Kyle Meredith With...

For this week’s Rewind, Kyle Meredith takes us through four interviews recorded over the past thirteen years with R.E.M.’s Mike Mills and Michael Stipe. The journey began in 2011, just after the band had broken up and in the midst of releasing a career retrospective, Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, with Mike Mills talking about the band’s decision to split, as well as several of their albums leading up to Collapse Into Now. From there, we head to 2018 to talk with Mills about the 20th anniversary of the 1998 album, as well as the 10th anniversary of Accelerate. After that, it’s a drop into 2021 when Michael Stipe joined Mills to reflect on the 25th anniversary of New Adventures In Hi-Fi, along with having folks like Eddie Vedder and Jason Isbell covering them. And finally, 2023 when Mills bounced back to once again talk about the ‘98 LP, Up, for it’s 25th and having the group’s music in the television show The Bear.Listen to R.E.M.’s Mike Mills and Michael Stipe chat about all this and more in the new episode. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Judith Light (Who’s The Boss) and Courtney Taylor (Insecure) sat down with Kyle Meredith to discuss their heartfelt new Disney film Out of My Mind, which tackles themes of empathy and empowerment through the story of Melody Brooks, a non-verbal sixth grader with cerebral palsy who breaks barriers with the help of an inspiring teacher. Light reflected on the importance of fostering understanding and kindness for those who are often dismissed by society. Taylor shared the transformative experience of portraying a character advocating for marginalized voices. Meanwhile, Richard Curtis (Notting Hill) joined Meredith to dive into his Netflix animated feature That Christmas, a whimsical, intertwined tale of family, love, and resilience set against the backdrop of a blizzard-stricken seaside town. Curtis, the mind behind Love Actually, revealed how the film stems from children’s books he wrote for his kids, with Brian Cox’s Santa and Ed Sheeran’s original song adding magic to the story. From emotional impact to holiday cheer, Meredith’s interviews celebrate the power of storytelling to inspire change and connection.Listen to the cast of Out of My Mind chat about all this and more in the new episode or watch it on YouTube here and here. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Claire Forlani (Meet Joe Black, Mallrats) and Jon Tenney (The Closer) sat down with Kyle Meredith to spill on Prime’s revival of Cruel Intentions, a 25-years-later TV series dripping with power plays, seduction, and a healthy dose of dysfunction. Forlani, who hilariously admitted she’s never seen the original film, dove into the psychological knots of playing Claudia, a narcissistic matriarch hellbent on control. At the same time, Tenney brought nuance to his turn as a congressman navigating fraught family dynamics. The duo riffed on everything from the series’ modern-day bite to the timeless messiness of bad decisions, with Forlani even teasing the possibility of Mallrats 2. If Cruel Intentions was your late-night guilty pleasure, this updated twist is primed to reclaim its crown.Listen to the cast of Cruel Intentions chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Pope of Trash himself John Waters joins Kyle Meredith to dive into his enduring holiday-themed spoken word tours, his provocative take on Christmas traditions, 1994's Serial Mom, the unmade Liarmouth adaptation, and the irreverent artistry that's defined his career.Waters, who has been delighting (and shocking) audiences with his Christmas tours for over a decade, promises fresh material every year. (Get tickets to this December's run of shows here!) His approach combines biting social commentary with festive absurdity — this year’s show reportedly includes advice on "how to talk dirty using only Christmas words." Ever irreverent, Waters embraces the traditional in his own subversive way: "I don’t have a tree. I decorate the electric chair from Female Trouble."Waters continues to break boundaries with his work, most recently releasing a delightfully bizarre holiday single on Sub Pop Records. The B-side, "Punk Rock Christmas," is a spoken word piece blending his trademark wit with biting cultural critique, while the A-side, a cover of The Singing Dogs’ "Jingle Bells," takes holiday kitsch to an absurd, joyful extreme.Despite his many creative endeavors, Waters has faced roadblocks with his long-awaited film adaptation of his novel Liarmouth. "Aubrey Plaza was ready to star, I wrote the script, and they loved it," he explains, but securing a budget has proved elusive. Waters, ever pragmatic, acknowledges that studio leadership changes quickly, leaving room for hope that the project might still see the light of day.Listen to John Waters chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week’s Rewind looks back at a trio of interviews with Tori Amos. Listen to the selections, which span from 2017 to 2021, now.The first interview runs it back to 2017, when Amos had just released her fifteenth LP, Native