventure Cycling Association, based in Missoula, they have a whole network. They're all mapped out. They've got all kinds of resources. They're well established routes all over the country. It's great because people will know what you're doing along the way. There's usually expectations of camping. Those things are mapped out. You can have a very reasonable amount of time or like mileage per day that set out for you that's reasonable, that will get you to resupplies. So Google Maps is your base. Adventure Cycling is a great second stop. If you're looking to do more off road routes, bikepacking.com has a bunch of maps. They have a whole map of the entire world of established routes with route guides. Gravel Maps has a bunch of stuff. A lot of these will wind up using a program called--and a website--called Ride With GPS--which is basically a mapping software--to do day rides or long tours, there's a ton of resources. Searching anything on Ride With GPS is an absolute nightmare. So it's usually a place you wind up once you've found a route you're interested in. The mapping works really great. And that's a great resource. Strava has something similar. They also...Ride With GPS and Strava have heat maps. So if you're looking in an area and you're like, "Well, where do people ride here?" you can look at those maps and it will show you a median of all the accumulated routes that have been ridden. So you'll see where places that are more popular for riding, and like, "Oh, I can write here because it looks like people have already ridden here." So those are good. Those are good resources. Sorry, dogs barking in the background. But yeah, there's there's a lot of long distance routes that have been around for 30-40 years, like the TransAm, Pacific Coast route, Tour Divide, which we talked about. So I'd be remiss if I didn't shout out Bikepacking Routes. They're a small nonprofit creating its own database of routes very similar to what Adventure Cycling was doing 30 years ago, but they're focusing on single-track and off road. I'm actually lucky to be a regional steward for them--or I don't know what the word is for it anymore. I manage route down near Tucson, Arizona for them that's on their map. They have a bunch of routes that cross the country north to south, east to west, lots of connectors, and all that stuff. So Bikepacking Routes is also a really good resource for off-road route specifically. **Inmn ** 23:20 Okay, cool. Cool, cool, cool. Um, this is like a funny kind of thread to move into--or no it just makes sense. So we've talked about how to get started, we've talked about kind of the vagaries of what gear you need, how to start planning a route, and now, it's kind of a big question, I guess, but this seems perfect and wonderful but what are what are the limitations of bike travel? It seems like there aren't any. I can ride my bike over...like across the sun with the right tires it seems like. [Both laughing] **Spencer ** 24:03 If you buy the $3,000 bike, you can actually ride on the surface of the sun, my dude. Yeah, so whatever...whatever marketing tells you is 100% real and you can do it ever you want. [Sarcastic. Switches to earnes in the next sentence] So limitations are going to be your capability. So that might be fitness or any disabilities. I can be in your bike. And that can be in various gear choices that you make, depending on how little or much you pack, what your gear range is, what your tire size is. But those limitations are things that can be built around. I mean, inherently your body and the amount of food you can consume and the lack of sleep you can deal with will dictate how far you can ride a bike in any amount of time. And those limitations can be vastly different for everyone. But typically speaking, I feel like a normal human can ride 20 to 60 miles in a day, depending on elevation. And then on most surfaces. So like fire roads are pretty common. Paved roads are obviously incredibly common. Single-track makes things more complicated too. But those are going to be-- **Inmn ** 25:31 What is single-track? **Spencer ** 25:33 So, think of hiking trails. So like the width of your body. Double track you'd think car tires are gonna make the road. If you've seen on off-road stuff, that's what usually we call a double-track. Single-track would be a hiking trail. So just the width of your foot, kind of like your shoulder width. Pardon the jargon. **Inmn ** 25:56 No worries. **Spencer ** 26:01 So your limitations are gonna be set by the decisions you make in your route choice and your gear choice and your bike choice and then in how prepared you choose to be or what kind of fitness you need to be in for whatever you're setting out to do. **Inmn ** 26:24 Cool. Um, what are...what are things that can happen on any kind of trip that people should be prepared for? Like, do I have to be like a master mechanic to go on a bike tour? Like if something goes wrong with my bike like, what...what are big, common things that people should kind of be prepared for, either in route planning going wrong or your bike having bike problems, or, etc...? **Spencer ** 26:59 So as far as route or any of these things, you always need to be flexible, I think, is the most important part. Like things are gonna go wrong. Something is going to break. You are probably going to break. And it's going to be in how you deal with that and--not break--but you're going to get tired or maybe you fall down and scrape yourself or cut yourself. These are all things that happen when we're doing any activities or are the usual risks. So flexibility and being able to adjust your plans or not be rigid in those things. The cool thing about bikes that I really love is if you get one of those little multi-tools at wherever, there's going to be an array of hex Allen's [wrenches] from 2 millimeters to typically 8 millimeters. And those alone and maybe a Phillips screwdriver, so we're talking a multi-tool that probably has that as well, that's 90% of bike maintenance right there in those tools, which is pretty sweet. **Inmn ** 28:01 Yeah, I was surprised by.... When I went on my last bike tour I got one of those bike specific multi-tools from REI or something, you know. And it was like 50 bucks or something. And it had a passable version of almost any bike tool that I've ever used, you know? I couldn't like take my pedals off or do bottom bracket work, but like almost every other tool that I needed was on it. **Spencer ** 28:39 And this is what we're talking about with bike co-ops, if you don't know how to fix your bike or how your bike is put together, take your whole fucking bike apart andput it back together with the multi-tool. And then you know. Or figure out what you can take off with the multi-tool and then put it all back on. And then you're gonna know like, okay, if this breaks or this falls off, I know how to put it back on. And that's a little bit like hyperbolic. But I think knowing that...if you take a class on basic maintenance at a bike shop or at the local bike co-op, they're going to teach you a lot of things you can do mostly with a multi-tool on the side of the road, which is super accessible. You're not...if you go to a bike shop, there's like that last 5% of tools that cost like thousands of dollars and they're in a drawer. They get used like once a month and they're terrifying. And most bikes are never going to need to use those tools out in the wild. You know? But, never say never. So, most bike maintenance is just adjusting bolts, and there's usually going to be one of those hex sizes that's on a bicycle specific multi-tool. Or you just go get a set of L Allen keys at Walmart or Home Depot. Hell, Home Depot has them for free sometimes if you just, you know, walk out. But the biggest thing that's a concern is tires and, if you're using them, tubes. **Spencer ** 29:12 Should you not use tubes? Convince me. **Spencer ** 30:16 We're going to talk about the fact that tubes don't exist nearly as much as people think they do anymore. Yeah, it's a crazy thing. So first of all, let's talk about it. So you have your bike rim. So, the wheel consists of a hub, has all the spokes that hold the rim to the hub, and then on that rim, you're gonna put a tire. And the tire usually has a tube inside of it that actually holds the air and gives you the squishy loveliness that makes riding bikes a pleasurable experience. But there's lots of thorny things and nails and glass on roads and services that are trying to make that thing not hold air anymore. So the biggest skill I've known people to want to have for bike touring is being able to fix a flat tire. So that typically involves removing your tire, removing the tube, using a glue and patch that are available at any bike shop you have ever been to for like two bucks. You get like eight patches. So you can really extend the life of your tubes that way. It's not a fun process. You have to take your, usually, like take your whole wheel off. If you use tire levers, which are its own specific tool that you definitely have in your kit in addition to that bike specific multi-tool. Sometimes you can do it with your thumbs if you've got like rock climber strength, but you're probably going to scream and yell and curse at somebody trying to get a tire on or off at some point in your life. And that's okay. We've all been there. So once you patch at tube, you put it back in and you pump it back up. Bike pump is going to be something you're going to want to have. They make all of those little bike specific things in all kinds of sizes. I've seen people biking with like your floor pumps at home just like bungeed recklessly on the back of their bikes. They got tired of the tiny pumps they were carrying. **Inmn ** 32:03 Wow. Relatable. **Spencer ** 32:05 But, it's 2024. The tubeless revolution is here. It's been here for a long time. If you buy a new bicycle, you know, if you're getting into a $1,000 bike. If you're buying a lower-end bike, you might still be using tubes. Anything like more modern, getting slightly more higher-end, we're going to be running what's called "tubeless." So it's kind of like a car tire. So the rims and the tires are designed differently to mesh and interact with each other the way a car tire interacts with a car rim. Just pump it up. It makes a big scary noise and it pops in and locks the beat of the tire to the rim. Cool thing about bikes that you can't do on cars is you can fill it with a latex sealant. **Inmn ** 32:58 The goo. Insert the good. **Spencer ** 33:01 Yes, you inserting the goo into the tire. So with cars, rpms that care tires are at, you can't have anything in there that's sealed in for a long time because it affects the weight of the wheel too much, due the little revolutions in momentum. Bike wheels, for the most part, don't move that fast where it's noticeable. So they've develope latex sealant or goo, or goop. It's kind of like slime. You can get slime at Walmart that like works for like bike tires. That stuff sucks. It works in a pinch. There's better stuff we have nowadays, but basically what.... So the inside of your tire, it's just air at this point. There's no tube. You put the latex sealant in there. It stays liquid for a certain amount of time depending on climate. a,nd which brand you get. There's all kinds of different things. But basically ammonia, latex, and some kind of like glitter or rubbery compound. So what happens is if you've got a flat with a bike with a tube and a tire, the nail is going to go through the tire and then it's going to pierce the tube. The tube is going to go flat. You have to pull the whole tube out, patch the tube, put it back in. Hopefully it holds. With tubeless, depending on puncture size and a bunch of factors, nail goes in. You pull it out. You should have some liquid sealant in there. You move that puncture points to the low end so there's like a pool of that sealant. The latex sealant when it gets supposed to air kind of goopifies. And it will typically clogg most small to medium punctures without you having to do anything. **Inmn ** 34:48 I mean you have to pull the thing out but... **Spencer ** 34:50 You have to pull the thing out, but if it's in there, you can just leave it in there if it's not hurting anything. **Inmn ** 34:54 I see. **Spencer ** 34:57 A bunch of plug kits you can get as well. It's similar to like plugging a car tire. Those are like big things that look like strips of bacon that you like plunge in. And there's a whole host of stuff for that. But basically, you get.... This could be... Okay, tire choice. So there are tires that are more durable and there are tires that are less durable. And that's going to be how thick they are in various parts and how much sidewall protection they have. If you get a more durable tire for bike touring, it's going to last longer, it's going to be more puncture resistant, and it's going to do better once it's punctured to possibly seal that puncture. If it's a thicker tire with that sealant. If it's a really thin flimsy tire that's lightweight, it's probably going to get punctured or torn easier and it's going to be harder to repair. **Inmn ** 35:52 I feel like this is the area that I kind of skimped on when I was on bike tour and I've never regretted it more. I changed.... I changed close to like, probably 60 flats in the course of two months. And so the really annoying part that you don't quite realize is, in a lot of cases, you have to completely unload your bike in order to fix a flat. **Spencer ** 36:26 That's another part too. So, think about that in your baggage concerns, if he could lift your bike or get it off the ground and.... So tubeless is awesome until it's not. **Spencer ** 36:37 So what goes wrong is either the hole is too big and you're just, all of a sudden you're riding, and you feel this faint white goo all over. It's usually kind of a milky consistency. It's sticky. You're like, "Oh shit, my tires, spuing sealant. I have a hole." Hopefully it fixes. Sometimes the puncture is just too big and it's like a tear. In that case, you can get your real crust punk skills out and you get the floss out and you can sew your tire back together so you can close that. And that does work. There's a lot of things you can do and hopefully it seals. But when it doesn't work or like your tire is too bad. So in order to get a tubeless tire onto a rim, like setup, you have to use an air compressor. It punches the tire on with a lot of pressure all at once. Depending on the tire-rim combo that can be very hard if not impossible to do with a small hand pump. So if you do get a flat and you ride and then that like kind of seal along the edge of the rim where the tire is seated to them breaks, that can be a really hard thing to get back if you're in the middle of nowhere. Co2 cartridges are good for this. They can pump a lot of air in. Sometimes that works. So that can be like a big kneecap of tubeless systems, a big puncture or you lose the seal on the bead. The cool thing about it is--but it's gross--is you can just carry a bike tube and you can then put a bike tube inside. It'll be covered in white goop. But as a failsafe, you can almost always still use tubes. So a lot of people do still carry tubes as an emergency if they have a tubeless system. There's also really cool new.... Oh, what are they made of? God I have one. I just gave one to my friend. They make these new tubes. They're not butyl rubber, there's something...some other kinds of new magical material, but they're like a quarter the size. They're like this big folded up. It's awesome. Sorry you can't see what I'm saying. They're like a third of the size of a regular bike tubes and they supposedly last better. I'm signaling the Inmn over video chat, which none of y'all are gonna see. So there's...that's always your failsafe is a tube, basically, if you have tubeless. Tubless is awesome if you live anywhere sharp and spiky like the desert or you do a lot of commuting with glass and shit like that, tubeless is hands down the way to be if you can. Learn how to use it. learn how to fix it the same way you would learn how to fix a tube if you had it. Just so you know what you need. But 99% of time, it's awesome and that 1% of time it goes terribly awry, but that's pretty good odds. **Inmn ** 36:37 I see. **Inmn ** 39:33 That is that is pretty good odds. I feel like I'm really interested in this from the perspective of like convincing myself to go tubeless. **Spencer ** 39:50 Inmn, I have a whole bike shed. Come over. We'll get we'll get you set up. **Inmn ** 39:53 Okay, okay. I do hate changing tires. **Spencer ** 39:56 You live in the desert. You should.... you deserve tubeless. You