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Why Do I Love You? (after Gaylord and Magnolia's Duet from Act 2 of Kern's Musical "Show Boat")
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Can?t Help Lovin? Dat Man (after Magnolia's Song from Act 1 of Kern's Musical "Show Boat")
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Ein kleiner Slowfox mit Mary (after Final Song from Epilogue of K lm n's Operetta "Die Herzogin von Chicago")
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Mimi (from Rouben Mamoulian's Musical Film "Love Me Tonight", 1932)
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Plus rien (Blues from the Francis Carco's Revue "Ces messieurs, dames")
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Depuis que je suis … Paris (adapted from Mireille and Nohain's Operetta "A la Belle BergŠre")
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Mon chant d?amour est une valse (after the Aria by Stolz included in Benatzky's Operetta "L?Auberge du Cheval blanc")
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teignons tout et couchons-nous! (adapted from the Song "Let?s Put Out the Lights and Go to Sleep")
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Presque oui (from Mireille and Nohain album "Un mois de vacances", 1932)
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Vous valez mieux qu?un sourire (from Julien Duvivier's Musical Film "L'Homme du jour", 1937)
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Sonata for Two Pianos in D Major, K. 448: I. Allegro con spirito
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Sonata for Two Pianos in D Major, K. 448: II. Andante
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Sonata for Two Pianos in D Major, K. 448: III. Molto allegro
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Gershwin Cocktail (on famous Themes of Gershwin)
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Wir danken dir, Gott, wir danken dir, BWV 29: Sinfonia (Arr. for Two Pianos))
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Organ Concerto No. 2 in A Minor, BWV 593: III. Allegro (Arr. for Piano Duet)
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Strike up the Band (From "Strike up the Band") [Arr. for Two Pianos]
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Rˆve de printemps (after Johann Strauss Jr.'s "Frhlingsstimmen", Op. 410)
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Why Do I Love You? (From "Tip-Toes") [Arr. for Two Pianos]
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Continental (from Mark Sandrich's Musical Film "The Gay Divorcee", 1934)
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Souvenir du B?uf sur le Toit (after Milhaud's "Le B?uf sur le toit", Op. 58)
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Rythmamba (from Jacques Natanson's Film "Le Clown Bux", 1935)
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