Invader. It's an album that was written in the wake of Trump’s 2016 presidential inauguration and the conversation spotlights environmental concerns, her Native American ancestry, and the political landscape backed with sweeping piano runs and slicing guitar solos. From there, travel to 2020, when the icon delivered her memoir, Resistance: A Songwriter's Story of Hope, Change, and Courage. Amos discusses the responsibility to speak out, how call-to-action songs find their way, and the difference in how her lyrics can be interpreted in reading and speaking versus within a finished song. We then arrive in 2021 for a conversation about Amos' album Ocean to Ocean. The Artist also talks about fan expectations and connecting back to 1992’s Little Earthquakes as a way to heal.Listen to Tori Amos chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Martin Kove joins Kyle Meredith to reflect on an extraordinary career that spans over 50 years in Hollywood, from memorable guest spots on Gunsmoke, Kojak, and Charlie's Angels to his definitive role as the unrelenting John Kreese in The Karate Kid franchise and its Netflix sequel series, Cobra Kai.Kove describes the evolution of Kreese as a character who began as the ultimate antagonist but has grown into a nuanced figure with layers of vulnerability. "I'd rather cry on camera than beat someone up," Kove says of his approach to playing the tough-guy roles that made him famous. With Cobra Kai’s upcoming final episodes, Kove teases moments of redemption for Kreese, a man forced to reconcile his rigid worldviews with the lessons life has thrown at him.As for his involvement in the upcoming Karate Kid: Legends movie starring Ralph Macchio and Jackie Chan, Kove remains in the dark. "Very few of us were privy to anything of what this movie's even about," he says, before recalling how he was invited to the set of the Will Smith-produced 2010 remake starring Chan and Jaden Smith.But Kove has other passions as well; as a lifelong Western aficionado, he's interested in reviving the genre for modern audiences. "Kids today don't have heroes like Eastwood or Wayne," he laments, discussing his upcoming projects, including a comic book and potential series centered on old-school values and morality.Listen to Martin Cove chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Maren Morris sat down with Kyle Meredith backstage at Bourbon and Beyond to talk about her Intermission EP, a stunning reflection of life in flux. It’s been a whirlwind since Morris released Humble Quest, with the singer-songwriter making bold changes to her career and life. As she told Meredith, “You’re going to have to sacrifice your old life to get to your new one.”Morris describes Intermission as an appetizer of what’s to come, though its emotional weight packs a full-course punch. The standout “I Hope I Never Fall in Love” channels raw heartbreak, with Morris pushing her vocals to a gritty, soul-baring edge. “It needed that desperation and anger,” she said.The EP’s title speaks to the moment: a pause, but hardly a stop. Morris is deep in the creative process, balancing new writing trips with festival performances. “At the end of the day, I’m still an album girl,” she said, clearly inspired by the wave of powerhouse women dominating the charts. But she’s not rushing — this new chapter is unfolding on her terms.Listen to Maren Morris chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Bangles’ Susanna Hoffs dives into her personal archive of unreleased gems with The Lost Record, a collection of tracks from the late '90s that are only now seeing the light of day. Chatting with Kyle Meredith, Hoffs recounts how this “lost” album came to be, from its serendipitous origins in her garage to collaborating with the likes of the Tuesday Night Music Club crew, the same musical collective that brought Sheryl Crow's debut album to life.Reflecting on the project’s sound and era, Hoffs talks about her fascination with the ‘90s zeitgeist, Nirvana's influence, and how the garage band feel led to songs like "Under a Cloud," later re-recorded by The Bangles.Among the album's nostalgic gems is a subtle nod to Prince, who famously gifted The Bangles their hit "Manic Monday" in the ‘80s. Recently, Hoffs posted a photo of the original cassette tape from Prince, which bore not only "Manic Monday," but also a second track named "Jealous Girl." Hoffs, who hadn’t heard the song until recently, expressed genuine excitement about finally getting to hear the track that “might have been” in The Bangles' catalog.Hoffs also reveals her ongoing passion for storytelling, both in music and writing. With her debut novel The Bird Has Flown optioned for film, she’s deep in a second draft and working on a follow-up.Listen to Susanna Hoffs chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this 2010 Rewind interview, Adele chats with Kyle Meredith about the growth that took place between her debut album, 19, and her second album, 21. Listen to the conversation now.Adele discusses the emotional inspiration behind 21, which emerged from a devastating breakup that led her to create