deserve to never fix a tube again after those 60 on that tour. You just don't need to. **Inmn ** 40:06 Never. Never again. To kind of switch gears a little bit. A pun, weirdly unintended. I'm, wondering how bikes as opposed to other forms of transportation can fit into different preparedness models for, you know, anything that we might be encountering, either a change in...a drastic change in our world like, thinking about a post-industrial world or a post-car world-and not like post-car in the Green Revolution way. I'm talking about like post-car in that like we live in a furtherly apocalyptic hell world. But also just, you know, in disasters and like needing to disappear for a few days. Like how do/do bikes fit into preparedness models? **Spencer ** 41:11 I mean, we're looking at a bike and we're seeing the most sustainable, accessible means of transport...like self-propelled transportation that's ever existed as far as I can think of. So it only requires you to be on it and pedaling it. So you need to have like water and food to propel yourself. And it can fit between...like you can ride anything from single-track to a road. So any kind of surface that it needs to be. If there's stairs, put your bike on your shoulder, if there's a steep hill, you can walk up it. If there's a fence or a barricade, pick your bike up, put if on the side and hop over. You're not encumbered by things like traffic, typically. You can get between cars, if there's a big line of cars, if everyone's trying to go the same direction, and there's a traffic jam like or there's an accident or there's a chasm. Like, all of those things, the accessibility and the means, the way you can just get on a bike, or pick it up and move it and carry it entirely under your own power, I think is an incredible tool for preparedness. And if you understand how to then attach things that bike in a way that makes it accessible for you to carry things distances, I think that's an incredibly useful tool to have in your back pocket. If you have some of those bags or you have those kitty litter panniers that you used 10 years ago and you have them in your closet. Like gas.... I mean we saw during COVID like gas, people got scared and they hoarded gasoline. And like all of a sudden, you can't drive your car. But you can ride your bike. **Inmn ** 42:52 Yeah, I feel like in a post-industrial world gas is gonna like instantly become unavailable. **Spencer ** 43:03 Yeah, and just you see how quickly like... I mean, if we listened to like It Could Happen Here, the first season, like talking about how quickly supply chains can go awry. And especially in regards like oil and gas and things like that. Like, it doesn't take much to disrupt those kinds of...those systems in place. And all of a sudden, there's an incredible scarcity in just a few days. And then your mobility is pretty limited if you've only relied on cars or something or walking, you know? You could double, triple, quadruple the distance, you could easily walk in a day on a bicycle while expending the same, if not less, energy and moving more things with you at the same time. **Inmn ** 43:48 Yeah, people have some pretty wild...like I've seen some like pretty wild bike trailer setups for things that people are somehow bringing long distance. And this is, you know, this is on pavement for the most part, but like, I don't know, yeah, I've seen some wacky bike trailers. **Spencer ** 44:05 Wacky bike trailers,
S1E118 - Spencer on Bike Packing Pt. I
24-05-2024
S1E118 - Spencer on Bike Packing Pt. I
Episode Summary This week on Live Like the World is Dying, Spencer and Inmn talk about bike packing and how cool bikes are. What is bike packing? Where can you ride? What do you need? Find the answers here. Guest Info Spencer can be found on IG @spencerjharding or at www.spencerjharding.com Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Spencer on Bike Packing Pt. I **Inmn ** 00:15 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host today Inmn Neruin, and today we're going to be talking about something that I've been wanting to do an episode about for a really long time because I really love to do it. And I think what I'm going to learn in this interview is that I have been doing it really wrong. Or not wrong, but making it so much harder for myself. And it's just going to be...it's going to be a lot of fun. And today we're gonna be talking about different ways that you can travel long distances, or short distances over strange terrain, on a bicycle. And we're gonna be talking about bike packing. But before that, we are a proud member of the Channel Zero Net of anarchists podcasts. And here's a jingle from another show on that network. Doo doo doo doo doo. [singing] **Dissident Island Radio ** 01:27 You're listening to Dissident Island Radio, live every first and third Friday of the month at 9pm GMT, check out www.dissidentIsland.org for downloads and more. **Inmn ** 02:15 And we're back. Thank you so much for coming on the show today. Could you introduce yourself with your name, pronouns, and just a little bit about what you do in the world? And what you're here to tell us about today? **Spencer ** 02:32 Hi, my name is Spencer Harding. My pronouns are he/him/his. I do a lot of things related to bikes and I have for the last...oh, at least 10 or so years. I'm currently a photographer, writer, and editor for a website called theradavist.com. We do all manner of cycling related articles and content reviews. I've worked as a bike mechanic at local community coops and full on bike shops a like, and I've been traveling by bike since 2009 pretty regularly. And that's been a huge focus of my interest in bikes and kind of my forte in bikes. **Inmn ** 03:18 Cool, cool. Um, it's funny because I know you real life and we, you know, we like play dnd together and I actually didn't know that's what you for work. And I just knew you knew a lot about bikes. So cool, great. **Spencer ** 03:40 I don't love that I'll know people for years and years and years and I think in a lot of the communities I've been in for years, no one really asks what anyone does. And it's not really important because we're all just doing these weird niche activities or hobbies together. And it's kind of fun. **Inmn ** 03:55 Yeah. I'm going to immediately go offer a little script. How did you get into bikes? **Spencer ** 04:07 I got into bikes right on the verge of the huge fixed gear craze that happened in like the early aughts. **Inmn ** 04:18 Oh yeah, I remember. **Spencer ** 04:21 So I was in school at Long Beach State in Southern California. I saw some people riding around bikes. It was the begining of my second year of college. I was moving off campus and I realized that I could buy a bicycle for the same price as a parking pass. And it took me as long to ride from my apartment to my classes as it did to walk from the parking lot to my class. So I took the, what, $130 that that parking pass would have been and I bought an old Schwinn off Craigslist. And it's been all downhill from there. **Inmn ** 04:59 [Laughing] I'm sure it has not been all downhill, but I appreciate the pun. We'll get into this later, but I did a big--introduction to me and biking--is that I have always just really loved bikes. Like similarly I had this thing in high school where a car became suddenly unavailable to me. And I lived in like a suburb of a suburb of a suburb. And I was like, can I take my dad's old Schwinn that's in the in the crawl space and ride it to the city? And the answer was, yes, I could. But like, fast forward many years to going on my first bike tour, and we like went over the continental divide and I was like, "So it's all downhill from here, right?" 06:00 [Laughing] That's one of the things. You never trust the elevation profile. There's always more up somehow. You could be on top of a mountain and somehow there will be some more uphill. **Inmn ** 06:11 Yeah. Always uphill. Always. Um, cool. Well. So yeah, let's just kind of happen to it. Um, what is like...what are the different kinds of scopes of bike travel? I feel like there's like a lot of words that were new to me as of a couple of years ago where I was just always "bike touring." But now there's all these kind of other words that people use that maybe seem like little subsets of bike touring, like gravel bikes or bike packin or r maybe there's other words that I don't know about. 06:50 There's so many buzzwords, and most of it is marketing, and like an ever smaller niche-ification of bikes. When we talk about bike travel, I think the word that comes to mind is bike touring, like, everything is bike touring. You're touring on a bike, you're riding, you're exploring, you're traveling by bike. The buzzword of the last decade has been "bike packing." And there's a lot of arguments about what that means, what that constitutes, what's bike packing, what's not bike packing. I won't go down a huge rabbit hole. I feel like the word bike packing ushered in a more modern sense of ways to pack a bicycle as opposed to what was classically bicycle touring. But if you're traveling by bike and you're strapping shit to your bike, you're going bike touring, Call it bikepacking. Call it gravel biking. You can call it...there's a multitude of other things like that. But when it boils down to it, it's all bike touring in my mind. **Inmn ** 08:09 Yeah. Okay. Um, golly, I'm going to immediately go on another tangent because I... [Spencer encourages it] It's reminding me of like.... I suddenly found myself thinking about like, wait, I wonder if Spencer knows the history...like what the history of the development of the bicycle was? This is a question I should have sent to you yesterday. And I mean, maybe you do, maybe you don't-- 08:39 I'm not super familiar. It popped in my head like I should probably do some sort of research. I mean I know the vagaries of it. But nothing specifically. I couldn't sit tell you names or dates or anything like that. **Inmn ** 08:53 Totally. But it's like, it is something that people have...like people have been riding long distances on bikes since bikes were invented, which is something that I find really interesting. Like there's.... Which I know you could take like a rewritten fairy tale and call it like absolute historical fact, you know but have you ever had any Angela Carter books. **Spencer ** 09:22 I haven't. **Inmn ** 09:24 She got famous for like rewriting the for rewriting a lot of fairy tales. And people were like, "Oh, you rewrote them with like a feminist lens." And she was like, "I absolutely didn't. My goal was to bring out the innate horror in all of these stories, and these stories just happen to be really like femicide-idle. And so that reads is feminism because the main conflicts in them are misogyny." But there's this story called Lady of the House of Love. About this vampiress who like lives in a collapsing, ruinous castle in Transylvania and is the offspring of like Dracula or something, who's just like quite bored in the world at this point. And there's this like whole diatribe in the story about this guy who she lures into the castle who has been traveling around France in Europe on a bicycle. And this is my funny tie in, and this is like in... this is like, in the early days of World War Two when this... Yeah, that's what.... And it's like, it's like these little nods where I'm like, okay, it's it's a fictional story, but I'm like, that sounds like a real thing people did, just travel around Europe on a fucking bicycle. **Spencer ** 10:56 I am 100% sure that there is some real world influence. Yeah, there's all those memes, you'll see. Like, there's some Scandinavian guy who just lived by his bike forever and ever. And, you know, big beard and all that jazz. I can't think of his name. But I can only imagine that there's some truth or they met some weird guy in a cafe one day and decided to just write them into the story after that. **Inmn ** 11:23 Yeah. Okay, wait, but back to the things. So if you had to kind of put a definition on what bike packing is, what is bike packing? **Spencer ** 11:37 So I would even back up to just bike travel. So bike travel is riding your bike multi day--so that could include a single night--somewhere, taking whatever you need for that journey, whatever that may be. Totally self sufficient. Maybe just change the clothes and a credit card. But using your bike as a means to explore and travel to somewhere. **Inmn ** 12:08 Cool. Cool. That sounds right. And what.... I guess maybe this.... It's like maybe some of these specific classifications kind of seems like it maybe gets down to what kind of bike you're riding or what kind of gear you're using? Or like something? I don't know. **Spencer ** 12:35 Yeah, there's been some discussion last few years about intent. So by touring, they've gone to the more recreational side of the venn diagram. So people on vacation, people going for a weekend trip, or for enjoyment. And by packing has, since it came at a time when people were packing less stuff on their bikes in new and creative ways that lent itself to more off road or very light and fast travel. So some people had defined bike packing as like a racing intent or like a competitive intent. And there are bike packing races. Someone who's staying with me right now, Austin Trace, she's training to ride the Arizona Trail and possibly some others. And that's an incredibly long distance. That's 800 miles of off road. There's many like 3000 plus mile bike packing races that happen all over the world over. So some people say bike packing for that kind of competitive intent. Some people will say they're going bike packing, when they're going camping for a weekend. There isn't really a line in the sand that I can thoroughly really draw. Bike packing is definitely like a new buzzword that's popped up in the last few years. And it encompasses everything that bike travel or bike touring would, depending on who you talk to or how you want to delineate that. **Spencer ** 14:07 Yes. And this is another fun thing where we have like, you know, all bikepacking Is bike touring but maybe not all bike touring is bikepacking. So all road bikes are gravel bikes, but not all gravel bikes or road bikes. If you really want to get into it--and this is even...I just wrote a review talking about how the word gravel needs to be split into two things because we're getting a recreational version of what gravel means and a competitive version of what gravel means, and those things are very different. Roughly speaking a gravel bike is traditional-ish road bike. You know, curvy handlebars, road levers. You're just getting bigger tires and typically a more relaxed geometry. That's the easiest without going into a whole mess of other unnecessary details, but the just is road bikes with bigger tires optimized for riding on dirt roads, like farm roads, forest roads, things of that sort. **Inmn ** 14:07 Yeah. Okay, that makes...that makes sense. And then there's this other word that I've been hearing people use a lot lately, which is--and by lately, I mean, this is years ago and I'm just like, really behind the the ball on things--but like, gravel bikes? **Inmn ** 15:35 Okay. Where can you ride a bike? **Spencer ** 15:40 These days? Where are there **Inmn ** 15:41 Or rather where are places that you can not ride your bike to? **Spencer ** 15:46 Legally speaking or terrain-limiting speaking? **Inmn ** 15:50 Terrain. Let's go with terrain limiting for right now. **Spencer ** 15:54 Okay, we don't need to dive into like the Wilderness Act limitations on mechanized travel. There are, if you're looking into that, there are so many crazy bicycles out there these days. There are very few places that you could not ride a bicycle. You're looking at incredibly steep and loose terrain or very deep snow or sand. But even that...like there's so many cool things with...like fat bikes have opened up just an incredible amount of terrain and versatility that wasn't available even like, you know, 20 years ago to bikes. And that's even expanding now. I've heard about some cool stuff I can't talk about, but there is some cool new stuff coming down the line that I'm very excited about in the monster truck realm of bikes. So there's.... Off road in the last few years has just totally exploded with gravel, with the accessibility of fat bikes, and like what those can.... So, fat bike, if I'm talking about, you're talking about four to five inch tires. They're just massive. So you run those incredibly low pressures like 10psi You're riding on snow, you're riding on sand, like, you know, that just opens up so many things that you can experience by bike and can travel across. And