GREEN KNIGHT MULTIMEDIA PODCAST

Reza Shah-Kazemi

::From Mythology to Cosmology and Spirituality:: The best way of encapsulating the central motif, the particular constellation of ideas that motivated the production of this company and the philosophy underlying this project is the following quotation from one of our great teachers Dr. Martin Lings, otherwise known as Shaykh Abū Bakr Sirāj al-Dīn, who died in 2005 at the age of 96 ; “Our aim is to express some of the universal truths which lie at the heart of all religions” quoted from the preface of his book The Book of Certainty. Part of our aim and part of what driven us is trying to re-present the legacy of Dr. Lings and there by the Perennial Philosophy in the English language with the emphasis of the audio access. We want people to be able to hear on themes of perennial philosophy , comparative religion, and the deeper aspect of the mystical path in the traditions and to do this in a way that will be accessible on the internet through the spoken word with the emphasis of going back to tradition. In a certain way this new medium can be used in a postmodern way to actually go back to the pre-modern realities, to traditional realities and to traditional ways of expressing this wonderful truth that have been giving to all of us by the Almighty through all of our traditions and cultures. read less
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Saraswatī the Goddess of Intellect - Sarah Magalhães
08-04-2023
Saraswatī the Goddess of Intellect - Sarah Magalhães
In this series of talks, Sarah will take us to India where we learn with here more about the spiritual import of Hindu dance from a Traditional prespictive. Inspired by the writtings of Frithjof Shoun, particularly on sacred art, she will read a passage of her choice from Shoun's books where she will illustrate the main ideas of the text with the help of the dramatic art of ancient India, bringing into evidence the relationship between form and intellection in the sacred gestures and mudras of Hindu dance. In this episode we will talk about the Goddess of Intellect... Saraswatī.She has been known as the goddess of knowledge, music, art, wisdom, and learning. She is the inspiration of the poet, the vision of the artist, the sound heard by the musician and the lightning inspiration of the seeker. A Bharatnāṭyam performance and an interview with #guru Dr. Sucheta Chapekar explaining the concept of Saraswatī representing Jñānamārga, the Path of Knowledge, will follow at the end of this presentation. Click on the transcibe file download which could help follow the video. For those who listen on the podcast audio, the transcribe will show when you click on "Notes".#transcribe file :https://thegreenknight.org/wp-content/uploads/2023/04/Saraswati-the-Goddess-of-Intelect.pdfWatch the #recording on our website here https://thegreenknight.org/sarah-magalhaes/For news and new releases directly to your inbox, sign up to our #newsletter 👇https://thegreenknight.org/contact/#podcast #podcasting #podcaster#greenknight #spirituality #spiritualawakening #spiritual #spiritualitä #theology #hindu #saraswati #podcast #podcasting #podcaster#greenknight #greenknights #art #artprint #celticart #celtic #theology #comparativereligion #geometricart #sirgawainandthegreenknight #lovequotes #poem #theology #comparativereligion #sacredgeometry #sacredart #patrick #tombree #art #artistsoninstagram #artofinstagram #artist #spirituality #spiritualawakening #spiritual #spiritualität #martinlings #westminsterabbey #anthonyball #canon #bishop #alchemy #hindu #dance #hinduism #hindi #SarahMagalhães
Beauty  in Traditional Arts - Sarah Magalhães
02-02-2023
Beauty in Traditional Arts - Sarah Magalhães
Revelation and the function of Beauty  in Traditional Arts  By Sarah MagalhãesToday we will becontemplating on Traditional Arts. To awaken the sense of beauty, I have selected a few passages from Art From the Sacred to the Profane: East and West, writings of Frithjof Schuon, edited by Catherine Schuon and extracts from the chapter:  TheDegrees of Art in  Esoterism as a Principal and as a Way.   I propose to elucidate the function of revelation in the artistic process of a practitionerof  traditional arts and to answer some important questions related to the role of art and Beauty in human life as receptacles of Truth. To express the ideas discussed through a visual medium, a traditional Bharat Natyam dance performance will follow at the end of this presentation.? What is the most effective way to communicate Beauty, the vehicle of saving Truth?? What is the most appropriate way to convey the metaphysical nature of things through the beauty of forms? ? How can we provoke the same state of contemplativeness in the other by realizing a“contemplative disinterestedness” in the act of creation ?? How can traditional art  become an "upaya", a "provisional means" to convey metaphysical truths ?  