some of her most powerful music of her career. She reveals that she initially struggled to find direction, waiting for life to hit her with the emotional experiences she draws upon for songwriting. Such raw vulnerability is clear in hits like "Rolling in the Deep," which, contrary to her expectations, skyrocketed as a viral hit worldwide. Adele also shares her experience covering The Cure's "Lovesong," a choice suggested by producer Rick Rubin, and her deep appreciation for reinterpretations of her music, like Jamie xx's remix of "Rolling in the Deep." Listen to Adele chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hank Azaria steps into the spotlight in a new role as the frontman of Hank Azaria and the EZ Street Band, channeling his inner Bruce Springsteen for the tribute act that started as a 60th birthday celebration and quickly turned into a regular gig. He's even taking it on the road (get tickets here)! Listen to his conversation with Kyle Meredith, where Azaria delves into his journey from comedic acting to rock 'n' roll, tackling Bruce’s iconic voice, and the emotional thrill of performing Springsteen’s classics on stage.Known for his wide-ranging roles in The Simpsons, Friends, and Brockmire, Azaria reflects on his journey from a being Bruce fan in 1976 to fronting a band that performs regularly. He explains how his fandom grew through bootleg live recordings and endless spins of Springsteen’s first five albums.For Azaria, singing Springsteen’s songs is not only about nailing the impression; it’s an emotional outlet and a way to channel Springsteen's expressive storytelling. Azaria’s new setlist covers Springsteen classics from Greetings from Asbury Park, N.J. to Wrecking Ball. Between songs, he uses Springsteen’s classic "talks" style, weaving in personal stories that connect him even further to Bruce’s themes of resilience, creativity, and struggle. Each show also serves as a benefit for his charity, bringing an extra layer of purpose to every performance.Listen to Hank Azaria chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In a groundbreaking move to expand the Citadel universe globally, two new series, Citadel: Diana and Citadel: Honey Bunny, take espionage fans from the tech-driven streets of Milan to a retro India filled with unexpected twists. Kyle Meredith sits down with the cast and creatives behind each international adaptation to explore how these stories reinvent the spy genre and connect to the original Prime Video series.For Citadel: Diana, Matilda De Angelis brings a layered portrayal of the title spy, a character with a haunted past navigating the treacherous Manticore syndicate. Set in 2030 Milan but flashing back nearly a decade, Diana’s journey becomes a tale of vengeance and self-discovery.On the other side of the world, Citadel: Honey Bunny rewinds the clock to explore the origin story of Nadia’s parents in India. Directed by Raj and DK and starring Samantha Ruth Prabhu, Honey Bunny crafts a uniquely Indian twist on the Citadel universe. As Prabhu explains, she had fun playing the dual roles of actress and spy, with Raj and DK joking about the extra challenge of making Samantha act like a “bad actress” at times. The team strived to create a distinct look that reflects the story’s setting in the ‘90s, yet with a modern, high-octane spin.For Raj and DK, the magic of Honey Bunny lies in using localized hacks to achieve Hollywood-caliber stunts, including a high-stakes car fight that pushes creative boundaries. Raj describes the experience as “subverting the system,” aiming to give viewers blockbuster thrills while staying rooted in India’s unique cinematic techniques.Listen to the casts and crews of Citadel: Diana and Citadel: Honey Bunny chat about all this and more in the new episode or watch it on YouTube here and here. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Catching up with Suzanne Vega backstage at Bourbon and Beyond, Kyle Meredith dove into the timeless artist's latest ventures, including her new single “Rats.” Listen now.“Rats" is a gritty homage to New York City's darker corners, inspired by punk mainstays like The Ramones and newer post-punk outfit Fontaines D.C. The timing couldn’t be better: the song dropped alongside the first-ever National Rat Summit in NYC, giving Vega’s track a fitting place among the urban grit it romanticizes.The real news? Vega’s first album since 2016 is set for spring, coincidentally (or not) landing on the 40th anniversary of her iconic self-titled debut. Vega hints that this new record veers between genres; expect everything from folk rock to a Motown-inspired track, and even a song with a California ‘70s vibe. For fans, it’s a return to the kind of thematic storytelling that’s always marked her work, with fresh twists on familiar urban motifs. “Life gets in the way,” she laughs, referring to her longer album hiatus, “but there’s always something in New York to write about.”Listen to Suzanne Vega chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this special Rewind episode of Kyle Meredith With..., Billy Corgan of Smashing Pumpkins joins the conversation