you can type in "adventure fat bike," and you'll get some crazy shit in fucking Alaska. A bunch of my friends have done it and they're just like...they have little boats and they're putting a bike on boats and they're riding down beaches and like...just places you would never would ever expect you could ride or get a bike to. And they can get a bike there and they can ride it. So there's obviously limitations like verticality or steep terrain but as far as like surfaces, you're...the world's kind of your oyster these days with that. There's so many options. **Inmn ** 18:07 Okay. Wow. Some of those are new to me and I'm like, okay, cool. Cool. Cool. **Spencer ** 18:14 I have a fat bike I just built it. You can come over and ride it. Play monster truck. Come over here, Inmn. I'll show you next time you come over for dnd. **Inmn ** 18:22 Wow. Love it. I, you know, on.... So like a background for me is my first bike tour, I didn't know anything about bike touring. I just knew that I wanted to do it. And so me and my friend Marie, we like...I met her up in Portland and then we rode our bikes to--Portland, Oregon--and then we rode our bikes to Boston. **Spencer ** 18:56 Oh, wow. Okay. [Laughing with incredulity] My first bike tour was taking the train to Santa Barbara with my like messenger bag and then riding back to LA as an overnight. You went full hog. Okay. **Inmn ** 19:11 Yeah, first first time ever riding a bike more than I could ride it in a day. **Spencer ** 19:19 Impressive **Inmn ** 19:19 It...you know, we're gonna go with a blend of impressive and utterly reckless. **Spencer ** 19:30 I know and I want to talk to this in the end too. Like, you can be really reckless on a bike and if shit goes totally pear shaped just.... Yeah, and like the accessibility of things going wrong and the ability to fix those or to get out of those situations is just such a cool component of bicycle touring that you don't get with like cars or motorcycles or, I mean, I guess hiking even less so, like there's even less to pickup. But yeah, tell me the story. How did it all go, you know, on the way to Boston? **Spencer ** 20:05 Oh, those are the worst. **Inmn ** 20:05 Um, well actually, you know, we're going to talk about that a little bit later, probably. But just, as this one funny tie in, was that in Glacier National Park, we met a...we met someone who is about to finish his bike tour. And he had been...he'd ridden the entire continental divide on a bicycle with like a little, like one of those little swivel trailers. **Inmn ** 20:06 Or, actually I don't know what they're called. They're like two wheels, in line. **Spencer ** 20:20 Oh, the bob trailer. **Inmn ** 20:42 Yeah, the bob trailer. Yeah, yeah. And he had crossed the Continental Divide like 30 times or something over the course of it. And it was utterly incomprehensible to me at the time. I'm like, "Are you riding on trails?" And he was like, "Sort of?" **Spencer ** 21:03 If I may do a quick... So the Continental Divide Trail is a long distance hiking trail that is mostly not bikeable due to the Wilderness Act thing with the wilderness stuff. I think the route you're referring to is the Tour Divide. **Inmn ** 21:18 Yes. **Spencer ** 21:20 Yeah. So those things kind of get interchanged, but they're vastly different beasts. The Tour Divide is a very popular off road route that a lot of people do these days and is one of the first mapped long distance routes, and still remains one of the longer documented off road touring routes in the world, too, which is super cool. **Inmn ** 21:42 Cool. Okay, wait, I'm trying to try to follow a little bit of a thread here. [Pauses, thinking] And maybe this is where to start. How do you...how do you start traveling long distances by bike in, you know, whatever capacity, whether you're like, I want to ride to a neighboring city, I want to ride across the country. I want to ride into the wilderness. These are vastly different. How do you get started? How do you get started? **Spencer ** 22:19 So my start was literally, my friend in college gave a talk, and at the time I was a backpacker. I'd done some backpacking, like three, four days. Stuff like that. And my friend gave this talk about how she went to France and took a bunch of kids bike touring and they took all the camping gear and they put it on their bikes and they just rode their bikes for like two months. And that blew my fucking mind. I was like, wait, I could put all my camping gear on my bike and go ride my bike. And this is in the very like first few years of me riding bikes. I was like, "This is the shit. I love this. Wait, I can go camping and do this?" So that was my first introduction. And I literally, New Year's Day, 2009, I took my road bike and my like good o'le Chrome messenger bag and I zip tied my sleeping bag under my saddle rails on my road bike and I took the train to Santa Barbara and I rode from Santa Barbara down like Highway One, like out near point Magoo, and I camped for the night. And I rode back to Long Beach the next day. And that's part of the Pacific Coast bike touring route. So it's just another established route from Adventure Cycling, who also does the Tour Divide, which you mentioned earlier. And that was my first time properly traveling by bike, and I was like, "This is cool." And a few months later a good friend of mine, Julia, who had just ridden across the country, kind of as you did. I can't remeber if she started in San Francisco or Portland as well. But she did that same trans-america ride. And she was like, "Hey, I just got off school. Like, I don't want to drive back to Southern California. Do you want to just like take a bus up here, and we're gonna bike back to LA together?" So I went back a few months later that summer and tried...like I got a different bike that had racks and all that shit and some bags. And you know, as that ball rolls, you get more bags, you get more specific stuff, you get bikes that are designed for it. And then I rode back from Santa Cruz to LA and then I was like, "This is fucking sweet." So, two months later, I flew to Seattle and rode all the way back to Santa Cruz that same summer too. So that ball kind of rolled pretty quickly for me. So, I think it's literally taking...like at the time I had a messenger bag and a sleeping bag and a stuff sack and that was what I took and I had a little tiny pocket stove and a sleeping pad. I don't know if I even brought a sleeping pad. I might not have. I have to look back at the photos. It might have been strapped to my handlebars or something. But it's really what you have. If you have most any kind of like reasonably lightweight camping gear, from car camping to backpacking. Like, all of that gear translates. And if you have a bicycle, there's--especially these days--almost...there's so many ways that you can affix things to your bike. **Inmn ** 25:14 And yeah, it's kind of funny, because I feel like I've seen this funny arc of like "bike luggage" or something. I don't know what to call it. [Spencer laughs] Where, like, when I was trying to get into bike touring, it's like--I'm sure like gravel bike/bike packing/offroad stuff, I'm sure I'm sure all that stuff existed, but I was less aware of it. But in the realm of bike touring, it seemed to be all about like how to like really neatly contain a lot of stuff on a bicycle, you know? And, like, now I see people's gravel bike or bike packing setups, and it's literally just like shit strapped anywhere that it could be. **Spencer ** 26:02 Yeah, so if we're gonna get into like, if we're gonna delineate two words, we're gonna do bike touring on one side and we're gonna do bike packing on the other. If we look at bike touring luggage, or traditional touring luggage, was usually two to four panniers [rhymes with "your"], Panniers [Rhymes with "yay"]. There's a whole video you can watch about someone from Webster's talking to my buddy Russ about how to actually pronounce that fucking word. It's a bag strapped to a rack. You can argue about it all day long. Typically two to four panniers, maybe a little bag on your handlebars, some water bottles, that was kind of the traditional setup that's been around since the inception of bicycles. Bike packing is when we're moving to more off road focus. So you, obviously panniers are just little hooks on a rack and maybe a bungee. If you've ever written off road with those they don't...they tend to eject. I've got buddies who have got busted collarbones from catching someone's unwanted, flying paneer **Spencer ** 27:02 Oh, no. **Spencer ** 27:03 So in the other corner, we have more modern bike packing bags, which arose from a cottage industry of people developing bags for things that they wanted to do that didn't exist at the time. There's a ton of them, like Revelate Designs has been around since the beginning and were big pioneers in a lot of these venues. And typically what that looks like is you have a bag on your handlebars. It's typically a double sided stuff sack, say 10 to 15 liters. Smaller, bigger exist. That's rolled on there, secured with some straps. There's harnesses and all that jazz. A big thing in bike packing that has really bled out to a lot of the other aspects of cycling, it's really convenient, is using the main front triangle of your bike. So bags that fit the center of your bike and fill that space. **Inmn ** 27:56 That's like the spot kind of like underneath where you're sitting, right? It's like the space between the seat and the handle bars, right? **Spencer ** 28:01 Correct. So, if you're thinking about a bike frame, this kind of goes back to the--I wanted to actually mention this in the history too--so a double triangle, like a diamond. So you have two triangles. You have the front triangle and the rear triangle. That design has been around nearly since the inception of bikes and fundamentally hasn't changed, which is kind of miraculous. There's there's always going to be some kooky weird shit that people are cooking up to make bikes better. But 99% of bikes that have ever existed have been the same design, and it's still the best and most efficient. So, you're filling that front triangle with gear. So it's where you would typically have your water bottles and things like that, but being able to put four liters of water, as opposed to two bottles, and a bunch of camping gear is more efficient. So frame bag. And then there's a bag attached to your seat post called a rocket bag or a butt bag or...[laughs] And this is where stuff gets real bondage-y. There's like 17 straps holding those fucking things on. They sway if you don't pack them right. And there's a bunch of designs to make that better, and we're getting really close to really nailing it. So you have those kind of are your three main staples for bike packing bags. There's bags that strap your fork, there's bags that go onto your down tube, there's ones that attach to your stem to put snacks in. If there's a tiny spot in your bike, there's a bag for it, I guarantee it. And those are kind of your two corners of like bicycle luggage. **Inmn ** 29:32 I see. I see. You know, what I.... Something I weirdly really appreciate about some of these bike packing luggage, or whatever, is when I was...when I was first hearing about some of this and I was like, oh.... Like I remember like 10 years ago when people were starting to have frame bags and stuff, and I was like "Where do you get a frame bag, like where can I go and buy this?" And the answer was, you had to just know someone who fucked around and made one and wanted to make you one. And it was like...it's like watching an entire--like, you know, fuck an industry, but it does make it more accessible for people that there's like more people making these things--but an entire way of making things, or a culture of making things, like erupting from like watching some people just fuck around with fabric and like cordura and vinyl and shit and just like.... Yeah, I don't know. I feel like...yeah, it's like watching that and watching the same thing happen with messenger bags like 15-20--I know, it's been more--years ago. But I don't know, it's something I've weirdly always appreciated about like bikes is that there's been a lot of innovation not on an industrial level. It's like on the level of people just messing around with stuff in their garages and figuring out some really cool things. I don't know, does that...does that track? Is that real? Am I under the right perception? **Spencer ** 31:11 100% There are so many cottage bag makers and a lot of them have scaled up and some of them are still really small. And a lot of the innovation is still coming from those cottage industries. Big companies have caught up. So there are a multitude of companies offering frame bags produced overseas that you can get at REI or on Amazon. There's a there's a host of options. Industrial production has caught up to it. One thing that's cool that they will never be able to do is there's a bunch of frame bike bag sewers--builders? What's the word? And you can send them a photo and they've written their various different scripts and computer programs and you send them a photo of your bike with like a ruler in it. And they will make a custom tailored bag exactly to fit your bike where you can put bolts through it, like just over the internet. And that's somethingl.... Like I personally have one from Rogue Panda. Nick is a crazy mad scientist and incredibly innovative. Yeah, you can just send him a photo of your bike or if they have the dimensions already in their system, they just sew you an exactly perfect custom bag. So you can get a bunch of off the shelf things that will work for most bikes, but if you have a weird like I do, or many that I do, you can get a custom one, and that's something that's always going to be around as like a cottage level industry. **Inmn ** 32:38 Um, okay, how.... Or.... Okay, so say...let's say I want to...say I want I want to ride my bike from where I live to a neighboring city. It's like...maybe it's four days away, or something, by bike. What...or, this is a regular thing that I want to do. This is a thing that I want to kind of invest in doing. And I'm asking this from the perspective of, so like on my month long bike tour, I feel like there was a way to have a bike that I didn't fucking hate riding. And so I'm wondering...I'm wondering kind of like what kind of bike do I need to do that? What will make my life be less terrible? I was on an old Schwinn steel frame that I put a mountain bike drive train on, essentially. And some like other mountain bike parts. I like converted it to 700s [wheel size]. I didn't know anything about fat tires. I just had like-- **Spencer ** 34:03 It barely existed back then. So yeah. **Inmn ** 34:05 It was like, I don't know like one and a half inch ties. This is embarrassing to say at this point. **Spencer ** 34:14 That's fine. I can't tell you the breadth of dumb ideas around bicycle. **Inmn ** 34:22 Yeah, yeah. And it's like my life was so bad in comparison to my road partner who was riding a Surly Long Haul. [Specialty touring bike] **Spencer ** 34:34 Yeah. So to segue out of this, if you ask the internet, the internet's gonna tell you the Surly Long Haul Trucker's the best bike touring bike for blah, blah, blah, blah. I'm going to tell you right now, the Surly Long Haul Trucker rides like fucking dogshit without about 100 pounds of gear on it, and I don't think is the right bike for almost anyone in this current day and age ofbike touring. But let's get into your actual question. So the cool thing about touring is the bags will fit to most bikes without racks or rack mount. So if you have a bike that's comfortable, that fits you, it's probably...it can probably be made to be some kind of touring ready. So every bike is a bike touring bike if you have enough gumption. I've written tall bikes halfway across this country on multiple occasions. So I wanna say that you can always a specific bike tailored to the trip or the adventure you want to go on. But you can probably make whatever you have work. And I could recommend, if you give me more specifics, I could be like, yeah, you should get this size tire. This is a great bike for that. Like, height matters. All right, before I run away on this, let's start at the...let's start at the bike. So more important than any other consideration is whether you have a bike that's comfortable for you? Does it fit you? **Inmn ** 36:07 What does that mean? **Spencer ** 36:09 So bikes come in multiple sizes for different bodies, different heights. Like, I'm all torso. I've got relatively short legs for my height, but I'm like 6'1" so I ride an extra large