These questions are relevant for any field of traditional arts. There are many aspects ofsacred expressions  such as writing, recitation, calligraphy, painting, architecture, sculpture, clothing, pottery, dance, music…  My experience, in particular, refers to the sense of the sacred in the art of gesture and sacred dance. However, the practitioner of any field of traditional art and the appreciators of art will find resonance with the ideas discussed here.Introduction:Traditional artproposes in its mode of operation an homogeneous worldview, being  an integral expression of the social,religious, ethical, practical and spiritual dimensions of existence. Thus, thiskind of art is a natural expression of life. It has the power to hold togetherseveral streams of a specific culture and to express its true values. In ourpresent times we no longer have the traditional framework of existence, butstill the blessings transmitted by tradition allows the serious seeker in thefield of art to experience its essence. Art, conceived in a traditional way, encompasses all aspects of life, expressinghigher values, revealing truth and metaphysical wisdom. In this context, artassumes a very different role from the superficial modern approach in which artis considered mere entertainment or just merchandise. On the other hand, thetraditional approach to art is that of a metaphysical and religious phenomenon,which is intrinsically connected with Revelation. Art is thus, none other thana channel for revelation of the sacred content of a particular religion. Beingrooted on  symbols provided byRevelation, traditional arts  has afunction related to esoterism as it reveals the metaphysical and mysticalmeanings inherent in the cannons established by tradition. Thus, the creativeprocess  is an experience connectingearthly existence with transcendence; encompassing man’s personality as a wholein which the Unified Reality beyond forms, once realized in  depth becomes gnosis, where intellectionmeets Revelation. As in themedieval conception: "Ars sine scientia nihil est”, which means that thepractice of art without knowledge is nothing, establishes that the creativeprocess must be rooted in knowledge, reason and established principles. Thecreative activity must be guided...
Mudras as symbols of the universe -The Spiritual import of Hindu Dance PART (2) by Sarah Magalhães
28-11-2022
Mudras as symbols of the universe -The Spiritual import of Hindu Dance PART (2) by Sarah Magalhães
By Sarah MagalhãesRecite and perform: ? Kapotha Hasta Viniyoga. —- Religious Respect Praname Guru Sambhashe Vinayangi Krteshwayam(The form of this mudra is analogous to the form of the heart and this is held in the center of the chest where the noblest inner attitudes should manifest in hierarchic relationships.) (To offer pranams, respectful salutation to the guru as a mark of acceptance; to show politeness and respect while talking to elder people; to show modesty while being praised.)Making use of rational modes related to aspects of devotion, respect and worship in social relationships, the mudras become symbols to describe and convey knowledge of a greater degree, such as universal concepts which must be properly assimilated, into knowledge of a sensible order. In this alchemy, the relationship of Form and Essence in the performance of the mudras translates in a visual expression, the spiritual ethos of Hinduism. Recite and perform: —- ? Pushpaputa Hasta Viniyoga. Offering(All the meanings of this hasta are related to worship and ritual )Neeranjenavidhou , Vaari phala digrahane pichaSandyayaam Arghyadanecha, Mantrapushpecha Yujyate(Small lamp on a plate for worship, to hold, to receive a coconut which is a symbol of auspiciousness and a divine offering; ritual to be offered in the morning and in the evening; to take water for the ocean and to offer again to the ocean —whatever you get or learn from the guru you must add to it give back to its source ; offering of mantras )Whereas metaphysic proceeds from intellectual intuition, religion proceeds from Revelation. The sacred gesture extracts the essence of metaphysics and reveals its beauty through the revelation of a religious form. Thus, these sacred gestures are a direct and active participation in divine Knowledge with the whole body as a unity of physical body, mind and soul. The human body being the microcosm is a reflection of the macrocosm in its way of operation. Thus, the sacred gesture awakens a knowledge which is inscribed in the innermost essence of man and comes up to life through mimesis of a real ritual. The performance of these holy gestures acts as a way of extinction. A way of liberating oneself from the cosmic Maya through the cosmic Maya, the body itself, in this case. Recite : ? Uttsanga Hasta Viniyoga - Respect in the social domain (Now we come to a more secular aspect of life. These Viniyogas explicit social action and attitudes in daily life related to self-respect.) Aalinganecha, Lajjayam, AngadadipradarshaneBalam Shikshane chayam Uttsango Yujate Karaha(Embracing; shyness; to show the ornaments in the upper part of