for two interviews, one from 2015 and another from 2017. Hear them both now.In the first interview, Corgan discusses the band's album Monuments to an Elegy, which arrived as part of the ambitious Teargarden by Kaleidyscope project. He reflects on the album's concise pop sound, his competition with modern pop stars, and the state of modern alternative rock. He also shares insights into his creative process and the drive that has kept him continuously writing new music, addressing the legacy of his past work and how it compares to his current projects. The interview also touches on collaborations with legendary drummers like Tommy Lee and explores how rock culture has shifted over the decades. Then, in the 2017 interview, Corgan delves into his solo work and the creation of his album Ogilala. He explains the stripped-down nature of the record, attributing much of the sparse production to Rick Rubin, and talks about the creative freedom it provided him. He also addresses the ongoing speculation about the future of the Smashing Pumpkins, his evolving relationship with his past records, and his desire to re-contextualize some of his older solo work.Listen to  Billy Corgan chat about all this and more in the new episode. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Backstage at this year's Bourbon and Beyond Festival in Louisville, Sting chats with Kyle Meredith about the thrill of touring with his new “3.0” setup — a three-piece band that echoes his Police days but with a twist. Listen now.Sting discusses how being in a different three-piece allows him to reinvent his sound while revisiting his iconic hits. “It’s not the Police, but it’s a three-piece that brings a lot of clarity and freedom,” he explains, emphasizing that the stripped-down configuration allows him and his bandmates to explore songs in ways that big ensembles wouldn’t.Sting also teased his now-confirmed collaboration with Dr. Dre and Snopp Dogg, saying, “If Dre says I’m on his album, that must be true.” Though he played coy about details, the excitement was unmistakable. As he continues his 3.0 tour (get tickets here), Sting proves that his drive to experiment and evolve is as fierce as ever, showing fans a fresh take on the music that made him a legend.Listen to Sting chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kate Siegel, known for her striking performances in horror in things like The Haunting of Hill House and Midnight Mass, dives into new territory with her directorial debut in the latest V/H/S anthology, V/H/S/Beyond. The filmmaker/actor talks with Kyle Meredith about her part in the movie, as well as her new animated series Dark Corners, working with Stephen King, and Mike Flanagan’s upcoming adaptation of The Life of Chuck.Though Siegel initially declined the offer to direct V/H/S/Beyond, Flanagan, her husband and frequent collaborator, encouraged her to seize the opportunity. With her segment playing with themes of time, Siegel describes it as “both scientific and spiritual,” something she's also exploring in her upcoming project The Life of Chuck, her upcoming adaptation of the Stephen King story.King also serves as Siegel's screenwriting collaborator on the upcoming Dark Corners, an animated horror anthology aimed at young audiences. Inspired by her children’s growing curiosity about the genre, Siegel launched the project to provide age-appropriate chills without diluting the scare factor.Looking ahead, Siegel’s directing ambitions extend to complex, female-centered narratives that blend horror, fantasy, and philosophical exploration. “Weird, feminist, adult stories — that’s where I’m headed,” she explains, inspired by a mix of Guillermo del Toro, Terrence Malick, and Ridley Scott.Curious about what’s next for Kate Siegel as a director? Hit play to hear all about her debut and exciting future projects and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In the new Netflix thriller Don’t Move, Kelsey Asbille and Finn Wittrock throw themselves into a brutal cat-and-mouse game of survival. The two actors talks with Kyle Meredith about the movie, as well as Asbille saying goodbye to Yellowstone and Wittock's upcoming roles. Listen now.Known for exploring sinister roles in shows like American Horror Story, Wittrock digs deep into the psyche of his character, crafting a villain who, he notes, believes he’s offering Iris a bizarre kind of release.Asbille and Wittrock also credit horror legend and producer Sam Raimi, who brought his distinct expertise to the set, particularly in capturing the stark isolation of the wilderness. Raimi, known for his iconic work in The Evil Dead, even traveled to Bulgaria to set the tone in the initial days of shooting, guiding the crew on how to turn their remote surroundings into an oppressive, almost otherworldly environment.For Asbille, the role marks a departure from her work on Yellowstone, pushing her to new extremes both emotionally and physically. For Wittrock, the film became a playground to explore his penchant for “evil eyes,” which, he laughs, he perfected during his training at Juilliard.Listen to Kelsey Asbille