bike. If you're 5' or shorter, you might write an extra small. That's going to be...those bikes are gonna fit differently. So there's a varying size run. So most importantly, you want a bike that fits you. And that's going to mean different things to different people, depending on if they have any back issues or what have you. So comfort is going to be kind of paramount to start. So your four day trip, is it off road? Is it mixed between the two? Is it single-track mountain biking? You're not going to take your Schwinn Varsity on a bunch of single track trails in Arizona, because you're not going to have any fillings or teeth left at the end of that ride. So, once you have a bike that's comfortable, once you have a bike that fits you, then you want to say, "Does this bike...is it adequate for the terrain?" And that's typically going to be tire size. So tires come in a bunch of different flavors, but you're pretty much looking at anywhere between a 26" rim, a 27.5" rim, or a 29" rim, which is also coloquially referred to as 700c. And those come in--oh my God I'm really in the rabbit hole here--so many sizes. But, so is your bike comfortable? Does your bike fit you? Do you now have the appropriate tire size for the terrain you hope to traverse? And we're going to assume that you have all of those things. And the next consideration will probably be luggage. So how much frame bag space do you have? Can you get a frame bag for it? Do you have mounts to put a rack on the front, or even the back, of the bike? You want to make panniers to go on there? You can strap anything, like anything with the stuff sack, you can strap. I mean the quintessential like bike co-op special is the old kitty litter boxes with hardware hooks and some bungee cords. Like, do you have a cat? Do you use cat litter? And these are all things that can become bike touring luggage. It's so up to you and how you can fit it. I've seen such a plethora. There's such a rich community of people DIYing these things. And there's ways to use like old cutting boards to make handlebar rolls to hold stuff sacks, you know? Like, I could go on and on. So the next thing you want to figure out is how are you going to pack all your shit on your bike? And okay, we've got that. There's a plethora. And next thing is food and water. Is there water available? Do I need a water filter along the way? Where can I get more food, snacks, etc... along the way? How many days of food I need to pack? Those water and food options are probably going to inform how you pack or what kind of luggage you're going to need, beecause those your essentials. Like if you want the bike to move, you have to pedal it and you have to be alive to do that. So you're gonna need to eat and drink. **Inmn ** 39:36 Yeah, can I have a little segue off that? It was funny on this cross-country bike tour, like our attitude about that changed throughout the trip, you know, where it was like--Marie definitely had more like bike touring experience than I did--but like when we started, we were in rural Oregon, we were in Montana, we were in all of these big western states. And we didn't have a water filter, which is probably something we should have brought. But like, you know, we weren't camping. We weren't--or sorry, we were camping every night, but we weren't trying to ride off to find nice places. We were like, whatever's along the road, you know? And so we were like, "Okay, well, we just have to bring all of this stuff with us." Like, I think we had like two weeks' worth of food each and three gallons of water on us at all times. And it was utterly absurd, like our bikes were so goddamn heavy. But we often went a week without going to a grocery store. **Spencer ** 40:57 That could be the reality of your trip. And there's some of these long distance routes, especially the off road ones.... Like road touring, if you're on established routes, like highways or secondary highways, you're gonna hit a gas station hopefully once a day, if not every other day. And like, you know, it's not gonna be great food. But that's...those are all considerations to how much you need to pack. And that's...that's typically the first thing I would be like where's my reasonable resupply? Especially ifwe live down to the desert, like water is the main concern and the limiting factor for a lot of my trips. Like how much do I have to carry? Where can I get it? How can I get it? **Inmn ** 41:39 Yeah, cuz it's like, you're not--unlike being in the Northwest or something, you're not just gonna happen on a stream that you can like.... **Spencer ** 41:47 Exactly. I mean, maybe you can if you know that's there. But that's a big if, and I've planned to get water from a stream and then I got there, and the stream was dry. And I was like, "Oh, this is going to be interesting." **Inmn ** 42:01 But yeah, sorry. You're talking about water, food, etc... I don't know what you were going to say next. **Spencer ** 42:09 Yeah. So once you figured out how much water and food you need to be able to carry between places that you can get water or food, then you're gonna go to gear. So clothing, is it going to be hot? Is it gonna be cold at night? And then you're thinking about sleeping. So tent, sleeping pad, sleeping bag, at the bare minimum. How warm is that sleeping bag need to be? What's the weather going to be like? Is it going to rain a lot? How nice of a tent do you need? How many people are going to fit in that tent? And once you've figured out those things, those are all going to inform all the decisions we made already about like luggage. Like oh, I need to make a three person tent because there's three of us. Are we going to split it? Yada yada yada. If you've been camping at all, you understand that these are like kind of the basic things you want to have with you. Or maybe you're going there's a hotel every night and you're like, I'm just gonna get a hotel in and take a shower, and people do that and it's great. It's a different way to tour. **Inmn ** 42:10 We met someone like that who was credit-card touring, as it's called, I think. And, you know, I have a friend who just writes crazy distances in like single times, but like meeting this person who was like...he had a very fancy performance road bike and a couple regular small water bottles and like some granola bars and in his fucking lycra pockets, or whatever, and a credit card that was it. That was every single thing this person had. **Inmn ** 43:07 Still bike touring. My 20 year old self would be would be shaking at me saying that but still bike touring. **Inmn ** 44:01 Yeah, I mean if you got a credit card and he just like fucking get a hotel every night. **Spencer ** 44:08 But, you know, these are considerations with things. Like, I've stayed at hotels on bike tours. Like I had a real shit day got rained on for like this last trip I did in the Midwest past summer. We got stuck in like damn near a tornado. And I was putting up our tent in the downpour rain and then it was drizzling the whole next day. And I was like, fuck it. I'm getting a hotel. Going off route. I'm going to a hotel. Sleep in this hotel and shower and dry all of our shit out. And these are things you want to consider and this is all part of what goes into considering to go on a bike trip. **Inmn ** 44:44 Yeah, um, so we're getting close to the end of our time for today. I didn't say this at the beginning, but this is a two part episode. And I'm wondering if we could kind of end today's episode with, could you just tell us a story about going on a bike tour. Could have gone well, could have gone horribly. Kind of whatever. Tell us about a trip that you went on and kind of like what... Yeah. Yeah. **Spencer ** 45:21 Alright, I'm gonna tell you about my favorite bike tour. And it will bring it back together because you met that lovely gentleman in Glacier on the Tour Divided some years ago. So my buddies Kurt and Sam--this was 2016--so fledgling days of kinda packing bags. This is when one of the bigger companies, Blackburn, was getting into making
S1E117 - Inmn and Margaret on "Civil War"
17-05-2024
S1E117 - Inmn and Margaret on "Civil War"
Episode Summary This week on Live Like the World is Dying, Inmn and Margaret review the new film Civil War. Spoiler alert, it's all kinda of weird. Host Info Inmn can be found on Instagram @shadowtail.artificery. Margaret can be found on twitter @magpiekilljoy or instagram at @margaretkilljoy. Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Inmn and Margaret on Civil War **Inmn ** 00:14 Hello and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm one of your hosts today Inmn Neruin and with me is the always lovely. . .  [trails off inviting Margaret to speak] **Margaret ** 00:28 Margaret. You should do the [intro] as if I'm Garth. You should be like "And with me as always is Margaret." Like...because Wayne's World. Because I'm an elder millennial. Nevermind. Hi, I'm Margaret, I'm your other host. **Inmn ** 00:43 And today we're going to be talking about...we're kinda going to be doing a movie review about-- [Interrupted] **Margaret ** 00:49 Wayne's World.  **Inmn ** 00:50 About Wayne's World, the most important movie of our time. **Margaret ** 00:53 I once...I changed my--actually I dropped out of school--but before I dropped out of school, I was gonna change my major to film because of Wayne's World. This is a true story.  **Inmn ** 01:03 I love that so much. [Laughing] **Margaret ** 01:07  It's so well done. Woman-directed too. Anyway, what are we talking about?  **Inmn ** 01:15 We're talking about a much less joyful movie today. And that movie is Alex Garland's Civil War. And the reason we're kind of talking about this is that I think this movie feels very relevant to--or at least when I went to go see it, I thought it would be very relevant--to some themes on the podcast. And since then, I've been a little bit confused, but we'll get into that later. And I am told that me and Margaret might have some differing opinions about this movie. And so y'all will get to see us argue. **Margaret ** 01:56 Yeah, I'm going to argue in favor of Wayne's World, and Inmn is going to argue against Civil War.  **Inmn ** 02:01 Yes. But first off, we are proud members of the Channel Zero Network of anarchists podcasts, and here's the jingle from another show on that network. Doo doo doo doo doo. [singing] **The Ex-Worker Podcast ** 02:18 The Border is not just a wall. It's not just a line on the map. It's a power structure, a system of control. The Border does not divide one world from another. There is only one world, and the Border is tearing it apart. The Ex-worker podcast presents "No Wall They Can Build: A Guide to Borders and Migration Across North America," a serialized audio book in eleven chapters, released every Wednesday. Tune in at crimethinc.com/podcast. **Margaret ** 02:54 [Mimicking a movie trailer voice] In a world... [stopes voice] That's all I got. **Inmn ** 03:01 [Inmn takes up movie trailer voice] Where a vague civil war has gripped the nation for the last 14 years, we... **Margaret ** 03:12 About literally nothing. **Inmn ** 03:13 [continuing] we join a group of war correspondents and photographers who...are kind of shitbags. **Margaret ** 03:26 Don't have any motivation besides art. **Inmn ** 03:32 [Not movie trailer voice anymore] I don't really have to do a "Introduce yourself" to the thing because we all know who me and Margaret are. But to kind of get right into it, we're going to be talking about the movie Civil War today. And my hard take right now is if you haven't seen it, do NOT subject yourself to having to go see it. But, you know, make your own opinion. I'm not going to tell you what to do. But maybe we can kind of do a brief kind of like overview of the movie and then we'll get into what me and Margaret think--each separately think--about it. How's that sound? **Margaret ** 04:17 Sounds great. Am I overviewing or are you overviewing? **Inmn ** 04:20 Um, I can do it, you can do it. I don't care. **Margaret ** 04:22 Are you prepared to.  **Margaret ** 04:24 I'm not. Let's do it.  **Inmn ** 04:24 I'm prepared to. **Inmn ** 04:26 I'm gonna do it.  **Margaret ** 04:27 Go ahead. Great. Pew, pew, pew. [mimicking gunfire] I'm gonna make pew-pew-pew noises the whole time you're talking, though, so that people get into the head of the viewer, which is that whatever's happening there's also a lot of gunfire in the background.  **Inmn ** 04:39 So much gunfire. And I have something to say about that gunfire later.  **Margaret ** 04:44 Okay. Okay.  **Inmn ** 04:45 Yeah. Which will be very funny with the pew-pew-pews. [Margaret makes more gunfire noises] So, Civil War is a movie about a... [Margaret makes more gun and explosion noises] **Margaret ** 04:57 Okay, I'm gonna stop now. This will get old. Go ahead.  **Inmn ** 05:03 The setup for Civil War is it's a movie about a Second American Civil War. And we have a few different sides in it. We have the Western Forces, which are made up of California and Texas. And they have formed a coalition of secessionist forces known as the Western Forces. And they are trying to.... All we really know is that they're trying to kill the president. And that--  **Margaret ** 05:39 Relatable.  **Inmn ** 05:40 Yeah, relatable. And then we have a couple other sides that never make it into the movie. There's.... The ones that do make it into the movie, we have Florida, who is attempting to join the Western Forces. And we have a few other players. The creator's that movie released a map of the US set in the time of the war. There's like the People's Army of the Northwest, or something. It's confusing. And when we join the narrative, it is...I think the war has been going on for about 14 or 15 years at this point. And the Western Forces are closing in on Washington DC and kind of like the East Coast. And we have a...we have a country that has been completely engulfed in in this war for, you know, over the last decade. And it follows a group of war photographers and journalists...correspondent people--I know words--who are out on a strange mission, which is to photograph and interview the president before he gets killed by the Western Forces. This is the setup for our protagonists' journey. And we have Kirsten Dunst as this middle-aged, jaded, war photographer, who is paired up with--I don't remember his name-- **Margaret ** 07:25 Some other guy.  **Inmn ** 07:26 Some other guy, who's a journalist. And as a tagalong they have this older journalist who's trying to tag along with them. He's like, old friend, co-- **Margaret ** 07:42 Wise, old, Black man archetype. **Inmn ** 07:44 Wise, old, Black man archetype. And then we have a--I think she's 23 in the movie--younger, very excited, and naive photographer who is a fan of Lee (or Kirsten Dunsts' character), and they're all headed to DC to try to photograph the president before he dies and they run into a lot of wacky shenanigans along the way. **Margaret ** 08:19 It's a road trip movie. **Inmn ** 08:21 It is a road trip movie at its.... At its core, it is a road trip movie. Margaret, what.... I guess like.... I have quite a lot of opinions about this, but I'm the person who's technically hosting right now. So I'm going to ask you questions. What did you think? **Margaret ** 08:42 I think we should more duke it out a little bit. But I think we should each just give treat ourselves as having equal time on this. So I went into Civil War expecting to hate it. Most of the movie takes place in West Virginia, Western Pennsylvania, and Western Maryland. It takes place where I live. I drove to go see it in a town that is like, I think one of the towns that they filmed in and I went to the movie theater and I was like, "It's going to be all fucking chuds. It's all going to be these right-wing motherfuckers. Like I'm going into enemy territory," you know? I went to a Saturday matinee on the second day the movie was out. And there was like eight old couples. And then one dude who I read as gay, who was there alone like I was, and that's who went to go see it. Some couples in their 70s and some guy who probably went and kind of similar reason I did, to be like, "What does this have to say about the people who are trying to kill me?" you know? And I enjoyed watching it. I got some popcorn. And I watched a movie that had pretty good action, lots of loud bang noises everywhere. I was like, I was glad I saw it in the theater because it was like, I thought the audio was well done. And it seemed to me.... Okay, so it's like, if you go into it being like, this is gonna be a movie that explains where we're at in the country, It's not going to work, because it's not. And it absolutely dropped the ball on that. But that was the point. Now, I don't think that was a good point. I don't think that they made a good decision. Like, if I had made this movie, this is not how I would have made it. I enjoyed watching the movie. I also thought it was really interesting. So I went home, and I was like, "Oh, that was a...that was less bad than I expected." And it was on my mind. You know? It made me think. Mostly it made me think, "The fuck were they thinking?" But it's like, I was going to do war journalism when I was in high school and I was like, a photo, kid, you know? And then I went off to school for photography. And then I was like, "Fuck this, I'm going to drop out during the revolution," or whatever. And I very quickly was like, the idea of the neutral journalist is nonsense, you know?  **Inmn ** 11:24 Fucking nonsense.  **Margaret ** 11:26 And that is like one of the main things. This is like a statement. It's trying to be this like grand like, "Oh, it's so important to have this neutral position or whatever." But no one's really neutral. And they kind of present it like people are. But I don't think that they try all at hard. And what I realized.... Okay, my takeaway is this movie is centrist propaganda. And this movie is centrist propaganda that is specifically...it doesn't this whole thing where all of this stuff is like, "There's no good guys or bad guys." And they do very intentionally and kind of, honestly, interestingly, have it where you don't know which sides are fighting at any given point.  **Inmn ** 12:07 No clue.  **Margaret ** 12:09 And that is that is very intentional. There's a scene where there's like a sniper and there's a counter sniper. And the people are like, "Wait, which side are you on?" And he's like, "I'm just trying to kill that guy. He's trying to kill me." And like-- **Inmn ** 12:20 And they're like queer-coded. **Margaret ** 12:22 Yeah, they have pink hair or whatever. **Inmn ** 12:25 And fingernail polish. **Margaret ** 12:28 Oh, I didn't catch that. Yeah, no, totally. And it it feels.... That part feels a little bit real. It's a kind of a little bit of a like.... What's that "Heart of Darkness" movie? **Inmn ** 12:45 Apocalypse Now.  **Margaret ** 12:46 Yeah, like kind of this like, "I don't know, man. War is hell" kind of vibe, right? And like, okay, so it's centrist propaganda because at the end of the day, despite that they make this big deal of like, "Well, we don't know who's the good guys and the bad guys," you do. The President is bad. The Western Forces are good. Now they're not "good: perfect, everything's great." But the movie opens with a person with the United States flag suicide bombing. Noone presents suicide bombing as a positive thing in Western media. The United States government is the bad guys in this movie. That caught me by surprise. I expected passively to think that the way that they would do centrist propaganda--I knew it was gonna be centrist propaganda--is that they would have Texas and California being the far-right and the far-left. And they're the bad guys. Instead, I think they are meant to--and this is a sloppy...it's not how it should have been done--it represents the far-right and--sorry, the center-right--and the center-left teaming up to stop a fascist. Because the President has a couple like.... Okay, so if you like read all these reviews of people talking about it, I remember I was reading these right-wingers on Reddit. Everyone was like, "Oh, it's all neutral." And this right-winger was like, "It's not. It is anti-Trump. It is antifascist." And he was saying. **Inmn ** 14:17 It's the only clear thing. That's the only clear tie-in in the movie is that Nick Offerman is supposed to be Trump. **Margaret ** 14:24 And so he noticed everything that I noticed and pointed it out to say "This movie is actually leftist propaganda." In that, for example, the dude's Trump. The only actual bad person--there's people who do war crimes in it. Like they gunned down some prisoners and stuff, and it's a little bit of a like, "War is hell." There's one group of actually bad people and they're the racists. **Inmn ** 14:58 Or...there's a couple. I don't know. There's the gas station keepers who shots some looters, you know? **Margaret ** 15:05 I think they're negative, but they're not.... Yeah, no, that's true.  **Inmn ** 15:11 Then like Jesse Plemons' group, which are the racists--  **Margaret ** 15:16 Okay. Yeah.  **Inmn ** 15:17 [Continuing] --or the the anti-immigrants? And yeah, I don't know. And they're confusing to me because when I saw...when I was watching the movie, I was like, "Are these supposed to be the Western Forces?" because the Western Forces are talked about so mysteriously, to the point where it's like vague in a way that is confusing and, I think, harmful. **Margaret ** 15:38 I don't disagree with you.  **Inmn ** 15:41 But so it's like, and then I was trying to tell where I was like, "Wait, do these characters have the WF on their arm?" And I couldn't really tell. And then I think I read something later that was like they were supposed to be a militia. **Margaret ** 15:56 Yeah, that was the impression I got. But they also have one of the military Humvees. **Inmn ** 16:02 Yeah, so it's confusing.  **Margaret ** 16:04 But the Western Forces have the Black woman that kills the president.  **Inmn ** 16:08 Yeah, yeah. Which is where it all starts to get confusing is like the... they really.... When they meet up with those other journalists who are embedded in the Western Forces, they talk about them, really...they talk about it really poorly. They're like...because our protagonist don't like the Western Forces. Our protagonists think the Western Forces are like, are weird. You know, they don't like the president either.  **Margaret ** 16:34 Do they? **Inmn ** 16:35 Yeah, they say something like "You embedded with them? Like what the fuck?" And they're like, "This is just what it is now." **Inmn ** 16:42 I believe you. But I think that the Boogaloo Boys that they were embedded with Western Forces. **Margaret ** 16:45 Like the Hawaiian shirt wearing folks? **Margaret ** 16:45 Yeah. So that was one of the other things that was interesting because the Boogaloo Boys are on the good side in this movie. **Inmn ** 17:04 That was really confusing to me. **Margaret ** 17:07 Yeah. I think they're trying to present them as like, a center-right force fighting alongside the center-left force of California to overthrow a fascist. That's my takeaway. **Inmn ** 17:24 Okay. Yeah. Yeah. It's-- **Margaret ** 17:27 I don't--go ahead. **Inmn ** 17:30 Oh, no. Finish your thing.  **Margaret ** 17:32 I just...I don't think... It was sure ain't how I would have written it. Because I don't think it's realistic at all. But wait, I talked to one journalist friend who also doesn't...isn't a fan. But they pointed out, right, Alex Garland's like not American. He's what, English, maybe? I don't know. **Inmn ** 17:52 I don't know. He's from London. Or, I think he's an immigrant to London too. I don't remember. **Margaret ** 18:01 There's this argument that they're kind of doing the thing that American war movies do, where someone who's not from your country oversimplifies and fucks up all the local politics in order to make a war movie about art. **Inmn ** 18:15 Oh, god. Yeah. Totally.  **Margaret ** 18:17 And that's kind of interesting? [Said reluctntly and in question] But the person who presented that idea isn't a fan of this movie. **Inmn ** 18:23 Yeah. I think some of the politically confusing things to me about it were like, the Western forces are ambiguous and, for most of the movie, you're supposed to be...the viewer is kind of supposed to be  fearful or confused about them, which makes sense, you know. It's like our protagonists don't really know... Our protagonists are...they're neutral in that they're like, "Yeah, the government sucks. And also the Western Forces probably suck too." Like, there's all these mentions about how they're going to like tear each other apart after they kill the president. Which feels far more realistic.  **Margaret ** 19:05 Totally.  **Inmn ** 19:06 The thing that kind of really did it for me is that it's like whoever Jesse Plemons--red sunglass militia dude--is supposed to be aligned with, the viewer is kind of supposed to think that they're the Western Forces. And then what really cinched it for me is the Western Forces, before they make this final strike on DC, rally in Charlottesville. **Margaret ** 19:41 Ohhh...  **Inmn ** 19:43 Which in a movie, which in kind of an arthouse movie, where like everything's intentional and not intentional and everything's a reference and not a reference, [Margaret makes affirmatiive noises] it was this thing where I was like, you're having your politically-vague secessionist forces that we're kind of supposed to think are maybe, you know, far-right fascists of their own color, are rallying in Charlottesville of all places. **Margaret ** 20:11 Yeah. No, and it's funny because we know that they worked with at least the far-right Andy Ngo, right, who's thanked in the credits and we know that they worked with at least--I can remember the prominent TERF's name, who's also thanked in the credits. **Inmn ** 20:29 Oh yeah, I don't remember. **Margaret ** 20:32 No, that is the like.... No, that's good point. **Inmn ** 20:37 Yeah, but I think what it is, the the politics that are confusing for me are that the world that we encounter in Civil War, like the world in their world that existed before the civil war, is not our world. It's like, it is a fantasy. It is a fantasy movie, in that it is not.... It's like, based on our world. But it's not our world.  **Margaret ** 21:06 Yeah, because also it takes place like 20 years from now, and nothing's changed technologically. Iff anything, it's regressed. **Inmn ** 21:14 Yeah. Which kind of makes sense for a war sometimes, you know? Like wars in some ways halt. **Margaret ** 21:22 Nah, we get a lot of new technology during wars. I mean, I guess the propagation through civil society of new technology is slowed, but like-- **Inmn ** 21:29 I think that's more what I mean.  **Margaret ** 21:31 Okay.  **Inmn ** 21:32 Like civil technology. **Margaret ** 21:36 I was left with an uncomfortable feeling about it when I was done, but I didn't hate it as much as I expected because I think...just taken as like, I'm kind of easy to please with movies. And I'm just like, I don't know. Pew, pew. [gun noises] Oh, that's fun. And also, like a Black lady shot the president. That's cool. And like, but then it's like, it does a lot of like, "art is so neutral tropes." I kind of hate self important photographers. It's like a thing. It's like part of why I dropped out of school and didn't get into photography is that photographers are so fucking self-important. **Inmn ** 22:18 Yeah, the treatment.... Okay, I think one of the other things I had a really hard time with was its treatment of journalists in a way where I was like....  Like, the whole movie I was like, is the purpose of the movie to make journalists seem like the most like self-important douchebags on the planet? Because that's what I'm getting right now. And I kind of dug into some of it because I knew that Garland, like chose journalists as his protagonists on purpose. And like, part of that was because he like, he sees them as heroes. He grew up with like--I think his dad was like a war correspondent or something--and he like grew up hanging out with all these like old war correspondents and like journalists and photographers. And so like, and he said it publicly that he thinks that they have interesting insight or whatever for telling the stories of this. And then he portrays them to be like, kind of dick bags and kinda just like.... They're portraying this idea of neutrality, which I think is really embraced with Western journalism, over like, "We have to be neutral and our neutrality is important." and then it's like all these like wild things happen. And it's like.... Okay, it's like.... Spoilers. Everyone, there's spoilers.   **Margaret ** 23:46 I think people go that already.  **Inmn ** 23:48 You already got their spoilers. But it's like, we open up on the scene where like Kirsten Dunst and our young protagonist--I can't remember any of these people's names.  **Margaret ** 23:59 Old lady journalist and young lady journalist. **Inmn ** 24:03 They meet at a rally. The rally gets bombed. And like literally moments later, they're both just snapping photos of people who are dead and dying. And they are not helping anyone. They're not....  **Margaret ** 24:16 Well, and that's the point. I mean, that is the moral of it. I mean, uuuuh, it's not well done.  Because she's like-- Sorry, I cut you off. I'm sorry. **Inmn ** 24:24 Oh no, I think it's like, we see this reproduced throughout the rest of the movie where it's like, they're...like Stanley, they're older, Black, wise...wise Black man character gets shot saving them, saving the group from Jesse Plemons and them.  And they like.... You know, because Stanley's like, "This is a bad idea. You're gonna get fucking killed" and then he's right. And then he saves them. Gets shot doing it. And I know this is how movies work or whatever but he gets shot and they do nothing. They let him bleed out in the fucking car so they can have a whimsical drive through a forest fire with like whimsical music. **Margaret ** 25:12 Well he doesn't tell them, but like that's on the writer. You know?  **Inmn ** 25:16 Well when they switch drivers, he's bleeding.  **Margaret ** 25:19 Oh, yeah, you're right. Okay. Yeah. **Inmn ** 25:21 They know that he's been shot for hours and they do nothing. **Margaret ** 25:25 I mean, my thought was that they were like trying to get, they were like, "Well, we better get to the place because there's gonna be medics there," or whatever. But they don't say that. And they also like.... No, that scene, and how they treat that character, that was when I was like, these writers are hacks and are playing into bullshit, racist tropes. Like, even that scene, that scene where.... All of the people of color die in that scene. That's what happens in that scene. Well, I guess the journalist man is a person of color also. But like, the three.... You know, whatever, like, only white people and this one person of color survives that scene, because because of the fight with the racists. And like, that is lazy, racist writing, I think, to kill all of them off. And then also to like.... Yeah, the way they drive away with it, and they're like, "Oh, I was saved, thank god," or whatever, and like, no one gives a shit about.... I mean, but they also tri to do the like, "No, we are fucking shell shocked." And they try to do this, like weird remove--and they all have mental breakdowns, you know? Like every one of the journalists either dies or has a mental breakdown during--at some point--during this movie. And but I also think that there's this like.... We all know racists are bad, you know? And so it's like a little bit of a like, "Conngratulations, the racists killed all the people of color..." like? The thing that makes me angriest is that they knew that that red sunglasses man would become a meme. That was part of their marketing. He was the most interesting character in the movie.  **Inmn ** 27:12 Yeah, if you watch the trailer, you assume that that interaction is most of the movie. **Margaret ** 27:18 Yeah, totally. And there's a couple things that pissed me off about it. That's in West Virginia. And that is the like...they don't hillbilly code them in any other way, except for the fact that they're white racists in West Virginia. But that is still something that is a...that is like a "Yeah, it's West Virginia, so of course all the people..." you know, like it fucking "Deliverance's" that shit. I've never seen "Deliverance," but I know it's the fear of Appalachia thing. And, but also by knowing it's going to be the meme, and then having him be like, really, actually a fucking monster, you have now.... All of the people who vaguely identify with him.... Like, I watched a bunch of YouTube video responses from tactical and prepper and whatever spaces, which tend center and far right, you know? And, you know, they're all like, kind of mad that they made that red sunglasses guy such a racist, because they're kind of like, "But he was our guy," you know? Which is, in one way, kind of accurate, right? But you also just now have all these people who are excited about this fucking racist dude. And like, he's a meme. And I've seen memes that are funny and leftist that use it like, "Oh, you're an anarchist. but what kind of anarchist are you?" or whatever. You know, but it's about murdering.... I don't know. It's in bad taste. Dislike it. But, okay, wait, one more thing, sorry. The other thing....  My thoughts are not collected. The other thing that I thought a lot about is that when I watched all these response videos and all these things, the far-right and the left hate this movie, and the center likes it. And I think that's interesting. I actually think that.... The one art thing that I think Garland might have pulled off--I overall feel very negatively about.... You know, I mean, I enjoyed the movie from a like pure popcorn point of view, right? But like, how I feel about the movies is that it leaves a bad taste in my mouth. But this thing, the fact that it pisses off the two people who are mad at it, like me and that right-wing guy on Reddit had taken literally the same notes of all of the political coding throughout. So the people who are watching this movie because they think there might be a civil war.... Like, I think there might be a civil war. I don't want there to be. Some of the right-wing people, and probably some of the left-wing people--but I don't think it's as prevalent on the left--want there to be a civil war. And so all of those people, everyone who went at it being like, "Is this an oracle of our future" was like, "This movie sucks." And then everyone who was like, "This reinforced my preexisting beliefs that the extremes are bad, but the right and the left can get together to stop fascism and Trump" liked it. And it's hard, because that's the centrist nonsense position, but it's also like, we got to figure out how to not have a civil war. Like, we got to figure out how to get the center-right to stop going further right. This movie isn't gonna help do that. That's all I got. **Inmn ** 31:01 Yeah. Oh, no, no, thank you. That's great. I have two more things to say about the journalist treatment. Which is like...and this ties into how the movie was shot. So Garland talks about some of the commitments to realism that he was trying to do with the movie. And specifically, part of that is how gunfire was recorded, which is that gunfire was recorded and projected in different ways than it normally is in movies.  **Margaret ** 31:37 Oh, interesting.   **Inmn ** 31:38 Yeah, it's kind of like the.... I forget the words they use, but normally in movies, you have these kinds of deep, hollow sounds, and they recorded it in a way to make it sound like tinnier and like higher in register.  **Margaret ** 31:54 Like the crack of it?  **Inmn ** 31:56 Yeah, so you feel it in your ears and your shoulders instead of in your chest. Which is how real gunfire works. And so it's like they had commitment to realism where they really wanted people to feel like the reality and discomfort of gunfire. And the war choreographer was this ex-Navy SEALs person. And so that they're this commitment to like portraying combat in realistic ways. And this commitment to portraying war in realistic and horrifying ways. And, I know this is just like a thing with movies, but it's like their commitment to realism was a commitment to realistic violence and not a commitment to what people might actually do in those situations, which is like, you know, back to Stanley. My friend gets shot, and we're driving to a potential medical facility. Let's show some realistic first aid. Let's show...let's show some Stop the Bleed. Let's show some like...let's show a fucking tourniquet. Let's show holding pressure, doing literally anything. **Margaret ** 33:14 Totally. Well, when it happens in a battle, they do that. They do a better Stop the Bleed than the average movie, where the guy gets shot, the Bugaloo Boy gets shot. Yeah, but when they're doing plot, that's why I'm mad about them killing that man. It was a plot death. It wasn't a battle death. Like, I knew he was going to die before it happened.  **Inmn ** 33:42 The second asks to tag along, we know he's gonna die.  **Margaret ** 33:45 Oh, yeah, totally. And then even like that scene, it's like, he's like, "Oh, I can't drive anymore." And I'm like, oh, he's dead now.  And there is no reason why, realistically, that scene, if he had made it that long, he's suddenly gonna die. You know? Yeah, like the average you get shot once.... Well, actually the average you get shot once with a rifle, I think you do die, but it's not a high...more than.... Whatever. They didn't need to kill him. It was a plot death and it pisses me off as compared to some of the battle scenes. Which is funny because then when they get in DC then the battle scenes kind of like get a little like... like, here comes the helicopter really low among the buildings, and like fucking Secret Service who are just like, [pew pew] instead of like...you know?  **Inmn ** 34:38 Well, it's not the Secret Service because he dissolved the FBI. **Margaret ** 34:42 Oh, is Secret Service part of the FBI? Okay. No, yeah, like I liked the gunfire thing, though. It was a tense movie.  **Inmn ** 34:54 Yeah, the gunfire.... I mean, I hated it in the theater. I want to literally fucking die. It's just the...it's like people who have a commitment to.... I wish that people who had a commitment to realism would have a commitment to like showing a wider spectrum of realism in their movies.  **Margaret ** 35:13  No, I agree.  **Inmn ** 35:13 I think it's a huge failing of like, filmmakers and I think it's a huge failing of Garland to be like, "We're gonna commit this to like making war uncomfortable, but like, we're not going to show realistic ways in which like..." Yeah, I don't know. **Margaret ** 35:28 Like, again, they did it in the battle, but not in the plot thing, is how I feel about it.  **Inmn ** 35:34 Totally, and then it's like our other plot death is Lee, or Kirsten Dunst, at the end of the movie, and it's like-- **Margaret ** 35:43 Yeah, you knew she was gonna die in that scene. **Inmn ** 35:45 Totally. And it's like, she, you know, she saves our young protagonist from getting shot, and how does our young protagonist thank her? By photographing her death.  **Margaret ** 35:58 But, see that, I actually liked that plot death. It was a plot death through and through, but it served a purpose, which was the completion of the like, because the girl is like, "What are you gonna do? You gonna fucking film my death?" And then the other way around happened. And I was like, that's clever.  **Inmn ** 36:16 I guess so.  **Margaret ** 36:17 Because like that.... Okay, so it's like the character arc of older lady, Kirsten Dunst, I thought that was interesting, because she's the, "I'm so hardened. I don't have any emotions." And then she fucking breaks. She like, shuts down during the siege of Washington in Washington, right? Like, I actually kind of liked that. It was cheesy. It was not a commitment to realism. It was a plot death through and through. **Inmn ** 36:54 Yeah, she's also wearing a plate carrier and gets shot center mass and just dies. **Margaret ** 37:00 Oh, shit. I didn't think about that. Yeah, totally. It's like, it's cheesy as shit, right? But like, I also thought that was like, kind of realistic in a bad way, the like, when they're like...when the Speaker for the President--whatever, the press secretary comes out--and it's like, "We want to negotiate," and they're like, "No, we're gonna shoot you." And then the President's last words, were like, "Don't let them kill me," and gets fucking popped. Like, I actually like.... No, you're right. I think you've got it. The central tension of this movie is a commitment to realism that doesn't go all the way through. You're right. **Inmn ** 37:43 Yeah, I don't know.  **Margaret ** 37:44 Wait, I'm supposed to disagree with you?  **Inmn ** 37:46 Yeah, yeah. I think we didn't disagree as much as I thought we would disagree. **Margaret ** 37:51 Nah, not like this is the fucking.... I just like.... I like war movies. I don't know. There's something wrong with me. **Inmn ** 37:56 I think I was more horrified by.... I think I was just more horrified by it than you were. But it's like, okay, so my other thing about journalists is that I think that what I could draw from it is like, "Oh, this is like a critique of this neutrality. It's a critique of non-interference. We're watching these people make really weird decisions." But it wasn't. And I don't think Garland would....I don't think Garland meant it that way. Garland, based on his history and based on this idea, this like Western idea of what journalism is, and based on how these characters behave, there is no critique of this behavior. They are his heroes of the movie. **Margaret ** 38:47 What he....what I think he thinks he's doing is pointing out how messy and complicated these righteous people are. But what's interesting is you could say the same about the revolutionary forces, you know? Because it's like, he brings up all the gross things that journalists do. But then kind of says it's necessary, right? And then the same as actually happening. Like, in a weird way, there's like this thing where it kind of, you expect it to be an anti civil war movie, like an anti-war movie or whatever. But it's kind of not. The Western Forces in this movie righteously oust a tyrant. And by the end of the movie, you know that. And you're meant to be rooting for them. In the same way, you're rooting for the journalists even as they do things that are bad. They do morally unconscionable things in service of the greater good of art, or whatever fucking bullshit. The Western Forces are doing the same. I got... Yeah, and the movie feels like kind of disjointed in that like as soon as they reach the Western Forces in Charlottesville, you're suddenly like, "Oh, I get it. These are the good guys all along, " or whatever, you know? **Inmn ** 40:06 Yeah. And I don't know. My other kind of big note is like, I.... It's weird, I never thought I'd have so many opinions about like portrayals of journalism, but it's like I think, you know, all the reasons that I've stated about really feeling like this treatment of journalists is like, you know, both accurate and  about, they fucking suck. Some of them suck. And then also, there's this other context right now, that I think makes it suck even more. And that is that like, you know, this movie is coming out, and was being produced, at a time when the genocide in Gaza was happening, and currently is still happening, and this is a place where, you know, notably, journalists are getting assassinated, bombed, shot, starved. All of these things. And to have this be like the portrayal of journalists as people who like watch a bombing and then like, photograph people as they're dying, or watch their friends get shot and just take pictures of them, and like, all of this stuff, just like, hid in this really weird way where I was like, "I don't think this is how journalists in places where like their homes, the places they live, are reacting to this kind of stuff." And it feels really...it hits really weird, with everything going on in Gaza right now where I'm like, "I don't think people, I don't think like Palestinian journalists are watching their friends get blown up. And then standing by and taking pictures." I think they're like getting down in the rubble and helping like dig people out of buildings. And I don't know. It's like, it's like that aspect. It's because the journalists won't pick aside--I don't want them to pick a side in Civil War--but it's like, I don't know. I don't think any of us are neutral anymore. **Margaret ** 42:18 Yeah, I think that there is the like, this film, the centrist propaganda part of it is holding on to this fictitious idea of the neutral journalist. I think that that's a good point. That war correspondent, Jake Hanrahan, who does who did Sad Oligarch and does a bunch of other like...did a lot of like...has done a lot of really impressive war journalism,
S1E116 - Tav on Waterways
10-05-2024
S1E116 - Tav on Waterways
Episode Summary This week on Live Like the World is Dying, Tav and Inmn talk about the utility of waterways and the ways that industrialization has changed our relationship to waterways. Inmn learns new terrifying things about river rafting and how river guides really come up with the scariest things to name potential dangers. Guest Info Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Tav on Waterways **Inmn ** 00:15 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host today Inmn Neruin, and today we're going to be revisiting a subject that we've talked about before which is paddling on water. And we're going to talk a lot about rivers and we're gonna talk about—a little bit about planning trips and just generally the importance of getting to know your local waterways, with some specific contexts on places that are really cold. But first, we are a proud member of the Channel Zero Network of anarchists podcasts, and here's a jingle from another show on that network. Doo doo doo doo doo! **Inmn ** 01:43 And welcome back. Thanks so much for coming on the show today. Could you introduce yourself and tell us just a little bit about what you—what you do in the world and what you're excited to talk about today? **Tav ** 01:59 Yeah, I'm Tav and I'm a, I guess broadly a wilderness guide from so-called Canada. Yeah, I've worked everywhere from the East Coast to Newfoundland, up to the Yukon. And yeah, I'm mostly a paddling guide, so everything from whitewater rafting, to sea kayaking, to canoeing, but I've also been known to guide hiking trips, and yeah, pretty much that's what I do. **Inmn ** 02:32 Cool, cool. That's—I feel like, you know, we've had people come on and talk about like, like arctic hiking, or hiking, or paddling, mostly in the desert, and I feel like—maybe this is just me having a very not understanding of all of these things for the most part. But what—I'm curious about, like, what kind of changes, like, in places where it gets super cold and you're having to be in the water? Which sounds cold. It sounds very cold to me.  **Tav ** 03:06 Um, yeah, I think the main thing is that it really depends on what—well, first of all, what time of year it is and, like, what exactly you're doing or planning on doing. So if you're going to be running rapids, you're certainly going to get wet. And so we have these things called dry suits, which are, well, it's kind of exactly what it sounds like. It's a suit that keeps you dry. They have these rubber gaskets on your wrists and your neck. So it, like, suctions completely to your neck and your wrists and the rest of its waterproof, including the feet. And you usually have, like I have these, call them river boots, and you just put them on over the suit. And then you're nice and protected. And you can wear warm stuff underneath if it's super cold out. But personally, I run hot. So generally, I find that like, just a base layer underneath is good enough for me. Because as soon as, like it really traps in all that air, so you stay pretty, you stay pretty warm. Even if you're in like really freezing water. But in other times of year, like to be honest, in the summer here, it gets pretty hot, like people—people don't really think of it. It's not like it's frozen year round. Obviously the waters running at a certain point and, especially these days, the summers can get up to, you know, like 30 degrees. And yeah. **Inmn ** 04:40 Cool. I'm gonna pretend I know what the conversion is on that. Wow, that's hot. **Tav ** 04:46 Yeah, I mean, it is pretty—it's probably not hot for you coming from the desert actually. But yeah, I think, I think broadly the biggest thing is always, at least for me, dressing as if you're gonna fall in the water. Unless it's really hot out. If it's really hot out and you fall in, it kind of feels great. But, but if it's chilly, you always dress like you're gonna go in the water, and not like you're just gonna have a nice day on the river. And yeah. **Inmn ** 05:25 Well, I guess like, I'm curious about, like, what the kind of preparedness like like, what—like, what do you what do you do if you fall in the water? What do you do if you fall in the water and you get wet? Like, what's—and your dry suit doesn't keep you dry? These scary questions that I have about being in the wilderness and being cold and wet.  **Tav ** 05:50 For sure. Definitely, I mean, so the first thing that's gonna happen it—and again, it all really depends on where you fall out. And like, because rivers are a very dynamic environment, actually, as one of my coworkers put it to me. He was more on the hiking side of things. And he told me that like paddling really scared him, because if something goes wrong on the river, you're still moving down the river as this thing is going wrong. So you have to like deal with the problem, but also maybe deal with a hazard that's like right in front of you. And then it's always about, like, figuring out what the best course of action is in regards to, like, dealing with the hazard, but also, you know, saving the person, and making sure everybody else who's still in the boat is safe. But I think broadly, what I tend to tell people if I'm taking them on a trip that's going to involve whitewater, is: the safest place on the river is in the boat. And if you're not in the boat, you should be on shore. So if I'm gonna, like, enter a bunch of rapids—and the other thing is actually, before I say that, you need to know, like, how to swim if you're gonna like be in whitewater. They call it a defensive swimming position. And you kind of sit back like you're in a lawn chair, and put your feet forward. And that way, if you like smashed into a rock, it's not your face that smashes into a rock, it's your feet. And you just kind of, like, you should have a lifejacket on. So that'll keep you floating. And, and then there's also, like, an offensive swimming position, which I wouldn't normally teach somebody, that's, yeah. Anyways, so yeah, so if I'm about to enter a bunch of rapids, I'll tend to tell people like, hey, if you do fall out, and for whatever reason you can't get back to the boat, you need to swim to the left shore or the right shore. Because sometimes it might not be safe to swim a certain direction and people don't know that and they're just gonna panic and swim whatever way seems the best. But if you let them know beforehand, like, hey, swim left, if something goes really wrong, I don't know, then they'll at least know the safer way to swim. Yeah. And then other than that, like, we have, I guess, a couple tools in our arsenal—and this should be the same with rivers everywhere. We'll have throw ropes, which are just some buoyant rope. And it's in a bag, and you throw it at people. And they should hopefully grab on to it and then you can pull them in to safety. And then there's obviously, again, like, as with all things, it can get more and more complicated depending on what the problem is. Actually, this one place I worked—I wasn't on this trip, but there was a person who got stuck on a piece of debris in the middle of a rapid which is, like, absolutely horrifying, especially because we've run that river—or that section of the river, like, a million times and that's never happened. So there was well, so—this is kind of insane, but there was a an old mill there, like a lumber mill. Or maybe it was a paper mill. I don't know, it was some industrial thing. And rather than, like, you know, when it went out of business, disposing of all the waste properly, they just decided, hey, there's this big river right there. Let's just throw the whole factory in the river. Why not? So there was all this big machinery and like metal under the water, and a lot of the rapids are actually created by that like big hunks of metal and stuff. But anyways, we had no idea that that, like, was there. And maybe it was just like the water level was perfectly right that day or perfectly wrong that day. But yeah, this person got like caught on their swim shorts, like, right on the piece of metal. And they were stuck in the middle of a rapid. So I cannot imagine what my friends went through trying to rescue that person. It must have been pretty terrifying. But yeah, so in situations like that, it would be like a much more complicated rescue than just like throwing a rope at them and hoping for the best. So yeah. **Inmn ** 10:23 Wow, that is—you unlocked a new fear for me. I thought that Blix had like gotten all of my fear out of me, you know, in horrible things that can happen in a river, and new fear unlocked. Thanks.  **Tav ** 10:39 Yeah.  **Inmn ** 10:43 What do you—I guess I'm curious—I guess my guess is, because boats, you just—I didn't know, boats are super interesting to me because, like you said, it's like the boat keeps moving down the river. And so it's like, I want to be like, okay, like, what, like, you know, what do you do if there's an emergency? What do you do if someone needs to be like, medivaced from an area like that? And I guess I'm expecting the answer is: put him in the boat and keep going. But—which is like a cool one interesting thing about boats, is they keep going?  **Tav ** 11:20 Yeah, for sure. I mean, again, it really depends. Like everything is situational, right?  **Inmn ** 11:26 Yeah yeah yeah.  **Tav ** 11:27 And you really have to assess the situation and figure out what the best course of action is. Like, the best thing to do might be to like pull over and call EMS and hope they can land like a bush plane or a helicopter near you, or get to a place where they can land it. I had this one evac where a lady actually had a stroke on the river.  **Inmn ** 11:53 Oh no. **Tav ** 11:53 Yeah, I was pretty terrible. I was the only person there with, like, you know, decent medical training. I'm not like a doctor or anything, but I have my wilderness first responder and all that fun stuff. And yeah, so it was just like me and these other guides, who had, like, some training, but not as much as me. And my coworker—love this guy, he's amazing—but he said that she had a concussion. And I was like, this is not a concussion. This is a stroke. Yeah. And so, so yeah, so what ended up happening is we had to take one of the boats and—honestly, mad respect to my to my coworker for this—he got her down like a 45 minute section of river and like 15 minutes. We were just lucky because we had a raft there with an oar frame on it. And those, like—an oar frame is just like, you know, like a rowboat— **Tav ** 12:51 —with like, the two oars and you're like rowing it. It's that, but you like, it's a big metal frame, and you like strap it down to the rafts. So instead of—like, if you have less than the ideal number of people, you can just have one person paddle the boat. So in that case, it was actually my group, where I only had like two people. So I just ended up strapping the warframe on because it's easier than having them paddle. So anyways, my coworker took that boat and just, like, ripped down the river faster than anybody ever has probably since then. So, so yeah, I mean, in that case, like, it was a serious medical problem, we couldn't deal with the problem, you know, you need to like, get that person to definitive care as fast as possible. And in that situation, we were close enough to the end, that the best thing to do was to just call EMS, get them to bring an ambulance to the takeout and get her there as fast as possible. But you might not be in a situation where that's, you know, plausible, you might have to call a bush plane or something like that. Or, even worse, like a bush plane can't come and you're stuck for like days with somebody with a serious medical problem. That can happen, unfortunately. Yeah. **Inmn ** 12:51 Oh okay.  **Inmn ** 14:18 Yeah. Yeah. I feel like—and I think this is a topic for another time—but I really want to—folks listening out there. This is my plug to our audience. I would really love to talk to someone at some point about like, like we have this idea in, like, wilderness first aid, response, etc. I have like an expired wilderness EMT. I haven't done that work in a very long time and my brain has totally fallen out of it. But like, interested in this conversation of like, long term care in, like, when definitive care is very far away, you know, like, how to troubleshoot situations where it's like, yeah, definitive care is days away. Definitive care is a week away. And I'm like really interested in talking to someone about that. So if that feels like you, Tav, or ambient listener, then send us a message. **Tav ** 15:31 Yeah, I can't say that's exactly my area of expertise. I can offer like, an anecdote from a friend of mine, who— **Inmn ** 15:41 Oh yeah. Love anecdotes. **Tav ** 15:43 —it's pretty, it's pretty grim. I'm not gonna lie. This guy is friend of mine, he's much older than me. He's been doing this river guide stuff for his whole life. And he's had lik three people die in his arms.  **Inmn ** 16:00 Oh my god.  **Tav ** 16:01 Yeah. But like that's, unfortunately, the reality of the situation where, if you're that far away, and someone's not getting there, and there's a serious problem, and you can't deal with it, that's what happens. Right? That's the unfortunate fact of existence. And it's pretty horrifying to realize. Also from a somewhat selfish perspective, like, if I continue along this career path that could very well be me telling another young person and a few years like, oh, yeah, this one horrible thing happened to me. And yeah, like, I've definitely seen my fair share of, like, pretty intense situations that could have gone pretty badly. Thankfully, I haven't had anybody die on any of the excursions I've been on. But be I've had some pretty close calls there. So yeah. It is it is something to always consider, like, when you're heading off on a trip that's going to be far away from a hospital or civilization, I guess. That, yeah, like you are far away, and you need to have a certain level of confidence in yourself to deal with the situations that you might need to deal with. But also, in that, like, for me, it comes with a certain level of, like, risk acceptance. And like, everybody has a different level of risk tolerance. You might not be the person who's going to go, like, on a month long trip through the wilderness. That might not be okay with you. And that's fine, it's not for everybody. You know, in my case, the way I tend to look at it is, like, if there's a problem I can't deal with—pretending I'm alone in this scenario—like, if there's a problem I can't deal with myself, and it's so serious that I'm gonna die, like, in a few minutes, then like, I just accept that, like, that's what's gonna happen. Like, if I can't deal with the problem, and I can't call for help with the problem and it's that bad anyways, then I'm alread—can I swear on this? Is this a no swearing show? **Inmn ** 18:31 Oh, yeah, you can, yeah. **Tav ** 18:32 I can swear? Okay, I was gonna say, I'm already in a lot of shit if that's—if that's happening. So for me, my risk tolerance, I mean, it might be higher than others. But I don't know—it's just like, something you have to accept when it comes to taking risks. I mean, you can be prepared and informed and know everything and still an accident can happen. And then you just have to accept that, yeah, accidents happen, and it might be a really big, bad accident. So, so yeah. **Inmn ** 19:06 Yeah. Yeah, that' very true. I feel like—I feel like there's a lot of aspects of our societies that have kind of—have had our, like, brains adapt to this idea that, like, that there is always a solution to something. And I feel like this was like a big thing with, like, with COVID, like, for a lot of people, was the expectation that there was a solution to something, and a lot of people, like, getting to the ER and being like, oh, there actually isn't a solution right now—or there isn't like a one 100%, like guarantee that this problem can be fixed. And yeah, I don't know. It's—I think that's the thing that I've been thinking a lot about, is how our societies have kind of expected there to always be a guaranteed solution to something that there might not be a solution to. And I think that's like—I think that's getting more extreme as things in the world change more. There's—when we are used to certainty, there is now more uncertainty. That is an articulate thought, I'm gonna stand by it. **Tav ** 20:42 Yeah. No, I mean, definitely. Like, I could see that in society at large, actually, now that you mentioned it. But like, yeah, I mean, with regards to wilderness travel, I think anybody who does this sort of thing, like you have an understanding of the risk involved, and like what—you know, there's things that you can deal with there and there's things you can't deal with. And, yeah, like, but I mean, okay, you know, I also don't want to scare people. It's not—like, yes, you have to kind of look within yourself and accept that something bad might happen. But at the same time, I've done, like, I don't even want to know how many 1000s of hours of paddling in my life. And I, yeah, I've had, like, some problems. But I think a lot of those kind of stem from the fact that it's my job. And I'm taking people out there who aren't necessarily prepared for what they're going to—like, they go online and they're like, oh, I want to go on a guided paddling trip. And they Google, whatever, paddling in the Yukon. And then they find this company and they book a trip and they go. And that's all the preparation and thought that they put into it. Where—and that's exactly what they're paying for, I guess, if you look at it from like a service perspective. They're paying for somebody else to do all of that thought. And what I'm, what I do, like, independently—like if somebody listening wanted to go out paddling, if you just, like, talk to somebody who knows what they're doing locally—like join your local paddling club, a lot of places have those, or like find a group online—and like, learn from people or learn from the Internet. We have a lovely resource of, like, all of the information anyone could ever want. So, yeah, it doesn't have to be dangerous. I think most of the danger, and most of the dangerous situations I've been in, happen simply because it's my job to take unprepared people out into the wilderness. And, like, that kind of sucks. I—that's why I'm not actually working as a guide this summer. One of the reasons is because I'm pretty tired of dealing with unprepared people in the wilderness because it's stressful. It's really stressful. And yeah, so I mean, I guess the the main point is, like, it doesn't have to be dangerous as long as you're prepared. And I think that's a pretty great theme, considering this show. **Inmn ** 23:43 Yeah, yeah. And it's—I don't know, like, I totally understand the outlook of someone who's like, yes, I want to pay someone else to be prepared for me. And it's like, you know, reality is very different from, like, adventure tourism. But like, it's funny because it's a thing that is like a little antithetical to preparedness in general. And I'm divorcing adventure tourism and preparedness, like, because they're different things.  **Tav ** 24:21 Yeah. **Inmn ** 24:21 But, yeah, it's like, that is the thing that we're always trying to talk about on this show is, like, if in our own lives, like, if we are all more prepared than it—then like your prepper friend has to, like, do less when stuff goes wrong because everyone's a little bit prepared.  **Tav ** 24:41 Yeah, for sure.  **Inmn ** 24:44 I kind of want to switch tacks a little bit though and talk about this other thing. So I'm curious—I guess in, like, in the Yukon specifically, like, there's places where I live that I'm, like, okay, yes, that is a less accessible place via like roads and things like that. But I'm curious kind of like what the Yukon and, like, that whole area is like in terms of, like, history of transportation and stuff like that. Because, like, waterways have played kind of like a pretty large part in that from what you've told me before this—and now I sound like it's something I already knew.  **Tav ** 25:27 Yeah, for sure. To be honest, it's not just the Yukon. Throughout this country we call Canada, if you actually look at all of Canadian history, like, Canada's like three companies in a trench coat. Always has been. And it was founded on fur trading. Right. And how that was done is basically, like, white people came over, and then they met the ndigenous people. And they were like, wow, these people move pretty far and they have some neat boats. And then they kind of co-opted those boats. And of course, Indigenous people and Metis people took part in the fur trade as well. A very large part, to be honest, in making sure a lot of white people didn't just die in the wilderness. Yeah, but like throughout this entire nation's history, every single place is really connected by water. Like that's just how people got around. Everywhere from, like, the far north, the Inuit had kayaks and—actually dogsleds. ou know, when the sea froze in the winter, they had greater mobility, because—I mean, and they're still moving over water, it's just frozen water, which is kind of like land. But it, yeah, so every single place in this entire so-called country is connected by water in some capacity. And I think that really forms the way that I look at places now. Because yes, we use roads to get around now. But very likely, there is another way to get anywhere you want to get. Because all of these settlements are built on rivers, on lakes, on the ocean, and the way people got there is probably on a boat, and not on a car because we didn't have cars 400 years ago. So yeah, I guess I just, I think it's really important to recognize that and recognize that it's still very very possible to go extremely long distances. And, you know, reach inaccessible, quote/unquote places with relative ease, to be honest. So actually, something that's pretty insane to me—it's mind boggling, to be quite honest: the longest river system in the country is the Mackenzie River. And it's technically, like, if you go by names, it's a bunch of different rivers that are connected. But it's really, like, from source to sea—I don't actually remember how many kilometers it is. But you can go from Alberta, like, around Jasper, if anybody knows where that is, all the way to the Arctic Ocean on a single river. And you can do that in like a single summer, too. And throughout that whole river, there's a bunch of towns. And a lot of them are not accessible by road, but they are very easily accessible by the river. So if you really think about it, like, in my mind, they're not inaccessible places. They seem inaccessible because of our modern transportation infrastructure, which, you know, makes anything that doesn't have a road seem like it's impossible to get to and you have to spend thousands of dollars and fly or whatever. But really, all it takes is, like, one person in a canoe and you can just go anywhere you want. Yeah. **Inmn ** 29:31 Yeah, that stuff is super interesting. It's like the—I don't know, it's like, I get on some level that, you know, cars are convenient. I love being able to drive somewhere. But it's like, I don't know, obviously cars are also terrible and we need different—we need something different before the planet dies. But It's like also this thing that, like, it's like car—I imagine that like switching over a transportation system to be, like, based on moving around on the river versus based on, like, driving around on some roads that demolish a bunch of shit. It also, like, divorces us from nature and like any connection that we have to, like, the natural landscape that we are using. And, like, used to be on the river and now it's put the remains of petrified trees in your thing and blast around on concrete or whatever. I don't know. It's just funny. **Tav ** 30:43 Yeah. Yeah, no, I mean, I definitely—cars are—I wish I could just live out of a canoe. But that, I can't do that. I mean, I live in my car right now. So I get their convenience. But I do think that as, like, as things progress and the climate gets worse and worse, and I mean, even now, this is probably going to mean absolutely nothing to you—Oh, you know what, actually, I was in Alaska, like, the other day. And it's actually a bit cheaper than here. But the gasoline that I purchased was $5.50 American per gallon, which I think is $1.67, or .68 per liter. What I normally—like in the Yukon, it's like 1$.80 to $1.90 per liter right now, which, it's getting pretty unaffordable to go large, long distances in a in a car. And I think that like as this progresses, like—they're not getting—these prices are not getting cheaper, inflation is continuing, and it's quickly going to become really hard, I think, for your average person to go anywhere in a vehicle when it's costing them, like, over $100 to fill a single tank. And that's, I think, where we have to return to what we did historically, which is travel on rivers. And I mean, it's not even just returning to, like, historical transport, I guess. Like we can still use road infrastructure, a lot of people bike everywhere. And you can go pretty long distance—like actually, it's super common in the Yukon to see people biking the entire Klondike highway, or the entire Dempster highway, like all the way to the Arctic Ocean, which is pretty awesome. **Inmn ** 31:27 Whoa.  **Tav ** 32:03 Yeah, yeah, I see them all the time, actually. Yeah, so—but anyways, the point being like, as we're getting, like, priced out of these things that we once took for granted, we're gonna have to understand that, like, people think about collapse and preparedness from really local perspective. And I think that's great. Really, I think getting more local is awesome. But I think what people also forget about is the fact that, like, we still are really an interconnected species. And we always have been, even before modern globalization. Like people really were traveling very far to go trade or whatever, on rivers or on the sea. And I think it's important to recognize that we probably should still be doing that because it does strengthen everybody's community. Like, just, I don't know, checking in on the community next door, or, you know, a few kilometers down the river is important too and, you know, sharing, I guess. Like, I guess there's inter-community preparedness and then intra-community preparedness. And I like to think that, like, using the environment and more specifically the waterways to like stay connected, even when we can't drive everywhere, is is pretty important. **Inmn ** 34:15 Yeah, I don't know. We live in a—we live in a strange world now. Um, I, you know, I didn't know this for a while and finding it out kind of blew my mind in a funny little way. But um, as far as like the eastern half of the United States is, like, someone told me that it is technically an island because you can circumnavigate the, like, eastern half of the United States and a boat. And this has, like, always kind of blown my mind. Like I'm not going to remember what the actual waterways all are, but it's like you can go from Lake Michigan to the Mississippi—whichever one of those lakes connects to the Mississippi—and like take the Mississippi down and then, like, get out into the Gulf and like sail around Florida, and like sail up the Atlantic, and then, like, through—it might be through a series of rivers and it might require using a canal, but you can like, get right back into the Great Lakes system. Like the Hudson Bay, or something. And— **Tav ** 34:50 —probably the same. I mean, if I was gonna do that I'd do the St. Lawrence River. **Inmn ** 35:47 But cool. Yeah. I don't actually know what these waterways are. **Tav ** 35:52 Yeah, for sure. I spend, like, way too much time of my life, like, I'm looking at a map and being like, okay, where does this river lead, and I'm, like, follow the river, like, all the way to its source. And then I go, like, all the way to the sea. And I'm like, okay, that's how far I can get there. But what if I portaged to this lake, and then I take that lake to this river. And like, anyways, I have, like, a whole folder have these like map files of just, like, random paddling routes that I've planned out. And I probably won't get to do all of them. But, yeah, I just, I am kind of a nerd in that I just like to go figure out, like, how I can get around places. Yeah. It's really crazy. Like, once you start—once you realize, like, your mind is opened up to the fact that, like, you can travel, basically anywhere on a boat, all you have to do is look at the blue lines on a map and trace them and figure out how you get from point A to point B using them. And I think it's also actually important to note that, like—so in a context of—yeah, like, in a context of a world where we're not able to use our highways and stuff. Like that, following a river or a creek, even if you don't have a boat, is a great way to make sure you know where you're going. Because, yeah, like, I mean, it's like a really obvious landmark. And you can just follow it the whole way. Especially in places where rivers are super seasonal, like, part of the year, it might literally just be like a bit of gravel, and you can just walk on it all the way to where you're going. Yeah, so I think that's also important to mention, that they're not—it's not just boats, it's just that they're very convenient ways to traverse a landscape, especially one that's, like, heavily forested. There might not be like a lot of other clearings nearby, so yeah. **Inmn ** 38:01 Yeah. Um, have you—so this like folder of, like, wacky routes—I'm gonna call them wacky routes—have you gotten to—could you tell us about a creative, like, trip that you took via waterways. Or, like, what's like the longest that you've traveled in like—I don't have words for the things that I'm asking you... **Tav ** 38:28 Yeah. Honestly, like, the longest trip I've ever done is unfortunately with my job, and that would be about a 10 day trip on the Yukon River. But—and that's just, it's mostly like a time thing. Like I said, you know, I—it's—we live in this cold place, and the water's only running for, like, a certain amount of time. And unfortunately, I've made it my livelihood to, like, spend my entire summer taking other people on trips. So in terms of my, like, crazy, wacky trips, I haven't gotten to do, like, any of the big ones that I want to actually do. Because, you know, they take, like, a month or more. And I just don't have a month because I need to make money.  **Inmn ** 39:17 Yeah. **Tav ** 39:18 But I'm hoping that will change this summer. I'm planning on a very long trip at the end of August, and it should be awesome.  **Inmn ** 39:28 Cool. **Tav ** 39:29 But yeah, so. So yeah, I guess in that respect, I haven't done any of those like ones that I concoct that are kind of wild. But I do like to just go and explore, like, little waterways and figure out, I don't know—I just like find a river and I'll go upstream. Or, actually a few days ago I did—I went just downstream and I I literally walked back to my car at the end, it was just a day thing. And that kind of sucks, being alone, because you're like, oh, cool, I did this river. And now I'm gonna just like walk back to my car and drive and pick up my boat. But yeah, I wish I had more cool stories of me on my own doing things that I want to do, but capitalism exists and all my fun river stories are with tourists that I'm taking. So. **Inmn ** 40:31 Yeah, that makes sense. What is this trip that you're planning gonna be like? **Tav ** 40:40 Yeah, so actually I have a couple different options in that regard, and it is kind of gonna depend on, like, what's on fire and what's not on fire. So, but my main route that I want to take is, basically, it'll be I think 1000–1500 kilometers. And, yeah, and it'll be from this place called Eagle Plains, which is, like, in the Arctic—it's like right kind of on, slightly below the Arctic Circle, on the Dempster highway. And I'll start on the Eagle River, and then go through a series of other rivers. I'll reach Old Crow, which is the furthest north settlement in the Yukon. And then I'll take the Porcupine all the way across Alaska—I'll cross into Alaska. And that'll take me down to the Yukon River. I'll hit up a couple towns on the Yukon River in Alaska, and then I'll get off at the last point where there's road access. That the trip that I'd like to do if the fires allow me. **Inmn ** 41:58 Yeah, yeah. Um, what—are there—I guess like, when planning—when planning a trip that is not, like, a super pre established, I guess, route or something, are there any things that that are important to consider or important to, like, prepare for? **Tav ** 42:19 Yeah, for sure. The first thing is, I wouldn't recommend doing a non pre established route unless you kind of know what you're doing. But the second thing is that, like, basically, my strategy is: I figured out the route. I map it out. And then I scour the internet for information on any of these rivers. So in this case, all of the rivers—it's actually very likely somebody has done this route before. Like, I'm definitely not the only person to think of it. At the very least, some Indigenous people did it, 100%, before I did. **Tav ** 43:01 Yeah. **Tav ** 43:02 Yeah. But yeah, it's a pretty obvious one, as far as routes go. It's just a bunch of rivers, and they all kind of feed into each other. There's no, like, crazy portages I hope—there shouldn't be any crazy portages or anything like that. I have heard one of the rivers runs pretty low sometimes, so I might have to, like, drag my boat along. But um, yeah, so. So yeah, and that—like I met people who've done the route up to Old Crow before. So I know that—I've heard about that portion from a couple of people that I know. And, yeah, other than that, I look online. And, like, you just have to kind of incessantly Google until something comes up about the river you want. And like, it's probably going to be some like, weird, obscure blog from 2006 where someone's like, I paddled this river with my friends and it was cool. And like, it might not even have, like, all the information that you need. But, like, to me, a lot of the time I'm like, okay, cool, if someone did it, that means it's probably fine, right. And that's kind of my strategy. Like, you're not gonna get all of the information you want. But you can get a lot of information just by, like, scouring the internet. And actually, go to your local bookstore. If you're going to like plan a river trip near you, go to a bookstore—or not your local bookstore if it's not near you. Go to the bookstore there and look for maps, because they probably have maps of local places. And if they don't have maps, you should ask them where to get maps, because they probably know where to get maps. I know in Canada, though, you can go on natural resources, Natural Resources Canada, and they should have like topographic maps of the entire country if you need, like, that kind of math. But you can also just, like, go on Google. But, um, but yeah, I guess mostly it comes down to getting information from wherever you can get your information from, whether that's people who've done it, the internet, or your local bookstore. And the second thing is, if you're doing a route you're unfamiliar with, especially if you're alone, you have to be cautious, and you have to know what to look for. And you have to be able to react really quickly to situations. Actually, literally a couple of days ago I was paddling this river in Alaska and the water's really low because of the time of year. And I was coming around a bend and there was a sweeper right across the river. And what happened is the river really, really narrowed, like, in this section. And it just, like, it went right for the sweeper—a sweeper is a tree that's like right across the water. So if you think about it, like, a broom, it'll be like right over up the surface. And then there's all these like branches on the way. And I think there was like a log and there's like other stuff underneath the sweeper. It was not a fun thing to be like hurtling towards really quickly. And yeah, so I was alone. And I, like, swung my boat around and, like, jumped out—because like, it was really low water so that it was shallow, which made it much easier to just, like, jump out of my boat as fast as possible and, like, drag it on shore. But like, it's stuff like that, where you're not necessarily expecting it and then you're like, oh shit, like, I need to deal with this right now. Get out of the way. And I actually lost my paddle it went down—I got it. It's fine. That's why you always have a spare paddle. That's the moral of the story. Have two paddles.  **Inmn ** 47:09 I feel like the moral of the story is: river guides continue to come up with horrifying names for dangers in the river. I thought I had heard the worst but "sweeper" is—sorry this is uh, this is a call back to Blix telling me about, like, just the—I forget what they're—I feel like one of them was called a "blender," and I— **Tav ** 47:35 Blender? I dunno about a blender. Maybe American river guides have different names for stuff. I don't know. I don't know. To me, the most horrifying feature on a river is an undercut. And it's unfortunately something that comes up a lot in places where the rivers freeze. So what will happen is like the banks will be covered in ice. And if you're—and if you're paddling at that time of year, there'll be undercuts along the whole riverbank, like the whole way down the river. And an undercut is basically just where the current goes like underneath a ledge right? At the worst case, it can be, like, a recirculating current under there. So like you get sucked under in like basically an underwater cave. And then it just, like, like, circles you around underneath and like an underwater cave and you just, like, sit there and die.  **Inmn ** 48:30 [Quietly] God. **Tav ** 48:30 Yeah, so that's what an undercut is. And then like the ice undercuts and kind of terrifying, something to be