the arms; teaching children to be poised)In the domain of social life, the mudras are signs for recognition of ethical values. The sacred gesture enshrines a specific form that corresponds to an idea in the realm beyond form. Reasons explain discursively through language. The Intellect knows intuitively. In this sense, the mudra is a seal or a symbol of an idea - an intellection translated into body substance. ? Shivalinga Viniyogastu Tatsieiva Shivalingasya darshane (Refers to the Supreme Principle)To show Shivalinga as two Principles. Purusha and PrakritiSacred gestures reveal forms proper to actualize the spiritual content of a particular religion, as they are transmitter of intellectual intuitions. In this way, esoterism manifests on exoterism by the medium of sensible forms. Thanks to their symbolism translated into an immediate and universal language; these forms are channels for conveying a religious doctrine. In this way, esoterism infuses an intellectual quality into the devotional domain of the tradition.? Shakatam Raakshasaa Bhinaye praya Shakato Viniyujyate (To show demons)(To...
Mudras as symbols of the universe -The Spiritual import of Hindu Dance PART (1) by Sarah Magalhães
28-11-2022
Mudras as symbols of the universe -The Spiritual import of Hindu Dance PART (1) by Sarah Magalhães
Mudras as symbols of the universe —The spiritual import of Hindu dance(Form and Essence in Frithjof Schuon’s writings, and its direct analogy and application to the sacred gestures of Hindu dance and dramatic art.)By Sarah MagalhãesOutline of Presentation:? Read selected passages from: Chapter 4: Concerning Forms in Art, The Transcendent Unity of Religion, pg. 61 Edition Quest Books, Chennai, India 2005? I propose to illustrate the main ideas of the text with the help of the dramatic art of ancient India, bringing into evidence the relationship between form and intellection in the sacred gestures of Hindu dance.? Present a brief introduction of some concepts of Traditional Hindu dance and retrace the origin of these gestures coming from the ancient Vedic rituals. Elucidate the distinction between Mudras in Yoga Tradition and Hasta in dance tradition.? Comment and illustrate the text with the Viniyogas which are the meanings given to the various symbolic gestures, the-Hastas- I have chosen significant Viniyogas which elaborate metaphysical principles and religious offerings. I will perform them along with the recitation of the shloka, explaining its meaning.I- Introduction Indian classical dance — a visual expression of Hindu thoughtArt in India is deeply connected with its philosophy, the rich heritage of Hindu tradition. Hindu dance, issued from the Ancient Indian drama, is a visual expression of Hindu thought expressed through visual form. It directly conveys metaphysics and the religious aspect of life through the science of gestures, the mudras. These sacred gestures provide an immediate understanding of the religious ethos of India.Modern Society lacks epitomes and normative models to uplift mankind. The technological invasion with its impact of an abnormal mentality divorced from the sense of the sacred influences mankind leading man to destructive behavior on earth. Sanskrit theater as the total art-form uniting heaven and earthAncient Drama in India was meant to provide models and prototypes to society. Indian theater is thus a mirror of the life of good people, those who live in excellence. In India, drama is known as Natya Veda or The Fifth Veda conceived by Lord Brahma, the creator, to teach righteousness (dharma) to society. On earth, sage Bharata claimed to have received the knowledge of theater by integrating speech from the ?g Veda, music from the Sama Veda, acting from the Yajur Veda, and emotion from the Atharva-Veda. As the Vedas were strictly reserved to the Brahmins, a fifth Veda was created to convey the Vedic teachings to one and all in a simple way, through the science of gestures recreating thus, good behavior with an aesthetic-ethical significance. Drama was accepted as the ‘total art form’ that united acting, dance, poetry, music, fine arts, human values, and practically all other concerns of life in order to sustain and nourish a heavenly world, (alaulika) through the aesthetic experience, rasa. Mudras in the Hindu holy worship In the religious domain, the execution of the paradigmatic Vedic sacrifice may itself be interpreted as a hieratic form of theater. In the same order, Bharata’s theater claimed to be modeled on the ‘originary’ unifying principle of the solemn Vedic sacrifice. The symbolic gestures in dance tradition are known as coming directly from the ancient Vedic rituals when dance was an integral part of the holy worship in temples. The Vedic hymns and mantras or mystical syllables form the foundation of the Hindu holy worship. Traditionally, the recitation of hymns and mantras are sometimes accompanied by specific hand gestures which are called “mudras”. Mudra is a mystic gesture of the hands symbolizing the...
Alchemical Reflections on Dhu al-Qarnayn and Gog & Magog narrative - Part (1)
23-07-2022
Alchemical Reflections on Dhu al-Qarnayn and Gog & Magog narrative - Part (1)
Speaker: Guy Ogilvy In this dialogue with Reza, Guy will take us through a journey with Dhu al-Qarnayn, otherwise known as Alexander the Great, and dive in the alchemical symbolism of the story of him trying to protect his people from Gog & Magog using iron and copper. The story is portrayed in the Koran in chapter 18 ‘The Cave’ or Al-Kahf verses 83 to 99, please see translation below.83 They will ask thee of Dhul-Qarneyn. Say: I shall recite unto you a remembrance of him.84 Lo! We made him strong in the land and gave unto every thing a road.85 And he followed a road86 Till, when he reached the setting place of the sun, he found it setting in a muddy spring, and found a people thereabout: We said: O Dhul-Qarneyn! Either punish or show them kindness.87 He said: As for him who doeth wrong, we shall punish him, and then he will be brought back unto, his Lord, who will punish him with awful punishment!88 But as for him who believeth and doeth right, good will be his reward, and We shall speak unto him a mild command.89 Then he followed a road90 Till, when he reached the rising place of the sun, he found it rising on a people for whom We had appointed no helper therefrom.91 So (it was). And We knew all concerning him.92 Then he followed a road93 Till, when he came between the two mountains, he found upon their hither side a folk that scarce could understand a saying.94 They said: O Dhul-Qarneyn! Lo! Gog and Magog are spoiling the land. So may we pay thee tribute on condition that thou set a barrier between us and them?95 He said: That wherein my Lord hath established me better (than your tribute). Do but help me with strength (of men), I will set between you and them a bank.96 Give me pieces of iron--till, when he had levelled up (the gap) between the cliffs, he said: Blow!--till, when he had made it a fire, he said: Bring me molten copper to pour thereon.97 And (Gog and Magog) were not able to surmount, nor could they pierce (it).98 He said: This is a mercy from my Lord; but when the promise of my Lord cometh to pass, He will lay it low, for the promise of my Lord is true.99 And on that day we shall let some of them surge against others, and the Trumpet will be blown. Then We shall gather them together in one gathering.Koran Surat Al-Kahf (The Cave) 18: 83 to 99, translation by Marmaduke PickthallWatch the #dialogues on our website here https://thegreenknight.org/dhu-al-qarnayn/For news and new releases directly to your inbox, sign up to our #newsletter 👇https://thegreenknight.org/contact/#podcast #podcasting #podcaster#greenknight #spirituality #spiritualawakening #spiritual #spiritualitä #podcast #podcasting #podcaster#greenknight #greenknights #art #artprint #celticart #celtic #theology #comparativereligion #geometricart #sirgawainandthegreenknight #lovequotes #poem #theology #comparativereligion #sacredgeometry #sacredart #patrick #tombree #art #artistsoninstagram #artofinstagram #artist #spirituality #spiritualawakening #spiritual #spiritualität #martinlings #westminsterabbey #anthonyball #canon #bishop #alchemy