and Finn Wittrock chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this archive episode of Kyle Meredith with..., Meredith rewinds to his conversation with John Cleese. The iconic comedian discusses his 2017 tour, various projects, and how he reflects on his life. Listen to the talk from the vault.Speaking about his then-upcoming Louisville appearance, he expressed appreciation for his American fans, who he finds kind and receptive — contrasting that with the treatment he often receives from the British press. Cleese also discussed his love for cats and his comedic journey, attributing his fascination with human psychology as a major influence in his work. The conversation also touched on Hold the Sunset, originally titled "Edith," which marked Cleese’s return to television after a long hiatus. He had some pointed words for BBC executives, lamenting their cautious approach in commissioning the show’s future despite positive feedback. The frustration he shared seemed to reflect his broader views on the evolving landscape of television, where executives, unlike those from his Monty Python days, often lack hands-on creative experience.Listen to John Cleese chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith catches up with Black Francis of Pixies to discuss their latest release, The Night the Zombies Came. The frontman also touches on the current touring landscape (they're on the road with Pearl Jam in Australia and New Zealand, and launch their EU/UK headlining tour next spring; get tickets here) and his 1994 solo album, Teenager of the Year. Listen now.Discussing the creative process behind The Night the Zombies Came, Black Francis dives into how certain themes, like the undead, seem to manifest organically in the studio. Rather than forcing a concept album or rock opera, he believes in allowing themes to arise naturally, creating a mood that’s more impressionistic than narrative-driven.Looking ahead, fans of his solo work have reason to celebrate as Francis is gearing up to tour for the 30th anniversary of Teenager of the Year under his Frank Black moniker. (The trek kicks off in January, and you can get tickets here.) Reflecting on that album, he recalls its chaotic, joyful recording process, marred by natural disasters and relocations but ultimately fueled by creative freedom.Listen to the Pixies' Black Francis chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The cast of Shrinking is back on Apple TV+ for Season 2, and Kyle Meredith sat down with several key members to discuss the evolution of their characters and the importance of the show’s themes. The cast, including Christa Miller, Jessica Williams, Luke Tennie, Lukita Maxwell, Ted McGinley and Michael Urie, brings a balance of humor and heart to their performances. Listen to their chat.With Bill Lawrence (creator of Scrubs, Cougar Town, Ted Lasso) leading the charge, Season 2 dives deeper into grief and forgiveness, while still maintaining its sharp comedic edge.Music plays a crucial role in setting the tone for Shrinking, with Christa Miller at the helm of selecting many tracks. Miller cites Angie McMahon’s "Letting Go" and The Strokes’ "Bad Decisions" as highlights that struck an emotional chord throughout pivotal moments. Bill Lawrence also adds, “The music needs to be cerebral and reflect the human condition, especially considering the show’s focus on therapy.” The cast also delves into how music plays a part in their own lives. From Jessica Williams’ love for Rilo Kiley to Tennie's appreciation of Vulfpeck, it’s clear that music helps them connect with the roles they play.Williams, who plays Gabby, talks about the blend of scripted lines and improv that makes the show’s comedic timing so effortless. Similarly, Luke Tennie (Shaun) shares how his character adds weight to the show, often grounding the more comedic moments with emotional intensity.Listen to the cast of Shrinking chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tony Hale has made a name for himself as a comedy heavyweight with unforgettable roles in Arrested Development and Veep, but his latest project, Anna Kendrick’s directorial debut Woman of the Hour, takes a dramatic turn. Listen to the actor speak with Kyle Meredith about the film, as well as Arrested Development and wanting to do more with his Veep character.Hale also praises Kendrick’s work behind the camera, noting the unique dynamic of working with someone who has an actor’s sensibility. “It’s always a gift to work with an actor-director because they know the questions you’re going to ask,” Hale says, emphasizing the trust and vision Kendrick brought to the project.While Hale is excited to show his versatility with this dark role, he also has a willingness to revisit beloved characters like Buster Bluth and Gary Walsh. Speaking about his work on Arrested Development, Hale recalls how easily he slipped back into character for the show’s Season 4 and Season 5 revivals. Similarly, Hale speaks fondly of his time on Veep, where he says he’d love the chance to return.Listen to Tony Hale chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy